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This title in other editions

Other titles in the Theory Interpretation Narrativ series:

Narrative Theory: Core Concepts and Critical Debates (Theory Interpretation Narrativ)

by

Narrative Theory: Core Concepts and Critical Debates (Theory Interpretation Narrativ) Cover

 

Synopses & Reviews

Publisher Comments:

Narrative Theory: Core Concepts and Critical Debates addresses two frequently asked questions about narrative studies: “what is narrative theory?” and “how do different approaches to narrative relate to each other?” In engaging with these questions, the book demonstrates the diversity and vitality of the field and promotes a broader dialogue about its assumptions, methods, and purposes.

 
In Part One, the co-authors explore the scope and aims of narrative from four distinct perspectives: rhetorical (Phelan and Rabinowitz), feminist (Warhol), mind-oriented (Herman), and unnatural (Richardson). Using case studies (Huckleberry Finn, Persuasion, On Chesil Beach, and Midnight’s Children, respectively), the co-authors explain their different takes on the same core concepts: authors, narrators, narration; plot, time, and progression; space, setting, and perspective; character; reception and the reader; and narrative values. In Part Two, the co-authors respond to one another’s views. As they discuss the relation of the approaches to each other, they highlight significant current debates and map out key developments in the field.
 
Accessibly written, Narrative Theory can serve as the basis for a wide range of courses, even as its incisive presentation of four major approaches and its lively give-and-take about the powers and limitations of each make the book an indispensable resource for specialists.

Synopsis:

The proliferation of media and their ever-increasing role in our daily life has produced a strong sense that understanding mediaand#8212;everything from oral storytelling, literary narrative, newspapers, and comics to radio, film, TV, and video gamesand#8212;is key to understanding the dynamics of culture and society. Storyworlds across Media explores how media, old and new, give birth to various types of storyworlds and provide different ways of experiencing them, inviting readers to join an ongoing theoretical conversation focused on the question: how can narratology achieve media-consciousness?
and#160;

The first part of the volume critically assesses the cross- and transmedial validity of narratological concepts such as storyworld, narrator, representation of subjectivity, and fictionality. The second part deals with issues of multimodality and intermediality across media. The third part explores the relation between media convergence and transmedial storyworlds, examining emergent forms of storytelling based on multiple media platforms. Taken together, these essays build the foundation for a media-conscious narratology that acknowledges both similarities and differences in the ways media narrate.

and#160;
and#160;

About the Author

 
David Herman, James Phelan, and Robyn Warhol are faculty members in the Department of English at Ohio State University, Peter J. Rabinowitz in the Department of Comparative Literature at Hamilton College, and Brian Richardson in the Department of English at the University of Maryland.

 

Product Details

ISBN:
9780814251843
Author:
Herman, David
Publisher:
Ohio State University Press
Author:
L
Author:
Richardson, Brian
Author:
Jan-Noand#235
Author:
Phelan, James
Author:
Thon, Jan-Noand#235
Author:
Rabinowitz, Peter J.
Author:
Ryan, Marie-Laure
Author:
Warhol, Robyn R.
Author:
l Thon
Subject:
General Literary Criticism & Collections
Subject:
Literary Criticism : General
Copyright:
Edition Description:
Trade paper
Series:
Frontiers of Narrative
Publication Date:
20120431
Binding:
TRADE PAPER
Language:
English
Illustrations:
50 illustrations, 5 tables, 9 diagrams
Pages:
380
Dimensions:
9 x 6 in

Related Subjects

» Humanities » Literary Criticism » General
» Reference » Rhetoric

Narrative Theory: Core Concepts and Critical Debates (Theory Interpretation Narrativ) New Trade Paper
0 stars - 0 reviews
$42.25 In Stock
Product details 380 pages Ohio State University Press - English 9780814251843 Reviews:
"Synopsis" by ,
The proliferation of media and their ever-increasing role in our daily life has produced a strong sense that understanding mediaand#8212;everything from oral storytelling, literary narrative, newspapers, and comics to radio, film, TV, and video gamesand#8212;is key to understanding the dynamics of culture and society. Storyworlds across Media explores how media, old and new, give birth to various types of storyworlds and provide different ways of experiencing them, inviting readers to join an ongoing theoretical conversation focused on the question: how can narratology achieve media-consciousness?
and#160;

The first part of the volume critically assesses the cross- and transmedial validity of narratological concepts such as storyworld, narrator, representation of subjectivity, and fictionality. The second part deals with issues of multimodality and intermediality across media. The third part explores the relation between media convergence and transmedial storyworlds, examining emergent forms of storytelling based on multiple media platforms. Taken together, these essays build the foundation for a media-conscious narratology that acknowledges both similarities and differences in the ways media narrate.

and#160;
and#160;

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