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2 Remote Warehouse Film and Television- History and Criticism
1 Remote Warehouse Film and Television- History and Criticism

10,000 Ways to Die: A Director's Take on the Spaghetti Western

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10,000 Ways to Die: A Director's Take on the Spaghetti Western Cover

 

Review-A-Day

"Cox's critical writings here are relaxed and conversational (even in his footnotes), and free from unnecessary jargon or posturing. What's appealing is that he contextualizes the films within the conventions of the genre, not in the larger scheme of cinema and its aesthetics. And Cox is not afraid to dissect what is good, bad, and ugly about a given film." Gerry Donaghy, Powells.com (read the entire Powells.com review)

About the Author

Maverick director Alex Cox has directed such acclaimed films as Repo Man, Sid and Nancy, Straight to Hell, Death and the Compass, Walker, and Searchers 2.0. He’s also the author of X Films: True Confessions of a Radical Filmmaker, and has written on film for publications including Film Comment, Guardian, Independent, and Sight and Sound.

Product Details

ISBN:
9781842433041
Author:
Cox, Alex
Publisher:
Oldcastle Books
Subject:
Film - History & Criticism
Subject:
Film & Video - History & Criticism
Subject:
Spaghetti Westerns - History and criticism
Subject:
Western films -- History and criticism.
Subject:
Film and Television-History and Criticism
Copyright:
Edition Description:
Trade Paper
Publication Date:
20090931
Binding:
TRADE PAPER
Grade Level:
General/trade
Language:
English
Illustrations:
Y
Pages:
336
Dimensions:
9.5 x 6 x 1.1 in 1.19 lb

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Related Subjects

Arts and Entertainment » Film and Television » History and Criticism
History and Social Science » Archaeology » General
Languages » ESL » General
Religion » Western Religions » Theology

10,000 Ways to Die: A Director's Take on the Spaghetti Western New Trade Paper
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Product details 336 pages Oldcastle Books - English 9781842433041 Reviews:
"Review A Day" by , "Cox's critical writings here are relaxed and conversational (even in his footnotes), and free from unnecessary jargon or posturing. What's appealing is that he contextualizes the films within the conventions of the genre, not in the larger scheme of cinema and its aesthetics. And Cox is not afraid to dissect what is good, bad, and ugly about a given film." (read the entire Powells.com review)
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