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Twentieth-Century Japan: The Emergence of a World Power #11: Mavo

Twentieth-Century Japan: The Emergence of a World Power #11: Mavo Cover

 

Synopses & Reviews

Publisher Comments:

The radical Japanese art group Mavo roared into new arenas and new art forms during the 1920s, with work ranging from performance art to painting, book illustration, and architectural projects. Hurling rocks through glass roofs and displaying their rejected works, Mavo artists held peripatetic protest exhibitions against the Japanese art establishment. Ultimately, Mavo's work became a major influence in Japanese commercial art and had a pronounced and lasting impact on Japanese visual and political culture. This abundantly illustrated volume, the first book-length study in English on Mavo, provides a critical evaluation of this often outrageous and iconoclastic movement, tracing Mavo's relationship to broader developments in modernism worldwide.

Gennifer Weisenfeld provides a fascinating look into Japanese popular culture by showing how Mavo artists sought to transform Japanese art in response to the rise of industrialism. They deliberately created images that conveyed the feelings of crisis, peril, and uncertainty that were beginning to characterize daily life. Their art often alluded to mechanical environments through the use of abstracted imagery such as interconnected tubular forms and shapes reminiscent of riveted steel-plate girders. Looking in depth at the art itself, the flamboyant personalities of the artists, and the cultural and political history of Japan in this interwar period, Weisenfeld traces the strategies used by these artists as they sought to reintegrate art into daily experience.

Weisenfeld thoroughly documents the links between Mavo artists and a wide range of other artistic and political movements with which they associated themselves, such as futurism, dada, expressionism, socialism, and communism. Capturing the restlessness and iconoclastic fervor of Mavo, Weisenfeld is the first to fully locate this modern Japanese artistic community within the broader historical and intellectual framework of international art of the early twentieth century.

Synopsis:

MAVO is the first book-length study in English that critically evaluates the Japanese artistic avant-garde (1905-1931) and its relationship to broader developments in modernism worldwide.

About the Author

Gennifer Weisenfeld is Assistant Professor in the Department of Art and Art History at Duke University.

Table of Contents

List of Illustrations

Acknowledgments

Introduction

1. Western-Style Painting in Japan. Mimesis, Individualism, and Japanese Nationhood

2. A Prehistory of Mavo

3. Anatomy Of A Movement

4. The Aesthetics And Politics Of Rebellion

5. The Mavo Artist And Japan's Culture Industry

6. Theater, Theatricality, And The Politics Of Pleasure

Epilogue: Laying Claim To Mavo's Legacy

Notes

Bibliography

Index

Product Details

ISBN:
9780520223387
Author:
Weisenfeld, Gennifer S.
Publisher:
University of California Press
Author:
Weisenfeld, Gennifer
Location:
Berkeley
Subject:
Asian
Subject:
History
Subject:
History - Asian
Subject:
Avant-garde (aesthetics)
Subject:
Dadaism
Subject:
Arts, Japanese.
Subject:
Avant-garde
Subject:
Mavo
Subject:
Mavo (Group of artists)
Subject:
Arts, Japanese - Japan - Tokyo - 20th century
Subject:
Art-History and Criticism
Edition Description:
Trade Cloth
Series:
Twentieth-Century Japan: The Emergence of a World Power
Series Volume:
11
Publication Date:
20020231
Binding:
HARDCOVER
Grade Level:
Professional and scholarly
Language:
English
Illustrations:
16 color illustrations, 131 b/w photogra
Pages:
379
Dimensions:
10 x 7 x 1.1 in 2.13 lb

Related Subjects

Arts and Entertainment » Art » Asia and Far East
Arts and Entertainment » Art » History and Criticism
History and Social Science » Politics » General
History and Social Science » World History » Asia » General

Twentieth-Century Japan: The Emergence of a World Power #11: Mavo
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Product details 379 pages University of California Press - English 9780520223387 Reviews:
"Synopsis" by , MAVO is the first book-length study in English that critically evaluates the Japanese artistic avant-garde (1905-1931) and its relationship to broader developments in modernism worldwide.
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