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This title in other editions

The Art of Political Murder: Who Killed the Bishop?

by

The Art of Political Murder: Who Killed the Bishop? Cover

 

Synopses & Reviews

Publisher Comments:

Acclaimed novelist Goldman tells the story of the murder of Bishop Juan Gerardi, Guatemalas leading human rights activist, who had been bludgeoned to death in 1998, after releasing a church-sponsored report implicating the military in the murders and disappearances of some 200,000 civilians.

Review:

"'Novelist Goldman (The Divine Husband, etc.) pursues in his first nonfiction book the infamous murder of Bishop Juan Gerardi, the Guatemalan human rights leader murdered after the release of his multivolume report on the genocidal terror campaign led by the army in the 1980s and '90s, in which 200,000 people disappeared or were killed. The book, which began as a New Yorker piece, casts light into the darkest corners of this tortuous case, the U.S.-supported war in Central America and the continuing legacy of violence and corruption. The large cast and myriad details can be overwhelming, but overall Goldman manages a clear narrative (aided by a 'dramatis personae' and chronology). Drawing on a wealth of sources, including interviews, declassified documents and court records, his meticulously researched book is an impressive organizational achievement, as well as a vital moral accounting. Goldman — who was baptized in Gerardi's church of San Sebastian, attended by his Guatemalan-born mother — invests this eye-opening account with a layer of personal reflection. Like Latin American writers Garca Mrquez, Vargas Llosa or Carlos Fuentes, his journalism isn't so much a departure from his fiction as an extension of his concerns with the fraught landscapes where 'truth' is as contested as the soil underfoot, yet central to battles waged over it. (Sept.)' Publishers Weekly (Copyright Reed Business Information, Inc.)" Publishers Weekly (Copyright Reed Business Information, Inc.)

Review:

"Francisco Goldman, an accomplished novelist who specializes in evoking murky tropical worlds, could easily have concocted a macabre and fantastic plot in which right-wing military officers of a Central American country murder a leftist cleric, then set about terrorizing witnesses and planting salacious rumors to distract the public and cover their tracks. The assassins are never found, the powerful... Washington Post Book Review (read the entire Washington Post review)

Synopsis:

Bishop Juan Gerardi, Guatemalas leading human rights activist, was bludgeoned to death in his garage on a Sunday night in 1998, two days after the presentation of a groundbreaking church-sponsored report implicating the military in the murders and disappearances of some two hundred thousand civilians. Realizing that it could not rely on police investigators or the legal system to solve the murder, the church formed its own investigative team, a group of secular young men in their twenties who called themselves Los Intocables (the Untouchables). Known in Guatemala as “The Crime of the Century,” the Bishop Gerardi murder case, with its unexpectedly outlandish scenarios and sensational developments, confounded observers and generated extraordinary controversy. In his first nonfiction book, acclaimed novelist Francisco Goldman has spoken to witnesses no other reporter has reached, and observed firsthand some of the most crucial developments in the case. Now he has produced The Art of Political Murder , a tense and astonishing true detective story that opens a window on the new Latin American reality of mara youth gangs and organized crime, and tells the story of a remarkable group of engaging, courageous young people, and of their remarkable fight for justice.

Synopsis:

Bishop Juan Gerardi, Guatemalas leading human rights activist, was bludgeoned to death in his garage on a Sunday night in 1998, two days after the presentation of a groundbreaking church-sponsored report implicating the military in the murders and disappearances of some two hundred thousand civilians. Realizing that it could not rely on police investigators or the legal system to solve the murder, the church formed its own investigative team, a group of secular young men in their twenties who called themselves Los Intocables (the Untouchables). Known in Guatemala as “The Crime of the Century,” the Bishop Gerardi murder case, with its unexpectedly outlandish scenarios and sensational developments, confounded observers and generated extraordinary controversy. In his first nonfiction book, acclaimed novelist Francisco Goldman has spoken to witnesses no other reporter has reached, and observed firsthand some of the most crucial developments in the case. Now he has produced The Art of Political Murder, a tense and astonishing true detective story that opens a window on the new Latin American reality of mara youth gangs and organized crime, and tells the story of a remarkable group of engaging, courageous young people, and of their remarkable fight for justice.

