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The Fairies Return, or New Tales for Old (Oddly Modern Fairy Tales)

by

The Fairies Return, or New Tales for Old (Oddly Modern Fairy Tales) Cover

 

Synopses & Reviews

Publisher Comments:

"Alongside some sharp social satire, there is much to enjoy in this long-forgotten work, which offers a window into 1930s Britain, rather than a vista into fairyland. Maria Tatar's informative introduction is full of insights."--Neil Philip, author of The Illustrated Book of Myths

"These classic fairy tales, extensively modernized by some of the best-known British writers of the 1930s, are brilliantly presented and interpreted by the gifted scholar Maria Tatar."--Alison Lurie, Frederic J. Whiton Professor of American Literature Emerita, Cornell University

"This fascinating collection of classic fairy tales, rewritten in the 1930s by masters such as A. E. Coppard and Lord Dunsany, is sometimes comic, sometimes poignant, but always satirical. The magisterial introduction by Maria Tatar includes discussion of the tragic figure of the original editor, Peter Davies, aka 'Peter Pan,' one of the Lost Boys' befriended by J. M. Barrie in Kensington Gardens."--William Gray, director of the Sussex Centre for Folklore, Fairy Tales and Fantasy, University of Chichester

"When first published in 1934, the marvelously hybrid, often subversive stories of The Fairies Return awarded jarringly fresh meaning to the age-old potential of fairy tales to investigate the here and now. Eighty years later, the shady corporate dealers, corrupt politicians, drug and sex fiends, and children of nature that populate the collection are still with us, making the tales just as engaging today as they were then."--Nancy L. Canepa, Dartmouth College

"A real treat of a book. The stories collected here offer sophisticated versions of well-known fairy tales, full of sly wit and satirical intent, and Maria Tatar's illuminating introduction makes a strong case for the importance of the volume in the history of the fairy tale in the twentieth century. A worthy addition to Jack Zipes's excellent Oddly Modern Fairy Tales series."--Stephen Benson, University of East Anglia

"This is a welcome new edition of a collection that updated and breathed new life into the fairy tale."--Cristina Bacchilega, author of Postmodern Fairy Tales

Review:

"It is something of a curiosity, presenting the attitudes of vernacular modernism frozen in amber." --

Review:

"Like the red-as-blood apple offered to Snow White, these primal plots have long tempted contemporary writers to make their own mark. The latest, The Fairies Return is a reissue of a 1934 anthology of "British, literary, and for the most part, playfully satiric fairy tales for adults." --Brook Wilensky-Lanford, The Boston Globe

Review:

"The collection offers unique, satirical versions of many of the beloved classics, but I was struck most by the biographical information regarding Peter Davies in Maria Tatar's introduction." --Meredith Sittmann, The Horn Book

Synopsis:

Originally issued in 1934, The Fairies Return was the first collection of modernist fairy tales ever published in England, and it marked the arrival of a satirical classic that has never been surpassed. Even today, this reimagining of fourteen timeless tales--from "Puss in Boots" to "Little Red Riding Hood"--is still fresh and bold, giving readers a world steeped not in once upon a time, but in the here and now.

Longtime favorites in this playfully subversive collection are retold for modern times and mature sensibilities. In "Jack the Giant Killer," Jack becomes a trickster who must deliver England from the hands of three ogres after a failed government inquiry. "Ali Baba and the Forty Thieves" is set in contemporary London and the world of financial margins and mergers. In "The Little Mermaid," a young Canadian girl with breathtaking swimming skills is lured by the temptations of Hollywood. And Cinderella becomes a spinster and holy woman, creating a very different happily ever after. These tales expose social anxieties, political corruption, predatory economic behavior, and destructive appetites even as they express hope for a better world. A new introduction from esteemed fairy-tale scholar Maria Tatar puts the collection in context.

From stockbrokers and socialites to shopkeepers and writers, the characters in The Fairies Return face contemporary challenges while living in the magical world of fairy tales.

Synopsis:

Originally issued in 1934, The Fairies Return was the first collection of modernist fairy tales ever published in England, and it marked the arrival of a satirical classic that has never been surpassed. Even today, this reimagining of fourteen timeless tales--from "Puss in Boots" to "Little Red Riding Hood"--is still fresh and bold, giving readers a world steeped not in once upon a time, but in the here and now.

Longtime favorites in this playfully subversive collection are retold for modern times and mature sensibilities. In "Jack the Giant Killer," Jack becomes a trickster who must deliver England from the hands of three ogres after a failed government inquiry. "Ali Baba and the Forty Thieves" is set in contemporary London and the world of financial margins and mergers. In "The Little Mermaid," a young Canadian girl with breathtaking swimming skills is lured by the temptations of Hollywood. And Cinderella becomes a spinster and holy woman, creating a very different happily ever after. These tales expose social anxieties, political corruption, predatory economic behavior, and destructive appetites even as they express hope for a better world. A new introduction from esteemed fairy-tale scholar Maria Tatar puts the collection in context.

From stockbrokers and socialites to shopkeepers and writers, the characters in The Fairies Return face contemporary challenges while living in the magical world of fairy tales.

