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New Impressions of Africa (Facing Pages)

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New Impressions of Africa (Facing Pages) Cover

 

Synopses & Reviews

Publisher Comments:

Poet, novelist, playwright, and chess enthusiast, Raymond Roussel (1877-1933) was one of the French belle époque's most compelling literary figures. During his lifetime, Roussel's work was vociferously championed by the surrealists, but never achieved the widespread acclaim for which he yearned. New Impressions of Africa is undoubtedly Roussel's most extraordinary work. Since its publication in 1932, this weird and wonderful poem has slowly gained cult status, and its admirers have included Salvador Dalì--who dubbed it the most "ungraspably poetic" work of the era--André Breton, Jean Cocteau, Marcel Duchamp, Michel Foucault, Kenneth Koch, and John Ashbery.

Roussel began writing New Impressions of Africa in 1915 while serving in the French Army during the First World War and it took him seventeen years to complete. "It is hard to believe the immense amount of time composition of this kind of verse requires," he later commented. Mysterious, unnerving, hilarious, haunting, both rigorously logical and dizzyingly sublime, it is truly one of the hidden masterpieces of twentieth-century modernism.

This bilingual edition of New Impressions of Africa presents the original French text and the English poet Mark Ford's lucid, idiomatic translation on facing pages. It also includes an introduction outlining the poem's peculiar structure and evolution, notes explaining its literary and historical references, and the fifty-nine illustrations anonymously commissioned by Roussel, via a detective agency, from Henri-A. Zo.

Synopsis:

"That anyone could translate Nouvelles Impressions d'Afrique at all is unlikely, but that it could be done with such sparkle and brio seems downright mysterious. This version rescues Roussel's bizarre masterpiece from its status as an intriguing rumor and turns it into a valuable resource for contemporary English-speaking readers. Poets especially will be in Mark Ford's debt."--John Ashbery

"Raymond Roussel's New Impressions of Africa is one of the strangest, densest, maddest, most hauntingly beautiful poems of the twentieth century. In a signal act of scholarship and linguistic finesse, the poet and critic Mark Ford--who also happens to be one of the world's prime Roussel scholars--has carried this extraordinary work across the border from French into English with exemplary skill and care. I should warn you that the book you are holding in your hands is mind-bending."--Nicholas Jenkins, Stanford University

Synopsis:

Poet, novelist, playwright, and chess enthusiast, Raymond Roussel (1877-1933) was one of the French belle époque's most compelling literary figures. During his lifetime, Roussel's work was vociferously championed by the surrealists, but never achieved the widespread acclaim for which he yearned. New Impressions of Africa is undoubtedly Roussel's most extraordinary work. Since its publication in 1932, this weird and wonderful poem has slowly gained cult status, and its admirers have included Salvador Dalì--who dubbed it the most "ungraspably poetic" work of the era--André Breton, Jean Cocteau, Marcel Duchamp, Michel Foucault, Kenneth Koch, and John Ashbery.

Roussel began writing New Impressions of Africa in 1915 while serving in the French Army during the First World War and it took him seventeen years to complete. "It is hard to believe the immense amount of time composition of this kind of verse requires," he later commented. Mysterious, unnerving, hilarious, haunting, both rigorously logical and dizzyingly sublime, it is truly one of the hidden masterpieces of twentieth-century modernism.

This bilingual edition of New Impressions of Africa presents the original French text and the English poet Mark Ford's lucid, idiomatic translation on facing pages. It also includes an introduction outlining the poem's peculiar structure and evolution, notes explaining its literary and historical references, and the fifty-nine illustrations anonymously commissioned by Roussel, via a detective agency, from Henri-A. Zo.

About the Author

Mark Ford teaches in the English Department at University College London. He is the author of "Raymond Roussel and the Republic of Dreams". He has also published two volumes of essays, "A Driftwood Altar" and "Mr and Mrs Stevens and Other Essays". He is a regular contributor to the "London Review of Books" and the "New York Review of Books".

Table of Contents

Introduction 1

Canto I: Damiette: La maison où Saint Louis fut prisonnier / Damietta: The house where Saint Louis was held prisoner 18

Canto II: Le Champ de bataille des Pyramides / The Battlefield of the Pyramids 62

Canto III: La Colonne qui, léchée jusqu’à ce que la langue saigne, guérit la jaunisse / The column that, when licked until the tongue bleeds, cures jaundice 178

Canto IV: Les Jardins de Rosette vus d’une dahabieh / The Gardens of Rosetta seen from a dahabieh 210

Product Details

ISBN:
9780691156033
Author:
Roussel, Raymond
Publisher:
Princeton University Press
Author:
Ford, Mark
Subject:
Single Author - Continental European
Subject:
Poetry
Subject:
Comparative Literature
Subject:
Anthologies-Miscellaneous International Poetry
Edition Description:
Trade paper
Publication Date:
20121031
Binding:
TRADE PAPER
Language:
English
Illustrations:
59 halftones.
Pages:
264
Dimensions:
8.5 x 5.5 in

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Related Subjects

Fiction and Poetry » Anthologies » Miscellaneous International Poetry
Fiction and Poetry » Poetry » A to Z
Religion » Comparative Religion » General

New Impressions of Africa (Facing Pages) New Trade Paper
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Product details 264 pages Princeton University Press - English 9780691156033 Reviews:
"Synopsis" by , "That anyone could translate Nouvelles Impressions d'Afrique at all is unlikely, but that it could be done with such sparkle and brio seems downright mysterious. This version rescues Roussel's bizarre masterpiece from its status as an intriguing rumor and turns it into a valuable resource for contemporary English-speaking readers. Poets especially will be in Mark Ford's debt."--John Ashbery

"Raymond Roussel's New Impressions of Africa is one of the strangest, densest, maddest, most hauntingly beautiful poems of the twentieth century. In a signal act of scholarship and linguistic finesse, the poet and critic Mark Ford--who also happens to be one of the world's prime Roussel scholars--has carried this extraordinary work across the border from French into English with exemplary skill and care. I should warn you that the book you are holding in your hands is mind-bending."--Nicholas Jenkins, Stanford University

"Synopsis" by , Poet, novelist, playwright, and chess enthusiast, Raymond Roussel (1877-1933) was one of the French belle époque's most compelling literary figures. During his lifetime, Roussel's work was vociferously championed by the surrealists, but never achieved the widespread acclaim for which he yearned. New Impressions of Africa is undoubtedly Roussel's most extraordinary work. Since its publication in 1932, this weird and wonderful poem has slowly gained cult status, and its admirers have included Salvador Dalì--who dubbed it the most "ungraspably poetic" work of the era--André Breton, Jean Cocteau, Marcel Duchamp, Michel Foucault, Kenneth Koch, and John Ashbery.

Roussel began writing New Impressions of Africa in 1915 while serving in the French Army during the First World War and it took him seventeen years to complete. "It is hard to believe the immense amount of time composition of this kind of verse requires," he later commented. Mysterious, unnerving, hilarious, haunting, both rigorously logical and dizzyingly sublime, it is truly one of the hidden masterpieces of twentieth-century modernism.

This bilingual edition of New Impressions of Africa presents the original French text and the English poet Mark Ford's lucid, idiomatic translation on facing pages. It also includes an introduction outlining the poem's peculiar structure and evolution, notes explaining its literary and historical references, and the fifty-nine illustrations anonymously commissioned by Roussel, via a detective agency, from Henri-A. Zo.

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