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The Fall of the Kingsby Ellen Kushner
Synopses & Reviews
Five hundred years ago and more, a king rode out of the North at the head of an army. He rode with a company of splendid men, all armed to the teeth. They rode not to war, but to a wedding. After centuries of conflict, the rocky North and the fertile South were at last to be joined into one kingdom in the persons of their King and Queen and their heirs perpetual, united against their common enemies and increasing in mutual prosperity.
The Southern Queen's Chronicler, Valerian Hollis, had described the King's army in horrified detail. Their armor was leather and hammered bronze. Under their helms, their long hair was braided with leather and bones and beads and even nuggets of gold. Every one of them was blood kin to his king, and as they came through the streets of the capital city, they sang.
In the eyes of the Southern nobles, the King's Companions were strange enough, with their barbaric mien and their uncouth songs of war and the hunt. But they brought with them men that they called wizards, and the wizards were worse.
The wizards did not sing. Indeed, they barely spoke, except to one another. There were (according to Hollis) fifteen of them, riding horseback just behind the king. The King's Wizards were robed in black or brown, russet or ochre: peasants' colors, colors of the land. Some were cloaked in the skins of animals. Their faces were bearded, their hair unbound and crowned with leaves. From the hands of certain of them, tendrils of ivy grew.
Thus Hollis in the final chapter of his Chronicle History of the Northern Kings, a work written at the behest of Queen Diane and her new consort, Alcuin, later called the Diplomat. It was a book every historian should own; Basil St Cloud had bought his when he was still a student, and lived on bread and cheese for the rest of the month to pay for the used, leather-bound volume. Now he was a Doctor of History, and the margins of its pages were lined with notes, the leather cover buttery with handling. But it had failed to enlighten him on the subject he was currently researching.
With a sigh, he set the volume aside. If only Hollis had not insisted on cluttering up his account with so much about the wonder of these so-called wizards. Wizards, indeed The very word evoked nameless rituals and dark mysteries, when everyone knew that their "magic" had been nothing more than sleight-of-hand coupled with diplomacy. But they certainly had made an impressive show. As many times as Basil had read the description, it still gave him a chill: ". . . their hair so twined about with leaves of Ivie and of Oak, as to make them seem in themselves to be Trees and Creatures of the Wood come riding into our Citie to take it through the Greening of the verrie Stones. . . ."
Basil shook his head. Very pretty. Very fanciful. Charged with collecting facts from his new compatriots, but unable to understand most of what they said, Hollis had simply conflated history and legend. Still, the book was pretty much all modern scholars had to go by. The pre-Union North was known for the strength of its warriors, not its record-keeping. And Hollis really had witnessed the events of the Union. Now, if only he'd been more interested in laws of inheritance than in trees on horseback. . . .
A knock on his door interrupted his fulminations. "St Cloud " He recognized the voice of his friend Thomas Elton, Doc
Fascinated by tales of the ancient, long-deposed kings, rulers who wielded a powerful, life-sustaining magic, young history master Basil St. Cloud falls in love with a descendant of the royal line and finds himself caught up in a secret Royalist movement demanding a return to the rituals of the past. Reprint.
This stunning follow-up to Ellen Kushner's cult-classic novel, Swordspoint, is set in the same world of labyrinthine intrigue, where sharp swords and even sharper wits rule. Against a rich tapestry of artists and aristocrats, students, strumpets, and spies, a gentleman and a scholar will find themselves playing out an ancient drama destined to explode their society's smug view of itself and reveal that sometimes the best
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