Adrienne Miller, in her dazzlingly ambitious and hilarious first novel, introduces us to the unforgettable Haven family of Akron, Ohio. This is not your typical Midwestern family, and Lowell Haven is a most unusual patriarch. He's a seducer, a wannabe aristocrat, a liar. Jenny, his former wife, was a brilliant artist, but is today a broken woman with a secret.

In the thirty years since Lowell and Jenny met, Lowell has become a world-famous artist, known for portraits of his favorite subject — himself. But five years ago, Lowell mysteriously stopped painting and the world now demands to know: Why has Lowell Haven abandoned his art? The answer is Merit, Lowell and Jenny's daughter, who is running as fast as she can from her family. Fergus, Lowell's partner, Jenny's ex-best friend, and drama queen extraordinaire, dreams of luring Merit home: the sixty-five-room faux-Tudor mansion where he lives with Lowell. A lavish party for the Midwestern glitterati is the perfect excuse. But his delusions of grandeur loom over the gathering, and his decision to include a certain guest invites disaster.

Stretching from mid-seventies London to the present-day Midwest, The Coast of Akron is a sharply funny and deeply heartbreaking story about the all-too-human urge to own what is unownable.

"The soul of the Haven family decays inside a massive faux Tudor dubbed On Ne Peut Pas Vivre Seul — 'One Cannot Live Alone.' Barraged with the spiraling lies and self-deceptions chronicled here, however, readers may wonder whether living alone is such a bad idea. This first book by Miller, Esquire's award-winning fiction editor, entertains, even fascinates, but ultimately strands the reader with the family's unresolved conflicts and filthy laundry at a homestead literally in flames. The story centers on Merit Haven Ash, grown daughter of two artists, Jenny Meatyard Haven and Lowell Haven, and Fergus Goldwyn, Lowell's lover and Merit's surrogate parent. Miller's talent for caricature is evident early on, as Merit observes her husband Wyatt's obsessive-compulsive behavior, and Fergus, as fabulously bitchy as he is lonely, describes Lowell's evil self-obsession. The author tempers her humor admirably, too, tucking in heartbreaking moments of self-reflection. The trouble is that the scenes don't hang together. Lowell and Jenny are fascinating raptors, and the reader is ready for confrontation as Miller tells the characters' secrets and escalates the drama toward a costume party that is the family's finish. But along the way, Merit and Fergus morph so extremely that their behavior stops making sense. Perhaps their leaps in personality are Miller's take on what happens to children — and adults childlike in their desire for love — when they are betrayed. At the (abrupt and confusing) end, however, it's not the fault of readers if they feel as lost and confused as troubled Merit and her adoptive parent, Fergus. Agent, Christy Fletcher. Author tour." Publishers Weekly (Copyright Reed Business Information, Inc.)

"[S]plendidly realized characters....Imaginative, refreshingly eccentric and, at times, strangely moving, this is truly a book whose characters stay with you long after you put them back on the shelf..." Chicago Tribune

"At last, The Coast of Akron! Adrienne Miller is one of the wittiest and most humane writers we have, bringing to mind at once Dorothy Parker, Mary McCarthy, and M.F.K. Fisher." Dave Eggers

"Tender, intelligent, audacious, and packing a serious wallop, The Coast of Akron will be around a long, long time." Colum McCann, author of Dancer

"The novel builds to a party that reunites the family, with disastrous and hilarious results. Literary-fiction aficionados should take note of this deft comic novel." Booklist

"Miller's eclectic characters are flawed and deceitful, yet heartbreakingly human, while her writing is brutally honest, often hilarious, and endlessly haunting." BookPage

"It's all funny for a while, but eventually the reader feels as if trapped at an endless cocktail party....Mostly frosting, not nearly enough cake." Kirkus Reviews

"The trouble is that Ms. Miller can write: She has a voice, as well as a fine comic sense of madness and an air of danger....[That voice is] all you have in this mad and maddening first novel....Ms. Miller doesn't really do plot very well, or character..." New York Observer

"[A] big, brashly ambitious novel that does not deal in half-measures....[Miller is] more concerned with tracing her characters' mental dissolution than with constructing a compelling plot, and the novel's conclusion is deeply unsatisfying." The Village Voice

"One fears that all the tinsel and feathers in the book may be an attempt to camouflage a lack of confidence in the worthiness of her story....Miller, by working so hard to dazzle and telling her story at such a precarious slant, has sacrificed the truth." San Francisco Chronicle

"[U]nlike a typical debut....It's campy, complicated and almost unnervingly professional, as though Adrienne Miller had been knocking out this stuff for years....It's a frolic and I relished every frivolous page." Los Angeles Times Book Review

"The Coast of Akron is a novel of many delights: it's audacious and provocative, it's arousing (cf. pages 194-196, etc.) and it's hilarious. Adrienne Miller's sharply drawn characters are some very peculiar people, alternately repellant and attractive — people who are, in fact, just like you." Ken Kalfus

"What an incredible carnival of a novel!" Joanna Scott

In her dazzlingly ambitious and hilarious first novel, Miller introduces readers to the unforgettable Haven family of Akron, Ohio. This is not a typical Midwestern family, and Lowell Haven is a most unusual patriarch — a seducer, a wannabe aristocrat, an artist, and a liar.

Adrienne Miller is the literary editor at Esquire, which won the 2004 National Magazine Award for Fiction. She was born in Columbus, Ohio, and grew up around Akron. She now lives in New York City. This is her first novel.