About the Author

Peter Davies (1897-1960) was the rumored inspiration for Peter Pan, the daredevil character created by his adoptive father, author J. M. Barrie. Davies was the founder of the publishing house Peter Davies Ltd. Maria Tatar is the John L. Loeb Professor of Germanic Languages and Literatures and chair of the Program in Folklore and Mythology at Harvard University. She is the editor of "The Annotated Peter Pan" and the author of "Enchanted Hunters" (both Norton), among many other books.

Table of Contents

Introduction
Maria Tatar
1

Jack the Giant Killer
A. E. Coppard
39

Godfather Death
Clemence Dane
65

The Fisherman and His Wife
E. M. Delafield
95

Little Snow-White
Lord Dunsany
121

Aladdin
Anna Gordon Keown
137

Sindbad the Sailor
Eric Linklater
163

Ali Baba and the Forty Thieves
A. G. Macdonell
186

Puss in Boots
Helen Simpson
208

The Little Mermaid
Lady Eleanor Smith
228

Little Red Riding-Hood
E. oe. Somerville
249

Cinderella
Robert Speaight
271

'O, If I Could but Shiver!'
Christina Stead
302

The Sleeping Beauty
G. B. Stern
325

Big Claus and Little Claus
R. J. Yeatman and W. C. Sellar
354

Author Biographies 365

Product Details

ISBN:
9780691152301
Author:
Davies, Peter (com)
Publisher:
Princeton University Press
Author:
Llewelyn Davies, Peter
Author:
Tatar, Maria
Author:
Davies, Peter
Subject:
English, Irish, Scottish, Welsh
Subject:
British literature.
Subject:
Comparative Literature
Subject:
Mythology-Folklore and Storytelling
Copyright:
Publication Date:
20120931
Binding:
HARDCOVER
Language:
English
Pages:
368
Dimensions:
8 x 5.5 in

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Related Subjects

Fiction and Poetry » Literature » A to Z
Fiction and Poetry » Satire
History and Social Science » Politics » General
Humanities » Mythology » Folklore and Storytelling

The Fairies Return, or New Tales for Old (Oddly Modern Fairy Tales) New Hardcover
0 stars - 0 reviews
$24.95 In Stock
Product details 368 pages Princeton University Press - English 9780691152301 Reviews:
"Review" by , "It is something of a curiosity, presenting the attitudes of vernacular modernism frozen in amber." --
"Review" by , "Like the red-as-blood apple offered to Snow White, these primal plots have long tempted contemporary writers to make their own mark. The latest, The Fairies Return is a reissue of a 1934 anthology of "British, literary, and for the most part, playfully satiric fairy tales for adults." --
"Review" by , "The collection offers unique, satirical versions of many of the beloved classics, but I was struck most by the biographical information regarding Peter Davies in Maria Tatar's introduction." --
"Synopsis" by , Originally issued in 1934, The Fairies Return was the first collection of modernist fairy tales ever published in England, and it marked the arrival of a satirical classic that has never been surpassed. Even today, this reimagining of fourteen timeless tales--from "Puss in Boots" to "Little Red Riding Hood"--is still fresh and bold, giving readers a world steeped not in once upon a time, but in the here and now.

Longtime favorites in this playfully subversive collection are retold for modern times and mature sensibilities. In "Jack the Giant Killer," Jack becomes a trickster who must deliver England from the hands of three ogres after a failed government inquiry. "Ali Baba and the Forty Thieves" is set in contemporary London and the world of financial margins and mergers. In "The Little Mermaid," a young Canadian girl with breathtaking swimming skills is lured by the temptations of Hollywood. And Cinderella becomes a spinster and holy woman, creating a very different happily ever after. These tales expose social anxieties, political corruption, predatory economic behavior, and destructive appetites even as they express hope for a better world. A new introduction from esteemed fairy-tale scholar Maria Tatar puts the collection in context.

From stockbrokers and socialites to shopkeepers and writers, the characters in The Fairies Return face contemporary challenges while living in the magical world of fairy tales.

"Synopsis" by ,

Originally issued in 1934, The Fairies Return was the first collection of modernist fairy tales ever published in England, and it marked the arrival of a satirical classic that has never been surpassed. Even today, this reimagining of fourteen timeless tales--from "Puss in Boots" to "Little Red Riding Hood"--is still fresh and bold, giving readers a world steeped not in once upon a time, but in the here and now.

Longtime favorites in this playfully subversive collection are retold for modern times and mature sensibilities. In "Jack the Giant Killer," Jack becomes a trickster who must deliver England from the hands of three ogres after a failed government inquiry. "Ali Baba and the Forty Thieves" is set in contemporary London and the world of financial margins and mergers. In "The Little Mermaid," a young Canadian girl with breathtaking swimming skills is lured by the temptations of Hollywood. And Cinderella becomes a spinster and holy woman, creating a very different happily ever after. These tales expose social anxieties, political corruption, predatory economic behavior, and destructive appetites even as they express hope for a better world. A new introduction from esteemed fairy-tale scholar Maria Tatar puts the collection in context.

From stockbrokers and socialites to shopkeepers and writers, the characters in The Fairies Return face contemporary challenges while living in the magical world of fairy tales.

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