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Facts for Visitors (04 Edition)

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Facts for Visitors (04 Edition) Cover

 

Synopses & Reviews

Please note that used books may not include additional media (study guides, CDs, DVDs, solutions manuals, etc.) as described in the publisher comments.

Publisher Comments:

"In this altogether brilliant collection, the various but carefully sequenced (and deeply consequential) poems unfold in a world undergoing eclipse. It is a transient, unsettling, and fascinating phenomenon, the casting of shadows by shadows (of experience, literature, language, the natural sun) traveling across the totality of the known world: here. The process does not produce negation. It is, on the contrary, an odd plus. And the darkness is never complete; it is surprised into perceptibility by sources of counter-illumination, among them wit, intelligence, and, above all (as underlying all), love."—Lyn Hejinian

"Reddy's book is new, utterly confident, clear, true to itself. It is about any world in which any one of us in love can learn something about what has happened to us--a world utterly and deeply known: ecstatic and forlorn. This is also a confident guide to our best life and to the language of that unknown place in which we bring to mind for the first time what we think and feel. At the end, Reddy's book leaves us with a deeper understanding of the wisdom of all good guides and poets: 'Where one goes, one goes alone.'"—Allen Grossman, Mellon Professor in the Humanities, Johns Hopkins University and author of Sweet Youth

"The present is a word for only those words which I am now saying" writes Reddy in this profoundly moving first collection. And, indeed, a search for the nature of the 'present' continuously animates this stunning, anguished yet level-headed attempt to reconstruct a history of our kind as if from some as-yet unknown vantage point. Striving for a complex objectivity, the book explodes prior notions of orientation—geographic, historical, cultural—and recovers from the debris a profoundly trustworthy reorientation, political as well as emotional. Reddy speaks to us fully self-conscious and, strangely, fully innocent. It is a mesmerizing voice."—Jorie Graham

Synopsis:

Speaking in the wake of empire, of terrestrial love and of the collapse of traditional literary forms, the protagonist of this collection of poetry reconstructs a world from the language of encyclopedias, instruction manuals, and the literary legacies of Wallace Stevens, W. G. Sebald, and Joseph Conrad. The prefatory lyric, "Burial Practice," imagines the posthumous narrative of "thens" that follows an individual's extinction; in the poem "Aria," a stagehand steps onto the floorboards to wax poetic after the curtain has dropped on an opera; and the extended sequence of "Circle" poems obliquely revisits Dante's ethical landscape of the afterlife.

Many of these poems were written while Srikanth Reddy worked for a rural literacy program in the south of India, a fact reflected in the imagined postcolonial world of lyrics such as "Monsoon Eclogue" and "Thieves Market." Yet the collection moves beyond the identity politics and ressentiment of postcolonial and Asian-American writings by addressing the fugitive dreams of shared experience in poems such as "Fundamentals of Esperanto." Mobilizing traditional literary forms such as terza rima and the villanelle while simultaneously exploring the poetics of prose and other "formless" modes, Facts for Visitors re-negotiates the impasse between traditional and experimental approaches to writing in contemporary American poetry.

Synopsis:

Reading Srikanth Reddy's first book of poetry is a sensory experience, full of gilt and salt, velvet and cuttlefish.

About the Author

Srikanth Reddy's poems have appeared in various journals, including APR, Grand Street, Fence, and Ploughshares, and his critical writing has been featured in publications such as The New Republic, The Chicago Tribune, and American Literature. He has held fellowships from the Mellon Foundation, the Whiting Foundation (in the Humanities) and the Wisconsin Institute for Creative Writing. A graduate of the Iowa Writer's Workshop and doctoral candidate at Harvard University, Reddy is currently the William Vaughan Moody Writer-in-Residence at the University of Chicago.

Table of Contents

Burial Practice

I.

Corruption

Loose Strife with Apiary

Hotel Lullaby

First Circle

Evening with Stars

Second Circle

Sundial

Raven and Eclipse

Centaur

Sixth Circle

Everything

Eighth Circle

II.

Thieves Market

Inner Life

Jungle Book

Ninth Circle

I. The Interpreter

II. Luck

III. Canisters

IV. Home

V. The Planet

Scarecrow Eclogue

Fifth Circle

Waiting for the Eclipse in the Black Garden

Monsoon Eclogue

III.

Fundamentals of Esperanto

Fourth Circle

Chariot with Torn Bodice

Third Circle

On Difficulty

Welkin

Seventh Circle

Gryphon

Acid House

Sonnet

Palinode

Aria

Corruption (II)

Notes

Acknowledgments

Product Details

ISBN:
9780520240445
Author:
Reddy, Srikanth
Publisher:
University of California Press
Author:
Hass, Robert
Author:
Bedient, Calvin
Author:
Hillman, Brenda
Location:
Berkeley
Subject:
American - General
Subject:
American poetry
Subject:
General Poetry
Subject:
Poetry-A to Z
Edition Description:
Trade Paper
Series:
New California Poetry
Series Volume:
12
Publication Date:
20040431
Binding:
TRADE PAPER
Grade Level:
General/trade
Language:
English
Pages:
62
Dimensions:
8.5 x 5.25 x 0.38 in 4 oz

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Related Subjects

Fiction and Poetry » Poetry » A to Z
Humanities » Literary Criticism » General

Facts for Visitors (04 Edition) Used Trade Paper
0 stars - 0 reviews
$21.00 In Stock
Product details 62 pages University of California Press - English 9780520240445 Reviews:
"Synopsis" by ,
Speaking in the wake of empire, of terrestrial love and of the collapse of traditional literary forms, the protagonist of this collection of poetry reconstructs a world from the language of encyclopedias, instruction manuals, and the literary legacies of Wallace Stevens, W. G. Sebald, and Joseph Conrad. The prefatory lyric, "Burial Practice," imagines the posthumous narrative of "thens" that follows an individual's extinction; in the poem "Aria," a stagehand steps onto the floorboards to wax poetic after the curtain has dropped on an opera; and the extended sequence of "Circle" poems obliquely revisits Dante's ethical landscape of the afterlife.

Many of these poems were written while Srikanth Reddy worked for a rural literacy program in the south of India, a fact reflected in the imagined postcolonial world of lyrics such as "Monsoon Eclogue" and "Thieves Market." Yet the collection moves beyond the identity politics and ressentiment of postcolonial and Asian-American writings by addressing the fugitive dreams of shared experience in poems such as "Fundamentals of Esperanto." Mobilizing traditional literary forms such as terza rima and the villanelle while simultaneously exploring the poetics of prose and other "formless" modes, Facts for Visitors re-negotiates the impasse between traditional and experimental approaches to writing in contemporary American poetry.

"Synopsis" by , Reading Srikanth Reddy's first book of poetry is a sensory experience, full of gilt and salt, velvet and cuttlefish.
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