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Fashioning Femininity and English Renaissance Drama (Women in Culture & Society)by Karen Newman
Synopses & Reviews
By examining representations of women on stage and in the many printed materials aimed at them, Karen Newman shows how female subjectivityand#8212;both the construction of the gendered subject and the ideology of women's subjection to menand#8212;was fashioned in Elizabethan and Jacobean England. Her emphasis is not on "women" so much as on the category of "femininity" as deployed in the late sixteenth and early seventeenth centuries.
Through the critical lens of poststructuralism, Newman reads anatomies, conduct and domesticity handbooks, sermons, homilies, ballads, and court cases to delineate the ideologies of femininity they represented and produced. Arguing that drama, as spectacle, provides a peculiarly useful locus for analyzing the management of femininity, Newman considers the culture of early modern London to reveal how female subjectivity was fashioned and staged in the plays of Shakespeare, Jonson, and others.
Includes bibliographical references (p. 147-175) and index.
About the Author
Karen Newman is professor of comparative literature and English at Brown University.
Table of Contents
List of Illustrations
Series Editor's Foreword
1. Body Politics
2. The Crown Conjugal: Marriage in Early Modern England
3. Renaissance Family Practices and Shakespeare's Taming of the Shrew
4. Discovering Witches: Sorciographics
5. "And wash the Ethiop white": Femininity and the Monstrous in Othello
6. Englishing the Other: "Le tiers exclu" and Shakepeare's Henry V
7. Dressing Up: Sartorial Extravagance in Early Modern London
8. City Talk: Femininity and Commodification in Jonson's Epicoene
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