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Call Me Ahab: A Short Story Collection (Prairie Schooner Book Prize in Fiction)

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Call Me Ahab: A Short Story Collection (Prairie Schooner Book Prize in Fiction) Cover

 

Awards

Winner of the Prairie Schooner Book Prize in Fiction

Review-A-Day

"Finger's stories are full of small moments of chance, of alternate routes and reactions that end up making all the difference, as if to suggest the minute contingencies of birth or history that result in a missing leg or sightless eyes.... By placing recognizable historical and fictional characters in contemporary guises and poses, Finger reminds us of the enduring presence of atypical bodies." Alyssa Pelish, Rain Taxi (read the entire Rain Taxi review)

Synopses & Reviews

Please note that used books may not include additional media (study guides, CDs, DVDs, solutions manuals, etc.) as described in the publisher comments.

Publisher Comments:

Imagine a Hollywood encounter between Helen Keller and Frida Kahlo, two female icons of disability. Or the story of Moby Dick, or, The Leg, told from Ahab's perspective. What if Vincent Van Gogh resided in a twentieth-century New York hotel, surviving on food stamps and direct communications with God? Or if the dwarf pictured in a seventeenth-century painting by Velazquez should tell her story? And, finally, imagine the encounter between David and Goliath from the Philistine's point of view.

These are the characters who people history and myth as counterpoints to the normal. And they are also the characters who populate Anne Finger's remarkable short stories. Affecting but never sentimental, ironic but never cynical, these wonderfully rich and comic tales reimagine life beyond the margins of normality.

Review:

"In this marvelously original collection, Finger (Basic Skills) explores the nature and function of legendary outcasts, from Goliath, initially ridiculed for his giantism before he became a savior of the Philistines, to Vincent Van Gogh, tortured madman and impoverished artist caught in a bureaucratic vacuum as he waits for his Social Security benefits. In 'Helen and Frida,' Finger imagines with absurd relish Helen Keller and Frida Kahlo featured in the same empowering movie (Helen is played by Jean Harlow). In 'The Artist and the Dwarf,' Finger configures an elaborate inner life for the dwarf Mari Barbola in Velzquez's Las meninas, juxtaposed with the dialogue between a medical illustrator in Auschwitz and her doomed subject, the famous circus dwarf Lia Graf. Most ambitious is 'Moby Dick, or the Leg,' in which Finger suggests a touching, untoward intimacy between Ishmael and Captain Ahab. Brisk, inventive and intelligent, these stories do their own thing, and do it well. (Sept.)" Publishers Weekly (Copyright Reed Business Information, Inc.)

Review:

"Finger's unabashedly bold tales creatively reimagine outcasts real and invented." Leah Strauss, Booklist

Review:

"Call Me Ahab showcases a plethora of historical and literary characters....a cheering section for the forgotten and under-appreciated and a testament to creativity, whimsy, and intellect." Eleanor J. Bader, Feminist Review

Synopsis:

Just down the highway from Connecticuts Gold Coast is the states rusty underbelly, the wretched, used-up sort of place where you might find Xhenet Alius Domesticated Wild Things: the reluctant mothers, delinquent dads, and not-quite-feral children, yet dreamers all. These are the children of immigrants who found boarded-up brass mills instead of the gilded streets of America; theyre the teenaged girls raised in the fluorescent glow of Greek diners, the middle-aged men with pump trucks and teratomas. These are people who have fled, or who should have. And if they are indeed familiar, it is because Aliu writes what is real, whether we ourselves, her readers, have seen it up close or not. And her stories make sense in a way that matters.

A young mother buys into a real-estate investment seminar offered on an infomercial, only to be put back into her place by a bully in foreclosure. A closeted wrestler befriends a latchkey seven-year-old neighbor who harbors secrets of her own. A YMCA counselor tries to reclaim shoes stolen by a troubled young camper.

What they share is a biting humor, an eye for the absurd, and fumbling attempts at human connection, all rendered irresistible—and as moving as they are amusing—by a writer whose work is at once edgy and endearing and prize winning for reasons any reader can appreciate.

