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Projecting Paranoia: Conspiratorial Visions in American Film (Cultureamerica)by Ray Pratt
Synopses & Reviews
A lit cigarette glows in the dark. A faceless voice describes sinister forces that are hard at work behind the scenes-a hidden conspiracy that controls our lives and perhaps even our thoughts. Then, like a ghost in the night, the voice is gone, leaving a residue of unease and a whisper of paranoia.
As emblematic as "Deep Throat" in All the President's Men or the "Cigarette Smoking Man" in the wildly popular X-Files, that ghostly presence stands in for numerous other "voices" in a wide range of American films from the classic era of film noir through Oliver Stone's JFK and Curtis Hanson's L.A. Confidential. In this sweeping and idiosyncratic synthesis of film and politics, Ray Pratt shows us how such movies are deeply rooted in postwar American culture and continue to exert an enormous influence on the national imagination.
For decades American cinema has mirrored and promoted the postmodern anxieties and paranoid perceptions embedded in our society. Tapping into the moviegoing audience's own projected fears, many Hollywood films seem to confirm our belief that there are indeed secret sinister forces at work and that our lives are at risk because of them.
Pratt revisits blockbusters and cult favorites alike and shows how their images of conspiracy have been fostered by the public's increasing distrust of large organizations, producing in turn a cinematic "narrative of resistance" that challenges the status quo. He offers Seven Days in May and Dr. Strangelove as signposts of Cold War hysteria; Chinatown, The Conversation, and Missing as clear reflections of our distrust of political and corporate elites in the wake of Vietnam and Watergate; and Blue Velvet and The Stepfather as dark countermyths to the "family values" touted by Ronald Reagan in the 1980s. He also considers gender paranoia in films like Klute, Fatal Attraction, and Silence of the Lambs and reminds us that sometimes, as in Serpico, our guardian police forces need a bit of guarding themselves.
Deftly interweaving cultural, political, and film theory with fresh insights into film noir detectives, nuclear angst, sexual predators, and government conspiracies, Projecting Paranoia is essential reading for anyone interested in the American psyche or great moviemaking.
A wide-ranging and idiosyncratic look at sixty years of politics and film that uncovers how American movies have mirrored and even challenged anxieties and paranoid perceptions embedded in American society since the start of the Cold War. The first book to take a sweeping look at 60 years of film and analyze them thematically.
Table of Contents
List of Illustrations
1. "Our Greatest Export is Paranoia": Visionary Paranoia
2. Film Politics
3. The Dark Vision of Film Noir
4. The Culture of Resistance in Films of the 1960s
5. "You May Think You Know What's Going On Here": From Neo-Noir Cynicism to Conspiratorial Paranoia
6. Family Values? The View from Ronald Reagan's Closet
7. "She Was Bad News": Male Paranoia and Femmes Fatales
8. Women and Sexual Paranoia
9. Bad Cops and Noir Politics
10. From Assassination to Surveillance Society
Afterword: New Political Possibilities in Film Culture
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