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The Stalin Cult: A Study in the Alchemy of Power (Yale-Hoover Series on Stalin, Stalinism, and the Cold War)

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The Stalin Cult: A Study in the Alchemy of Power (Yale-Hoover Series on Stalin, Stalinism, and the Cold War) Cover

 

Synopses & Reviews

Publisher Comments:

Between the late 1920s and the early 1950s, one of the most persuasive personality cults of all times saturated Soviet public space with images of Stalin. A torrent of portraits, posters, statues, films, plays, songs, and poems galvanized the Soviet population and inspired leftist activists around the world. In the first book to examine the cultural products and production methods of the Stalin cult, Jan Plamper reconstructs a hidden history linking artists, party patrons, state functionaries, and ultimately Stalin himself in the alchemical project that transformed a pock-marked Georgian into the embodiment of global communism. Departing from interpretations of the Stalin cult as an outgrowth of Russian mysticism or Stalin's psychopathology, Plamper establishes the cult's context within a broader international history of modern personality cults constructed around Napoleon III, Mussolini, Hitler, and Mao. Drawing upon evidence from previously inaccessible Russian archives, Plamper's lavishly illustrated and accessibly written study will appeal to anyone interested in twentieth-century history, visual studies, the politics of representation, dictator biography, socialist realism, and real socialism.

Synopsis:

Leaders of the Soviet Union, Stalin chief among them, well understood the power of art, and their response was to attempt to control and direct it in every way possible. This book examines Soviet cultural politics from the Revolution to Stalins death in 1953. Drawing on a wealth of newly released documents from the archives of the former Soviet Union, the book provides remarkable insight on relations between Gorky, Pasternak, Babel, Meyerhold, Shostakovich, Eisenstein, and many other intellectuals, and the Soviet leadership. Stalins role in directing these relations, and his literary judgments and personal biases, will astonish many.

The documents presented in this volume reflect the progression of Party control in the arts. They include decisions of the Politburo, Stalins correspondence with individual intellectuals, his responses to particular plays, novels, and movie scripts, petitions to leaders from intellectuals, and secret police reports on intellectuals under surveillance. Introductions, explanatory materials, and a biographical index accompany the documents. 

About the Author

Katerina Clark is professor of comparative literature and of Slavic languages and literatures, Yale University. She lives in Hamden, CT. Evgeny Dobrenko is professor in the Department of Russian and Slavic Studies, University of Nottingham. He lives in England.

Product Details

ISBN:
9780300169522
Author:
Plamper, Jan
Publisher:
Yale University Press
Author:
Dobrenko, Evgeny
Author:
Artizov, Andrei
Author:
Schwartz, Marian
Author:
Sherbell, Shepard
Author:
Naumov, Oleg V.
Author:
Clark, Katerina
Subject:
General History
Subject:
Russia (pre & post Soviet Union)
Subject:
Biography-Political
Copyright:
Edition Description:
Trade Cloth
Series:
The Yale-Hoover Series on Stalin, Stalinism, and the Cold War
Publication Date:
20120131
Binding:
HARDCOVER
Language:
English
Illustrations:
229 duotone illus.
Pages:
352
Dimensions:
10 x 7 in

Related Subjects

Biography » Political
Biography » Presidents and Heads of State
History and Social Science » Russia » General Russian History
Science and Mathematics » Biology » Molecular

The Stalin Cult: A Study in the Alchemy of Power (Yale-Hoover Series on Stalin, Stalinism, and the Cold War) New Hardcover
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Product details 352 pages Yale University Press - English 9780300169522 Reviews:
"Synopsis" by ,
Leaders of the Soviet Union, Stalin chief among them, well understood the power of art, and their response was to attempt to control and direct it in every way possible. This book examines Soviet cultural politics from the Revolution to Stalins death in 1953. Drawing on a wealth of newly released documents from the archives of the former Soviet Union, the book provides remarkable insight on relations between Gorky, Pasternak, Babel, Meyerhold, Shostakovich, Eisenstein, and many other intellectuals, and the Soviet leadership. Stalins role in directing these relations, and his literary judgments and personal biases, will astonish many.

The documents presented in this volume reflect the progression of Party control in the arts. They include decisions of the Politburo, Stalins correspondence with individual intellectuals, his responses to particular plays, novels, and movie scripts, petitions to leaders from intellectuals, and secret police reports on intellectuals under surveillance. Introductions, explanatory materials, and a biographical index accompany the documents. 

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