Product Details

ISBN:
9780802118288
Subtitle:
Who Killed the Bishop?
Author:
Goldman, Francisco
Publisher:
Grove Press
Subject:
Murder
Subject:
Central America
Subject:
Murder - General
Subject:
Trials (Murder)
Subject:
Politics and government
Subject:
Latin America - Central America
Subject:
Assassination
Subject:
Guatemala Politics and government 1985-
Subject:
Gerardi, Juan Jose - Assassination
Copyright:
Edition Description:
Trade Cloth
Publication Date:
20070910
Binding:
Hardback
Language:
English
Illustrations:
Y
Pages:
416
Dimensions:
9 x 6 in 23.5 oz

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Related Subjects

History and Social Science » Latin America » Guatemala
History and Social Science » World History » Central America

The Art of Political Murder: Who Killed the Bishop? Used Hardcover
0 stars - 0 reviews
$6.95 In Stock
Product details 416 pages Grove Press - English 9780802118288 Reviews:
"Publishers Weekly Review" by , "'Novelist Goldman (The Divine Husband, etc.) pursues in his first nonfiction book the infamous murder of Bishop Juan Gerardi, the Guatemalan human rights leader murdered after the release of his multivolume report on the genocidal terror campaign led by the army in the 1980s and '90s, in which 200,000 people disappeared or were killed. The book, which began as a New Yorker piece, casts light into the darkest corners of this tortuous case, the U.S.-supported war in Central America and the continuing legacy of violence and corruption. The large cast and myriad details can be overwhelming, but overall Goldman manages a clear narrative (aided by a 'dramatis personae' and chronology). Drawing on a wealth of sources, including interviews, declassified documents and court records, his meticulously researched book is an impressive organizational achievement, as well as a vital moral accounting. Goldman — who was baptized in Gerardi's church of San Sebastian, attended by his Guatemalan-born mother — invests this eye-opening account with a layer of personal reflection. Like Latin American writers Garca Mrquez, Vargas Llosa or Carlos Fuentes, his journalism isn't so much a departure from his fiction as an extension of his concerns with the fraught landscapes where 'truth' is as contested as the soil underfoot, yet central to battles waged over it. (Sept.)' Publishers Weekly (Copyright Reed Business Information, Inc.)" Publishers Weekly (Copyright Reed Business Information, Inc.)
"Synopsis" by ,
Bishop Juan Gerardi, Guatemalas leading human rights activist, was bludgeoned to death in his garage on a Sunday night in 1998, two days after the presentation of a groundbreaking church-sponsored report implicating the military in the murders and disappearances of some two hundred thousand civilians. Realizing that it could not rely on police investigators or the legal system to solve the murder, the church formed its own investigative team, a group of secular young men in their twenties who called themselves Los Intocables (the Untouchables). Known in Guatemala as “The Crime of the Century,” the Bishop Gerardi murder case, with its unexpectedly outlandish scenarios and sensational developments, confounded observers and generated extraordinary controversy. In his first nonfiction book, acclaimed novelist Francisco Goldman has spoken to witnesses no other reporter has reached, and observed firsthand some of the most crucial developments in the case. Now he has produced The Art of Political Murder , a tense and astonishing true detective story that opens a window on the new Latin American reality of mara youth gangs and organized crime, and tells the story of a remarkable group of engaging, courageous young people, and of their remarkable fight for justice.
"Synopsis" by ,
Bishop Juan Gerardi, Guatemalas leading human rights activist, was bludgeoned to death in his garage on a Sunday night in 1998, two days after the presentation of a groundbreaking church-sponsored report implicating the military in the murders and disappearances of some two hundred thousand civilians. Realizing that it could not rely on police investigators or the legal system to solve the murder, the church formed its own investigative team, a group of secular young men in their twenties who called themselves Los Intocables (the Untouchables). Known in Guatemala as “The Crime of the Century,” the Bishop Gerardi murder case, with its unexpectedly outlandish scenarios and sensational developments, confounded observers and generated extraordinary controversy. In his first nonfiction book, acclaimed novelist Francisco Goldman has spoken to witnesses no other reporter has reached, and observed firsthand some of the most crucial developments in the case. Now he has produced The Art of Political Murder, a tense and astonishing true detective story that opens a window on the new Latin American reality of mara youth gangs and organized crime, and tells the story of a remarkable group of engaging, courageous young people, and of their remarkable fight for justice.
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