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Enfoldment and Infinity: An Islamic Genealogy of New Media Art (Leonardo Books)

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Enfoldment and Infinity: An Islamic Genealogy of New Media Art (Leonardo Books) Cover

 

Synopses & Reviews

Publisher Comments:

andlt;Pandgt;In both classical Islamic art and contemporary new media art, one point can unfold to reveal an entire universe. A fourteenth-century dome decorated with geometric complexity and a new media work that shapes a dome from programmed beams of light: both can inspire feelings of immersion and transcendence. In Enfoldment and Infinity, Laura Marks traces the strong similarities, visual and philosophical, between these two kinds of art. Her argument is more than metaphorical; she shows that the andquot;Islamicandquot; quality of modern and new media art is a latent, deeply enfolded, historical inheritance from Islamic art and thought. Marks proposes an aesthetics of unfolding and enfolding in which image, information, and the infinite interact: image is an interface to information, and information (such as computer code or the words of the Qur'an) is an interface to the infinite. After demonstrating historically how Islamic aesthetics traveled into Western art, Marks draws explicit parallels between works of classical Islamic art and new media art, describing texts that burst into image, lines that multiply to form fractal spaces, andquot;nonorganic lifeandquot; in carpets and algorithms, and other shared concepts and images. Islamic philosophy, she suggests, can offer fruitful ways of understanding contemporary art.andlt;/Pandgt;

Synopsis:

Tracing the connections—both visual and philosophical—between new media art and classical Islamic art.

Synopsis:

andlt;Pandgt;Tracing the connections--both visual and philosophical--between new media art and classical Islamic art.andlt;/Pandgt;

Synopsis:

In both classical Islamic art and contemporary new media art, one point can unfold to reveal an entire universe. A fourteenth-century dome decorated with geometric complexity and a new media work that shapes a dome from programmed beams of light: both can inspire feelings of immersion and transcendence. In

Synopsis:

In both classical Islamic art and contemporary new media art, one point can unfold to reveal an entire universe. A fourteenth-century dome decorated with geometric complexity and a new media work that shapes a dome from programmed beams of light: both can inspire feelings of immersion and transcendence. In Enfoldment and Infinity, Laura Marks traces the strong similarities, visual and philosophical, between these two kinds of art. Her argument is more than metaphorical; she shows that the "Islamic" quality of modern and new media art is a latent, deeply enfolded, historical inheritance from Islamic art and thought. Marks proposes an aesthetics of unfolding and enfolding in which image, information, and the infinite interact: image is an interface to information, and information (such as computer code or the words of the Qur'an) is an interface to the infinite. After demonstrating historically how Islamic aesthetics traveled into Western art, Marks draws explicit parallels between works of classical Islamic art and new media art, describing texts that burst into image, lines that multiply to form fractal spaces, "nonorganic life" in carpets and algorithms, and other shared concepts and images. Islamic philosophy, she suggests, can offer fruitful ways of understanding contemporary art.

About the Author

Laura U. Marks is Dena Wosk University Professor in Art and Culture Studies in the School for the Contemporary Arts at Simon Fraser University. She is the author of The Skin of the Film: Intercultural Cinema, Embodiment, and the Senses and Touch: Sensuous Theory and Multisensory Media.

Product Details

ISBN:
9780262014212
Subtitle:
An Islamic Genealogy of New Media Art
Author:
Marks, Laura U.
Author:
Massachusetts Institute of Technology
Author:
Marks
Author:
Laura U.
Publisher:
The MIT Press
Location:
Cambridge
Subject:
Islam and art.
Subject:
Aesthetics, Arab.
Subject:
Subjects & Themes - General
Subject:
Digital
Subject:
Middle Eastern
Subject:
Art - General
Copyright:
Series:
Leonardo Book Series Enfoldment and Infinity
Publication Date:
20100813
Binding:
Hardback
Grade Level:
from 17
Language:
English
Illustrations:
140 figures
Pages:
408
Dimensions:
9 x 7 x 0.8125 in

Related Subjects

Arts and Entertainment » Art » General
History and Social Science » Linguistics » Specific Languages and Groups
Reference » Words Phrases and Language

Enfoldment and Infinity: An Islamic Genealogy of New Media Art (Leonardo Books) New Hardcover
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$39.95 In Stock
Product details 408 pages MIT Press (MA) - English 9780262014212 Reviews:
"Synopsis" by , Tracing the connections—both visual and philosophical—between new media art and classical Islamic art.
"Synopsis" by , andlt;Pandgt;Tracing the connections--both visual and philosophical--between new media art and classical Islamic art.andlt;/Pandgt;
"Synopsis" by , In both classical Islamic art and contemporary new media art, one point can unfold to reveal an entire universe. A fourteenth-century dome decorated with geometric complexity and a new media work that shapes a dome from programmed beams of light: both can inspire feelings of immersion and transcendence. In
"Synopsis" by , In both classical Islamic art and contemporary new media art, one point can unfold to reveal an entire universe. A fourteenth-century dome decorated with geometric complexity and a new media work that shapes a dome from programmed beams of light: both can inspire feelings of immersion and transcendence. In Enfoldment and Infinity, Laura Marks traces the strong similarities, visual and philosophical, between these two kinds of art. Her argument is more than metaphorical; she shows that the "Islamic" quality of modern and new media art is a latent, deeply enfolded, historical inheritance from Islamic art and thought. Marks proposes an aesthetics of unfolding and enfolding in which image, information, and the infinite interact: image is an interface to information, and information (such as computer code or the words of the Qur'an) is an interface to the infinite. After demonstrating historically how Islamic aesthetics traveled into Western art, Marks draws explicit parallels between works of classical Islamic art and new media art, describing texts that burst into image, lines that multiply to form fractal spaces, "nonorganic life" in carpets and algorithms, and other shared concepts and images. Islamic philosophy, she suggests, can offer fruitful ways of understanding contemporary art.
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