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1 Burnside Asia- China Revolutionary 1911 to 1949

This title in other editions

Other titles in the Asia-Pacific series:

Staging the World

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Staging the World Cover

 

Synopses & Reviews

Publisher Comments:

In Staging the World Rebecca E. Karl rethinks the production of nationalist discourse in China during the late Qing period, between China’s defeat in the Sino-Japanese War in 1895 and the proclamation of the Republic in 1911. She argues that at this historical moment a growing Chinese identification with what we now call the Third World first made the modern world visible as a totality and that the key components of Chinese nationalist discourse developed in reference to this worldview.

The emergence of Chinese nationalism during this period is often portrayed as following from China’s position vis-à-vis Japan and the West. Karl has mined the archives of the late Qing period to discern the foci of Chinese intellectuals from 1895 to 1911 to assert that even though the China/Japan/West triangle was crucial, it alone is an incomplete—and therefore flawed—model of the development of nationalism in China. Although the perceptions and concerns of these thinkers form the basis of Staging the World, Karl begins by examining a 1904 Shanghai production of an opera about a fictional partition of Poland and its modern reincarnation as an ethno-nation. By focusing on the type of dialogue this opera generated in China, Karl elucidates concepts such as race, colonization, globalization, and history. From there, she discusses how Chinese conceptions of nationalism were affected by the “discovery” of Hawai’i as a center of the Pacific, the Philippine revolution against the United States, and the relationship between nationality and ethnicity made apparent by the Boer War in South Africa.

Synopsis:

An historical analysis of how the Chinese constructed their understandings of their place in the world in the late nineteenth and early twentieth centuries.

About the Author

Staging the World fundamentally challenges the conventional assumptions of late-nineteenth- and early-twentieth-century intellectual history and proposes a creative, alternative imagining of the historiography of modern China. This is a rare work of intellectual ambition and righteous moral sense.”—Lionel M. Jensen, author of Manufacturing Confucianism: Chinese Traditions and Universal Civilization
“Rebecca Karl not only explores an exciting period in Chinese intellectual history but also provides an alternative mapping of global relations based on a constellation of common subordinated nations. Those who, like me, are not specialists of Chinese history will find this vision of the world from below a refreshing revelation.”—Michael Hardt, author of Empire (with Antonio Negri)

Product Details

ISBN:
9780822328674
Author:
Karl, Rebecca E.
Publisher:
Duke University Press
Editor:
Rey Chow
Author:
Masao Miyoshi
Author:
Chow, Rey
Author:
Karl
Author:
Harootunian, Harry
Location:
Durham, NC
Subject:
General
Subject:
China
Subject:
Nationalism
Subject:
Nationalism -- China.
Subject:
General Political Science
Subject:
Politics - General
Copyright:
Edition Description:
Trade Paper
Series:
Asia-Pacific: Culture, Politics, and Society
Series Volume:
102
Publication Date:
20020431
Binding:
TRADE PAPER
Language:
English
Pages:
320
Dimensions:
9.25 x 6 in

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Related Subjects

History and Social Science » Asia » China » Revolutionary 1911 to 1949
History and Social Science » Politics » General

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Product details 320 pages Duke University Press - English 9780822328674 Reviews:
"Synopsis" by ,
An historical analysis of how the Chinese constructed their understandings of their place in the world in the late nineteenth and early twentieth centuries.
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