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Pocket Poets #60: When I Was a Poet

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Pocket Poets #60: When I Was a Poet Cover

 

Synopses & Reviews

Publisher Comments:

A milestone in City Lights history, David Meltzer's When I Was a Poet is number sixty of the famous Pocket Poets Series. The title work is an ambitious late masterpiece from a legendary poet at the height of his powers, a spiritual assessment of the meaning of a lifetime of writing poetry. Also included are reminiscences of California bohemian life, a series of mystical amulets, and profound meditations on love, loss, aging, and death. Associated with the Beat Generation and late '60s psychedelia, musician, novelist, and editor David Meltzer is one of America's foremost living poets."Meltzer is a prolific poet of many modes and voices, quite a few of which are here, love poems, poems out of childhood, a series of "amulets," cryptic short wisdom poems, and much more. These are all tasty, often ironic and/or mysterious, pieces of Davidness to be savored . . . " — Richard Silberg, Poetry Flash

Review:

"Linked to the beats and to the 1950s-vintage confluence of poetry and jazz, Meltzer, in his first collection since the retrospective selection David's Copy (2005) and the long poem Beat Life (2005), keeps on looking back, understandably sad 'To see us then/ resistant &/ glamorously young/ now dead or dying.' Meltzer remembers 'California dreamin' decades ago, when it seemed to him and his friends that 'Utopia's just around the corner/ lodged beneath overpass freeway.' Recollections of American artistic and musical history sit comfortably beside recollections of a rich inner life, in phrases that sound almost ritualized ('When I was a Poet/ Passion was a Wire/ plugged into Nerve Ends') and in the concluding, comic self-portrait. The deliberately nostalgic book design (a Pocket Poets series cover) perhaps emphasizes Meltzer's place in history to the detriment of his strongest new work, which is less interested in pathos than in a mysterious strength, convinced that 'words work best when/ they know they can't.' The short poems called 'Amulets,' in particular, rise above countercultural scene setting toward the empyrean of the early Ginsberg: 'Sucking death from our mouths before we can sing/ This amulet wants wings to work against the King of nightfalling.' (June)" Publishers Weekly Copyright PWxyz, LLC. All rights reserved.

Synopsis:

An autobiographical masterpiece by a prominent Beat poet, who Ferlinghetti has deemed "one of the greats."

About the Author

Born in 1937, David Meltzer is a poet associated with both the Beat Generation and the San Francisco Renaissance. He was also included in Don Allen's seminal anthology, "The New American Poetry 1945-1960" A child prodigy, Meltzer performed on radio and TV in New York beginning in the late '40s. In 1957, after a few years in Los Angeles, where he was part of the circle around Wallace Berman's "Semina" magazine, Meltzer moved to San Francisco, where he associated with such poets as Allen Ginsberg, Robert Duncan, and Jack Spicer. One of the pioneers of jazz poetry readings, Meltzer also formed a psychedelic folk-rock group called Serpent Power with his wife Tina Meltzer and poet Clark Coolidge, recording for Vanguard Records in the late '60s. He continues to perform with the music and poetry review, Rockpile. In addition to his many books of poetry, Meltzer also published 10 erotic novels in the late '60s and early '70s, including the critically-acclaimed "Agency Trilogy," revisiting the genre in 1995 with "Under." He has edited many anthologies, including the book of interviews, "San Francisco Beat: Talking with the Poets" (City Lights, 2001). He also taught for many years in the poetics program at New College of California. In 2005, Penguin Books published "David's Copy: The Selected Poems of David Meltzer." Lawrence Ferlinghetti has called him "one of the greats of post-World-War-Two San Francisco poets and musicians."

Product Details

ISBN:
9780872865167
Author:
Meltzer, David
Publisher:
City Lights Books
Subject:
Single Author / American
Subject:
Poetry-A to Z
Edition Description:
Trade Paper
Series:
City Lights Pocket Poets Series
Series Volume:
60
Publication Date:
20110531
Binding:
TRADE PAPER
Language:
English
Pages:
135
Dimensions:
6.25 x 4.88 in

Related Subjects

Fiction and Poetry » Poetry » A to Z
Health and Self-Help » Self-Help » General
History and Social Science » World History » General

Pocket Poets #60: When I Was a Poet New Trade Paper
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$10.95 In Stock
Product details 135 pages City Lights Books - English 9780872865167 Reviews:
"Publishers Weekly Review" by , "Linked to the beats and to the 1950s-vintage confluence of poetry and jazz, Meltzer, in his first collection since the retrospective selection David's Copy (2005) and the long poem Beat Life (2005), keeps on looking back, understandably sad 'To see us then/ resistant &/ glamorously young/ now dead or dying.' Meltzer remembers 'California dreamin' decades ago, when it seemed to him and his friends that 'Utopia's just around the corner/ lodged beneath overpass freeway.' Recollections of American artistic and musical history sit comfortably beside recollections of a rich inner life, in phrases that sound almost ritualized ('When I was a Poet/ Passion was a Wire/ plugged into Nerve Ends') and in the concluding, comic self-portrait. The deliberately nostalgic book design (a Pocket Poets series cover) perhaps emphasizes Meltzer's place in history to the detriment of his strongest new work, which is less interested in pathos than in a mysterious strength, convinced that 'words work best when/ they know they can't.' The short poems called 'Amulets,' in particular, rise above countercultural scene setting toward the empyrean of the early Ginsberg: 'Sucking death from our mouths before we can sing/ This amulet wants wings to work against the King of nightfalling.' (June)" Publishers Weekly Copyright PWxyz, LLC. All rights reserved.
"Synopsis" by ,
An autobiographical masterpiece by a prominent Beat poet, who Ferlinghetti has deemed "one of the greats."
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