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Western Legacies #4: Art from Fort Marion: The Silberman Collection

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Western Legacies #4: Art from Fort Marion: The Silberman Collection Cover

 

Synopses & Reviews

Publisher Comments:

Striking color images depict traditional lifeways and the pain of imprisonment

During the 1870s, Cheyenne and Kiowa prisoners of war at Fort Marion, Florida, graphically recorded their responses to incarceration in drawings that conveyed both the present reality of imprisonment and nostalgic memories of home. Now a leading authority on American Indian drawings and paintings examines an important collection of these drawings to reveal how art blossomed at Fort Marion.

The Silberman Collection is an unusually complete group of images that illustrate the artists fascination with the world outside the southern plains, their living conditions and survival strategies as prisoners, and their reminiscences of pre-reservation life. Joyce M. Szabo explains the significance of this preeminent collection, which focuses on seven of the prisoner-artists—most notably Zotom and Making Medicine. Through a selection of 120 striking color images, Szabo shows how each artist creatively recorded his experiences.

Szabo compares the artists various styles, examines repeated themes to show how each artist approached the same subjects, and considers the distinctiveness of these drawings as representing the emergent culture of Fort Marion. She also surveys how Fort Marion art has been collected since the late 1870s and describes Arthur and Shifra Silbermans approaches to collecting.

Although other books have considered the Fort Marion artists, this is the first to examine their works in such analytical and comparative detail. Art from Fort Marion: The Silberman Collection captures a unique visual form of Native expression.

Synopsis:

Striking color images depict traditional lifeways and the pain of imprisonment

Synopsis:

During the 1870s, Cheyenne and Kiowa prisoners of war at Fort Marion, Florida, graphically recorded their responses to incarceration in drawings that conveyed both the present reality of imprisonment and nostalgic memories of home. The Silberman Collection is an unusually complete group of images that illustrate the artists’ fascination with the world outside the southern plains, their living conditions and survival strategies as prisoners, and their reminiscences of pre-reservation life.

About the Author

Joyce M. Szabo is Professor of Art History at the University of New Mexico and author of Howling Wolf and the History of Ledger Art.

Steven L. Grafe, Curator of American Indian Art at the National Cowboy and Western Heritage Museum, Oklahoma City, is author of Peoples of the Plateau: The Indian Photographs of Lee Moorhouse, 1898-1915.

Product Details

ISBN:
9780806138893
Author:
Szabo, Joyce M.
Publisher:
University of Oklahoma Press
Author:
Grafe, Steven L.
Subject:
American - Native American
Subject:
History : General
Subject:
Techniques - Drawing
Subject:
Native American Studies
Subject:
Art - General
Copyright:
Edition Description:
Paperback
Series:
Western Legacies Series
Series Volume:
4
Publication Date:
20090231
Binding:
TRADE PAPER
Language:
English
Illustrations:
130 color illus.
Pages:
208
Dimensions:
10.5 x 9 x 0.7 in 2.59 lb

Related Subjects

Arts and Entertainment » Art » Drawing
Arts and Entertainment » Art » General
Arts and Entertainment » Art » History and Criticism

Western Legacies #4: Art from Fort Marion: The Silberman Collection New Trade Paper
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Product details 208 pages University of Oklahoma Press - English 9780806138893 Reviews:
"Synopsis" by , Striking color images depict traditional lifeways and the pain of imprisonment
"Synopsis" by ,
During the 1870s, Cheyenne and Kiowa prisoners of war at Fort Marion, Florida, graphically recorded their responses to incarceration in drawings that conveyed both the present reality of imprisonment and nostalgic memories of home. The Silberman Collection is an unusually complete group of images that illustrate the artists’ fascination with the world outside the southern plains, their living conditions and survival strategies as prisoners, and their reminiscences of pre-reservation life.
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