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16 Remote Warehouse Music- Music Appreciation

Other titles in the Global Music series:

Thinking Musically: Experiencing Music, Expressing Culture (Global Music)

by

Thinking Musically: Experiencing Music, Expressing Culture (Global Music) Cover

 

Synopses & Reviews

Publisher Comments:

As the cornerstone of the Global Music Series, Thinking Musically, Third Edition, explores musical diversity by integrating the sounds and traditions of world cultures. Bonnie C. Wade discusses how various cultural influences-gender, ethnicity, mass media, westernization, nationalism, and acculturation-are shaping music and the ways that we experience it.

WHAT'S NEW TO THE THIRD EDITION?

* Simplified and incorporates recent additions to the Global Music Series

* New charts and diagrams delve into important musical concepts

* Updated companion website includes a new guide to online and print resources, a sample syllabi, and teaching tips

Visit www.oup.com/us/globalmusic for a list of case studies in the Global Music Series. The website also includes instructional material to accompany each study.

Synopsis:

As the cornerstone of the Global Music Series, Thinking Musically, Third Edition, explores musical diversity by integrating the sounds and traditions of world cultures. Bonnie C. Wade discusses how various cultural influences-gender, ethnicity, mass media, westernization, nationalism, and acculturation-are shaping music and the ways that we experience it.

WHAT'S NEW TO THE THIRD EDITION?

* Simplified and incorporates recent additions to the Global Music Series

* New charts and diagrams delve into important musical concepts

* Updated companion website includes a new guide to online and print resources, a sample syllabi, and teaching tips

Visit www.oup.com/us/globalmusic for a list of case studies in the Global Music Series. The website also includes instructional material to accompany each study.

About the Author

Bonnie C. Wade is Professor of Music, Chair of the Faculty Group in Asian Studies, and holder of the Richard and Rhoda Goldman Distinguished Chair in Interdisciplinary Studies at the University of California, Berkeley. She has served as President of the Society of Ethnomusicology.

Table of Contents

Foreword

Preface

CD Track List

A Note to Readers

1. Thinking about Music

People

--Music Makers

--Listeners

Music

--In Terms of Sound

--Calling Something "Music"

--Aesthetic Values in Music

Meaning

--Music and Textual Meaning

--Music as Text

Use

Transmission of Musical Knowledge

--Oral and Aural Transmission

--Visual Transmission in the form of notation

2. Thinking about Instruments

Instruments as Objects

--Ideas about Instrument Types

--Ideas about Particular Instruments

---Associations of Sexuality and Gender

---Spiritual Associations

---Cultural Status

---Aesthetic Value

---Item of Technology

----Item of Commodity

---Timbre and Aesthetics of Sound

Instruments in Musical Practice

--Instrumental Capacity

--Ideas about Ensemble

---Heterogeneous and Homogeneous

---- Sound Ideals

---Musical Roles

---Aesthetics of Ensembles

3. Thinking about Time

Rhythm

--Free Rhythm

--Rhythm for the Text Alone

---From free rhythm to relatively more organized time

--Pulse/Beat

Organizing Time into Units

---At the lever of a Single Beat

---Metric Structures with Flexible Means of Articulation

---Duple and Triple Meters

---Some Other Meters

---South Indian T?la

---Metric Structures with Given Means of Articulation

---Southeast Asian Colotomic Meter

---North Indian T?la

---Middle Eastern Rhythmic Modes

---Rhythmic Groupings

---Korean Changdan

---Polyrhythm

Speed

4. Thinking about Pitch

Pitch

--Pitch Names

---Syllables

---Numbers

---Letters

Setting the Pitch

--Who Sets the Pitch

--Pitch Placement

Pitches in Succession

--Intervals

---Naming Intervals

---Microtones

--Scale

---The Chromatic Scale

---Diatonic Scales

---The "Oriental" Scale

--Number of Pitches in an Octave

--Pitch Functions

--Melodic Mode

Simultaneous Pitches

--Naming "Vertical" Intervals

--Dissonance and Consonance

--Western Functional Harmony

--Tone Clusters

Interplay Among Melodic and Harmonic Parts

--Performing One Melody

---Solo and in Unison

---Interlocking Parts

---Rounds

---Heterophony

--Performing One Melody with Another Part

---Melody and Drone

---Melody and Chords

--Performing Multiple Melodies

---Polyphony

---Melody and Ostinato

5. Thinking about Structuring

Improvising and Composing

--Persons Who Compose

Putting Something Significant First

--Sonata Form

--North Indian Instrumental Form

Coming to an End

Telling the Story

--Music for the Moment

--Through-composed Music

--Contrasting Instrumentation

--Strophic Form

Responding to the Context

--Audience-Performer Interaction

--Intra-ensemble Interaction

--Music and Movement

Social Values

6. Thinking Critically about Issues

Encounters and Identities

--A Focus on Influences

--A Focus on Boundaries

---The National Community

---Regional Identity

---Gender

---Multiple Identities

Authenticity

Transcending Boundaries

--The Mass Media

--Globalization

--The Local

7. Thinking about Fieldwork

Picking a Project

Planning the Project

Doing the Project

Finishing the Project

Glossary of Musical Terms

References

Index

Product Details

ISBN:
9780199844869
Author:
Wade, Bonnie C.
Publisher:
Oxford University Press, USA
Subject:
General Music
Subject:
Music | World Music, Ethnomusicology
Subject:
Music-Music Appreciation
Copyright:
Publication Date:
20121231
Binding:
TRADE PAPER
Language:
English
Pages:
256
Dimensions:
5.5 x 8.2 x 0.8 in 0.85 lb

Related Subjects

Arts and Entertainment » Music » Ethnomusicology
Arts and Entertainment » Music » General
Arts and Entertainment » Music » History and Criticism
Arts and Entertainment » Music » Instruction and Study » Music Appreciation
Science and Mathematics » Biology » General

Thinking Musically: Experiencing Music, Expressing Culture (Global Music) New Trade Paper
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Product details 256 pages Oxford University Press, USA - English 9780199844869 Reviews:
"Synopsis" by , As the cornerstone of the Global Music Series, Thinking Musically, Third Edition, explores musical diversity by integrating the sounds and traditions of world cultures. Bonnie C. Wade discusses how various cultural influences-gender, ethnicity, mass media, westernization, nationalism, and acculturation-are shaping music and the ways that we experience it.

WHAT'S NEW TO THE THIRD EDITION?

* Simplified and incorporates recent additions to the Global Music Series

* New charts and diagrams delve into important musical concepts

* Updated companion website includes a new guide to online and print resources, a sample syllabi, and teaching tips

Visit www.oup.com/us/globalmusic for a list of case studies in the Global Music Series. The website also includes instructional material to accompany each study.

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