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1 Burnside Film and Television- Film History and Theory

This title in other editions

Projecting Paranoia: Conspiratorial Visions in American Film (Cultureamerica)


Projecting Paranoia: Conspiratorial Visions in American Film (Cultureamerica) Cover


Synopses & Reviews

Publisher Comments:

A lit cigarette glows in the dark. A faceless voice describes sinister forces that are hard at work behind the scenes-a hidden conspiracy that controls our lives and perhaps even our thoughts. Then, like a ghost in the night, the voice is gone, leaving a residue of unease and a whisper of paranoia. As emblematic as "Deep Throat" in All the President's Men or the "Cigarette Smoking Man" in the wildly popular X-Files, that ghostly presence stands in for numerous other "voices" in a wide range of American films from the classic era of film noir through Oliver Stone's JFK and Curtis Hanson's L.A. Confidential. In this sweeping and idiosyncratic synthesis of film and politics, Ray Pratt shows us how such movies are deeply rooted in postwar American culture and continue to exert an enormous influence on the national imagination. For decades American cinema has mirrored and promoted the postmodern anxieties and paranoid perceptions embedded in our society. Tapping into the moviegoing audience's own projected fears, many Hollywood films seem to confirm our belief that there are indeed secret sinister forces at work and that our lives are at risk because of them. Pratt revisits blockbusters and cult favorites alike and shows how their images of conspiracy have been fostered by the public's increasing distrust of large organizations, producing in turn a cinematic "narrative of resistance" that challenges the status quo. He offers Seven Days in May and Dr. Strangelove as signposts of Cold War hysteria; Chinatown, The Conversation, and Missing as clear reflections of our distrust of political and corporate elites in the wake of Vietnam and Watergate; and Blue Velvet and The Stepfather as dark countermyths to the "family values" touted by Ronald Reagan in the 1980s. He also considers gender paranoia in films like Klute, Fatal Attraction, and Silence of the Lambs and reminds us that sometimes, as in Serpico, our guardian police forces need a bit of guarding themselves. Deftly interweaving cultural, political, and film theory with fresh insights into film noir detectives, nuclear angst, sexual predators, and government conspiracies, Projecting Paranoia is essential reading for anyone interested in the American psyche or great moviemaking.

Table of Contents

Visionary paranoia — Film politics — The dark vision of film noir — The culture of resistance in the films of the 1960s — "You may think you know what's going on here" — Family values? : the view from Reagan's closet — "She was bad news" : male paranoia and femme fatales — Women and sexual paranoia — Bad cops and their politics — From assassination to surveillance society.

Product Details

Conspiratorial Visions in American Film
Pratt, Ray
Ray Pra
University Press of Kansas
Lawrence, Kan.
United states
Film - History & Criticism
Motion pictures
Conspiracy & Scandal Investigations
Film & Video - History & Criticism
Motion pictures -- Political aspects.
Film and Television-History and Criticism
Edition Description:
Series Volume:
no. 27
Publication Date:
9.27x6.15x.90 in. 1.23 lbs.

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Related Subjects

Arts and Entertainment » Film and Television » Film History and Theory
Arts and Entertainment » Film and Television » General
History and Social Science » Military » General History

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