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The Aftermath (Vintage)by Rhidian Brook
Synopses & Reviews
1. The novel’s title appears to be straightforward, but there are many types of aftermath within. What do you think the title represents?
2. What is the beast? What does it symbolize?
3. On page 6, Wilkins says that, as Germans, the Luberts are “not allowed the luxury of disappointment.” What does he mean by that? Who is allowed to be disappointed?
4. Several times in the novel, characters mention Stunde Null, the Zero Hour. How does the concept hold them back, or help them?
5. Why do you think Lewis is so soft-hearted, compared to the other British officers? During the novel Rachael seems bothered by his leniency, but do you think it was a trait she viewed differently before the war?
6. Why did Michael’s death affect each family member so differently? How does each of them, ultimately, begin to heal?
7. There are several families in the novel, and multiple orphans. How does the presence—or loss—of family members affect the characters’ attitudes?
8. Rachael learns to play a piece by Schumann called “Warum”. Stefan tells her the title “doesn’t translate exactly. It is ‘why?’ But it is more ‘Why did this happen? For what reason?’” (page 69) Later, after the shooting, Lewis tries to play the same piece (page 246). Why is this significant?
9. The “resistance movement” in the novel is very different from what most of us think when we hear that term. How much did you know about postwar German resistance?
10. What makes Freda so susceptible to Albert and his cause?
11. When Edmund sees that his father’s cigarette case doesn’t hold a picture of him, why does he react so calmly? And later, when he asks Lewis about it, why doesn’t he push for an explanation?
12. After Herr Koenig is exposed as a member of the Nazi Special Police, Lewis tells Edmund, “Sometimes . . . the bad in someone…is buried quite deep” (page 162). Who else in the novel might this describe?
13. Although Lewis considers forgiveness to be “the most powerful weapon in their armoury” (page 170), many of the other characters struggle to forgive their former enemies. Discuss the notion of forgiveness: by the end, which characters have managed to find their way toward it, and which haven’t?
Were you as surprised as Rachael by the real subject of the painting Stefan took down from the wall? How would you have responded to the revelation?
15. When Berti burns Mutti’s skeleton—in a city destroyed by an Allied firestorm, after a war in which millions were cremated in the camps—what point is the author making?
16. If you were Rachael, how would you have revealed what she learned about Claudia?
17. On page 236, Rachael says to Stefan, “It was loss that brought us together. And you have refound what you lost.” What did Stefan refind?
18. Why does Lewis feel compelled to avenge Barker’s death, when he accepted his son’s so smoothly?
19. When he explains his actions to Rachael, Lewis says, “Burnham was right . . . If you trust everyone, someone will pay” (page 247). What does he mean?
20. Why does Burnham feel justified in looting his requisitioned home? Why is he surprised when Lewis calls him on it?
21. Most of the time, the story filters through Lewis and his family. Why do you think the author chose to begin and end the novel with Ozi?
Set in post-war Germany, the international bestseller The Aftermath by Rhidian Brook is a stunning emotional thriller about our fiercest loyalties and our deepest desires. In the bitter winter of 1946, Rachael Morgan arrives with her only remaining son Edmund in the ruins of Hamburg. Here she is reunited with her husband Lewis, a British colonel charged with rebuilding the shattered city. But as they set off for their new home, Rachael is stunned to discover that Lewis has made an extraordinary decision: they will be sharing the grand house with its previous owners, a German widower and his troubled daughter. In this charged atmosphere, enmity and grief give way to passion and betrayal.
Rhidian Brook is an award-winning writer of fiction, television, and film. His debut novel, The Testimony of Taliesin Jones, won the Somerset Maugham Award, a Betty Trask Award, and the Author’s Club Best First Novel Award. His stories have appeared in The Paris Review and New Statesman. He lives in London with his wife and two children.
About the Author
Hamburg, 1946. In the British Occupied Zone, thousands of Germans are wandering the rubble, lost and homeless, and Colonel Lewis Morgan is charged with overseeing the rebuilding of their devastated city. He is stationed in a grand house on the River Elbe; his wife, Rachel—still grieving for their older son—and their only surviving son, Edmund, will soon be will soon be joining him there.
But when Lewis meets the German owners of the house, a widower and his rebellious daughter, he cannot bring himself to throw them out into the streets. Instead, he insists that the two families live together. In this charged atmosphere, parents and children alike will be forced to confront their true selves as enmity and grief give way to passion and betrayal, their deepest desires, their fiercest loyalties, and the transforming power of forgiveness.
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