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This title in other editions

Other titles in the Perverse Modernities series:

Interventions Into Modernist Cultures: Poetry from Beyond the Empty Screen (Perverse Modernities)

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Synopses & Reviews

Publisher Comments:

Interventions into Modernist Cultures is a comparative analysis of the cultural politics of modernist writing in the United States and Taiwan. Amie Elizabeth Parry argues that the two sites of modernism are linked by their representation or suppression of histories of U.S. imperialist expansion, Cold War neocolonial military presence, and economic influence in Asia. Focusing on poetry, a genre often overlooked in postcolonial theory, she contends that the radically fragmented form of modernist poetic texts is particularly well suited to representing U.S. imperialism and neocolonial modernities.

Reading various works by U.S. expatriates Ezra Pound and Gertrude Stein, Parry compares the cultural politics of U.S. canonical modernism with alternative representations of temporality, hybridity, erasure, and sexuality in the work of the Taiwanese writers Yü Kwang-chung and Hsia Yü and the Asian American immigrant author Theresa Hak Kyung Cha. Juxtaposing poems by Pound and Yü Kwang-chung, Parry shows how Yü’s fragmented, ambivalent modernist form reveals the effects of neocolonialism while Pound denies and obscures U.S. imperialism in Asia, asserting a form of nondevelopmental universalism through both form and theme. Stein appropriates discourses of American modernity and identity to represent nonnormative desire and sexuality, and Parry contrasts this tendency with representations of sexuality in the contemporary experimental poetry of Hsia Yü. Finally, Parry highlights the different uses of modernist forms by Pound in his Cantos—which incorporate a multiplicity of decontextualized and ahistorical voices—and by Cha in her 1982 novel Dictee, a historicized, multilingual work. Parry’s sophisticated readings provide a useful critical framework for apprehending how “minor modernisms” illuminate the histories erased by certain canonical modernist texts.

Synopsis:

"In this original and outstanding book, Amie Elizabeth Parry opens up new ways of reading and approaching U.S. and Asian modern literary cultures. Through her compelling and theoretically deft close readings of 'minor' modernists and experimental writers, modernist formations between the United States and East Asia are made to interact, comment on, and challenge the seemingly abstract or formalized claims of poetic innovation and geopolitical situation."--Rob Wilson, coeditor of "Global/Local: Cultural Production and the Transnational Imaginary"

Synopsis:

A comparative analysis of the cultural politics of modernist writing in Taiwan and the United States, as well as in immigrant Asian American writing.

About the Author

Amie Elizabeth Parry is Associate Professor of English at the National Central University in Taiwan.

Product Details

ISBN:
9780822338031
Author:
Parry, Amie Elizabeth
Publisher:
Duke University Press
Author:
Parry, Amie
Author:
Halberstam, Judith
Author:
Schweik, Susan M.
Author:
Lowe, Lisa
Subject:
Semiotics & Theory
Subject:
American poetry
Subject:
Modernism (literature)
Subject:
Stein, Gertrude - C
Subject:
American poetry -- 20th century.
Subject:
Theory
Subject:
Literary Criticism : General
Edition Description:
Trade Cloth
Series:
Perverse Modernities: A Series Edited by Jack Halberstam and Lisa Lowe
Publication Date:
20070531
Binding:
HARDCOVER
Language:
English
Pages:
200
Dimensions:
9.25 x 6.13 in

Related Subjects

Humanities » Literary Criticism » General

Interventions Into Modernist Cultures: Poetry from Beyond the Empty Screen (Perverse Modernities) New Hardcover
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Product details 200 pages Duke University Press - English 9780822338031 Reviews:
"Synopsis" by , "In this original and outstanding book, Amie Elizabeth Parry opens up new ways of reading and approaching U.S. and Asian modern literary cultures. Through her compelling and theoretically deft close readings of 'minor' modernists and experimental writers, modernist formations between the United States and East Asia are made to interact, comment on, and challenge the seemingly abstract or formalized claims of poetic innovation and geopolitical situation."--Rob Wilson, coeditor of "Global/Local: Cultural Production and the Transnational Imaginary"
"Synopsis" by ,
A comparative analysis of the cultural politics of modernist writing in Taiwan and the United States, as well as in immigrant Asian American writing.
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