 

About the Author

Anne Finger has taught creative writing at Wayne State University in Detroit and at the University of Texas at Austin. She is the author of several books, including Bone Truth: A Novel; Basic Skills: A Short Story Collection; and the memoir Elegy for a Disease: A Personal and Cultural History of Polio.

Product Details

ISBN:
9780803225336
Author:
Finger, Anne
Publisher:
University of Nebraska Press
Author:
Aliu, Xhenet
Subject:
People with disabilities
Subject:
Disabilities
Subject:
Short Stories (single author)
Subject:
Short stories
Subject:
Stories (single author)
Edition Description:
Trade Paper
Series:
Prairie Schooner Book Prize in Fiction
Publication Date:
20130901
Binding:
Electronic book text in proprietary or open standard format
Language:
English
Pages:
156
Dimensions:
8.5 x 5.5 in 0.55 lb

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Related Subjects

Fiction and Poetry » Literature » A to Z

Call Me Ahab: A Short Story Collection (Prairie Schooner Book Prize in Fiction) Used Trade Paper
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Product details 156 pages Bison Books - English 9780803225336 Reviews:
"Publishers Weekly Review" by , "In this marvelously original collection, Finger (Basic Skills) explores the nature and function of legendary outcasts, from Goliath, initially ridiculed for his giantism before he became a savior of the Philistines, to Vincent Van Gogh, tortured madman and impoverished artist caught in a bureaucratic vacuum as he waits for his Social Security benefits. In 'Helen and Frida,' Finger imagines with absurd relish Helen Keller and Frida Kahlo featured in the same empowering movie (Helen is played by Jean Harlow). In 'The Artist and the Dwarf,' Finger configures an elaborate inner life for the dwarf Mari Barbola in Velzquez's Las meninas, juxtaposed with the dialogue between a medical illustrator in Auschwitz and her doomed subject, the famous circus dwarf Lia Graf. Most ambitious is 'Moby Dick, or the Leg,' in which Finger suggests a touching, untoward intimacy between Ishmael and Captain Ahab. Brisk, inventive and intelligent, these stories do their own thing, and do it well. (Sept.)" Publishers Weekly (Copyright Reed Business Information, Inc.)
"Review A Day" by , "Finger's stories are full of small moments of chance, of alternate routes and reactions that end up making all the difference, as if to suggest the minute contingencies of birth or history that result in a missing leg or sightless eyes.... By placing recognizable historical and fictional characters in contemporary guises and poses, Finger reminds us of the enduring presence of atypical bodies." (read the entire Rain Taxi review)
"Review" by , "Finger's unabashedly bold tales creatively reimagine outcasts real and invented."
"Review" by , "Call Me Ahab showcases a plethora of historical and literary characters....a cheering section for the forgotten and under-appreciated and a testament to creativity, whimsy, and intellect."
"Synopsis" by ,

Just down the highway from Connecticuts Gold Coast is the states rusty underbelly, the wretched, used-up sort of place where you might find Xhenet Alius Domesticated Wild Things: the reluctant mothers, delinquent dads, and not-quite-feral children, yet dreamers all. These are the children of immigrants who found boarded-up brass mills instead of the gilded streets of America; theyre the teenaged girls raised in the fluorescent glow of Greek diners, the middle-aged men with pump trucks and teratomas. These are people who have fled, or who should have. And if they are indeed familiar, it is because Aliu writes what is real, whether we ourselves, her readers, have seen it up close or not. And her stories make sense in a way that matters.

A young mother buys into a real-estate investment seminar offered on an infomercial, only to be put back into her place by a bully in foreclosure. A closeted wrestler befriends a latchkey seven-year-old neighbor who harbors secrets of her own. A YMCA counselor tries to reclaim shoes stolen by a troubled young camper.

What they share is a biting humor, an eye for the absurd, and fumbling attempts at human connection, all rendered irresistible—and as moving as they are amusing—by a writer whose work is at once edgy and endearing and prize winning for reasons any reader can appreciate.

 

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