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Aesthetic Theory (Athlone Contemporary European Thinkers)

Aesthetic Theory (Athlone Contemporary European Thinkers) Cover

 

Synopses & Reviews

Publisher Comments:

Theodor Adorno (1903-69) was undoubtedly the foremost thinker of the Frankfurt School, the influential group of German thinkers that fled to the US in the 1930s, including such thinkers as Herbert Marcuse and Max Horkheimer. His work has proved enormously influential in sociology, philosophy and cultural theory. Aesthetic Theory is Adorno's posthumous magnum opus and the culmination of a lifetime's investigation. Analysing the sublime, the ugly and the beautiful, Adorno shows how such concepts frame and distil human experience and that it is human experience that ultimately underlies aesthetics. In Adorno's formulation ‘art is the sedimented history of human misery'. Edited by Gretel Adorno and Rolf Tiedeman Translated by Robert Hullot-Kentor.

Synopsis:

The most important aesthetics of the century, this is a long-awaited work, the culmination of a lifetime's investigation. Among the twelve major sections are Art, Society, Aesthetics; the Categories of the Ugly, the Beautiful, the Technics; Natural Beauty; Coherence and Subject-Object; Towards a Theory of the Artwork.

Product Details

ISBN:
9780485300697
Publisher:
Bloomsbury Academic
Subject:
Aesthetics
Translator:
Hullot-Kentor, Robert
Author:
Adorno, Theodor W.
Author:
Adorno, Theodor Wiesengrund
Subject:
Semiotics & Theory
Subject:
Philosophy-Aesthetics
Subject:
General Philosophy
Edition Description:
Hardcover
Series:
Impacts
Publication Date:
20070331
Binding:
HARDCOVER
Language:
English
Pages:
416
Dimensions:
9.22 x 6.36 x 0.94 in

Related Subjects

Humanities » Literary Criticism » General
Humanities » Philosophy » Aesthetics
Humanities » Philosophy » General

Aesthetic Theory (Athlone Contemporary European Thinkers)
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Product details 416 pages Athlone Press - English 9780485300697 Reviews:
"Synopsis" by , The most important aesthetics of the century, this is a long-awaited work, the culmination of a lifetime's investigation. Among the twelve major sections are Art, Society, Aesthetics; the Categories of the Ugly, the Beautiful, the Technics; Natural Beauty; Coherence and Subject-Object; Towards a Theory of the Artwork.
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