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Death of a Discipline

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Death of a Discipline Cover

 

Synopses & Reviews

Publisher Comments:

For almost three decades, Gayatri Chakravorty Spivak has been ignoring the standardized rules of the academy and trespassing across disciplinary boundaries. Today she remains one of the foremost figures in the study of world literature and its cultural consequences. In this new book she declares the death of comparative literature as we know it and sounds an urgent call for a new comparative literature, in which the discipline is given new life — one that is not appropriated and determined by the market.

In the era of globalization, when mammoth projects of world literature in translation are being undertaken in the United States, how can we protect the multiplicity of languages and literatures at the university? Spivak demonstrates how critics interested in social justice should pay close attention to literary form and offers new interpretations of classics such as Joseph Conrad's Heart of Darkness and Virginia Woolf's A Room of One's Own. Through close readings of texts not only in English, French, and German but also in Arabic and Bengali, Spivak practices what she preaches.

Acclaim for Gayatri Chakravorty Spivak and her work:

Spivak] pioneered the study in literary theory of non-Western women. — Edward W. Said

She has probably done more long-term political good, in pioneering feminist and post-colonial studies within global academia, than almost any of her theoretical colleagues. — Terry Eagleton

A celebrity in academia... create s] a stir wherever she goes. — The New York Times

Book News Annotation:

Spivak (humanities, Columbia U.) proclaims that the comparative study of literature has expired, and calls for a replacement that is not appropriated and determined by the market. Annotation (c)2003 Book News, Inc., Portland, OR (booknews.com)

Synopsis:

A distinguished literary theorist and celebrated cultural critic proposes a "new comparative literature." Spivak demonstrates how critics interested in social justice should pay close attention to literary form and offers new interpretations of classics such as Joseph Conrads "Heart of Darkness" and Virginia Woolfs "A Room of Ones Own." The book offers close readings of texts not only in English, French, and German, but also in Arabic and Bengali.

Synopsis:

For three decades, Spivak has been ignoring the standardized "rules" of the academy and trespassing across disciplinary boundaries. In this new book she declares the death of comparative literature and sounds an urgent call for a "new comparative literature, " in which the discipline is given new life.

Table of Contents

Crossing borders — Collectivities — Planetarity.

Product Details

ISBN:
9780231129442
Author:
Spivak, Gayatri Chak
Publisher:
Columbia University Press
Author:
Spivak, Gayatri Chakravorty
Location:
New York
Subject:
Semiotics & Theory
Subject:
Literature, comparative
Subject:
Literary Criticism : General
Copyright:
Edition Number:
2
Edition Description:
Second Edition,
Series Volume:
21
Publication Date:
20030431
Binding:
Hardcover
Language:
English
Pages:
136
Dimensions:
8.48x6.04x.64 in. .71 lbs.

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Related Subjects

History and Social Science » Military » General History
History and Social Science » Military » Weapons » General
Humanities » Literary Criticism » General
Humanities » Literary Criticism » Literary and Cultural Studies

Death of a Discipline Used Hardcover
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Product details 136 pages Columbia University Press - English 9780231129442 Reviews:
"Synopsis" by , A distinguished literary theorist and celebrated cultural critic proposes a "new comparative literature." Spivak demonstrates how critics interested in social justice should pay close attention to literary form and offers new interpretations of classics such as Joseph Conrads "Heart of Darkness" and Virginia Woolfs "A Room of Ones Own." The book offers close readings of texts not only in English, French, and German, but also in Arabic and Bengali.
"Synopsis" by , For three decades, Spivak has been ignoring the standardized "rules" of the academy and trespassing across disciplinary boundaries. In this new book she declares the death of comparative literature and sounds an urgent call for a "new comparative literature, " in which the discipline is given new life.
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