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Irony and the Modern Theatre (Cambridge Studies in Modern Theatre)

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Irony and the Modern Theatre (Cambridge Studies in Modern Theatre) Cover

 

Synopses & Reviews

Publisher Comments:

Irony and theater share intimate kinships, not only regarding dramatic conflict, dialectic, or wittiness, but also scenic structure and the verbal or situational ironies that typically mark theatrical speech and action. Yet irony today, in aesthetic, literary, and philosophical contexts especially, is often regarded with skepticism - as ungraspable, or elusive to the point of confounding. Countering this tendency, Storm advocates a wide-angle view of this master trope, exploring the ironic in major works by playwrights including Chekhov, Pirandello, and Brecht, and in notable relation to well-known representative characters in drama from Ibsen's Halvard Solness to Stoppard's Septimus Hodge and Wasserstein's Heidi Holland. To the degree that irony is existential, its presence in the theater relates directly to the circumstances and the expressiveness of the characters on stage. This study investigates how these key figures enact, embody, represent, and personify the ironic in myriad situations in the modern and contemporary theater.

Synopsis:

Covering major playwrights including Ibsen, Brecht and Chekhov, Storm presents a comprehensive investigation of irony's significance in the modern theatre.

Synopsis:

Storm explores the significance of irony in the modern theatre, investigating major works by playwrights including Chekhov, Pirandello and Brecht. Focusing on well-known representative characters, from Ibsen's Halvard Solness to Stoppard's Septimus Hodge, he demonstrates how these key theatrical figures enact, embody and personify irony.

About the Author

William Storm teaches dramatic literature, theory and theatre history at New Mexico State University. He is the author of After Dionysus: A Theory of the Tragic as well as numerous essays, articles and plays. His scholarly specializations include dramatic theory and dramaturgy, the history and theory of the tragic form and sensibility, art in relation to literature and performance, and connections of science with theatre and narrative studies.

Table of Contents

Introduction; 1. Irony personified: Ibsen and The Master Builder; 2. The character of irony in Chekhov; 3. Irony and dialectic: Shaw's Candida; 4. Pirandello's 'father' - and Brecht's 'mother'; 5. Absurdist irony: Ionesco's 'anti-play'; 6. 'Ironist first-class': Stoppard's Arcadia; 7. American ironies: Wasserstein and Kushner; 8. Irony's theatre; Works cited.

Product Details

ISBN:
9781107007925
Author:
Storm, William
Publisher:
Cambridge University Press
Location:
Cambridge
Subject:
DRAMA / General
Subject:
General Drama
Subject:
Drama -- History and criticism.
Series:
Cambridge Studies in Modern Theatre
Publication Date:
20110531
Binding:
HARDCOVER
Language:
English
Pages:
266
Dimensions:
8.98 x 5.98 x 0.79 in 1.26 lb

Related Subjects

Arts and Entertainment » Drama » General
Arts and Entertainment » Drama » History and Criticism
History and Social Science » World History » General

Irony and the Modern Theatre (Cambridge Studies in Modern Theatre) New Hardcover
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Product details 266 pages Cambridge University Press - English 9781107007925 Reviews:
"Synopsis" by , Covering major playwrights including Ibsen, Brecht and Chekhov, Storm presents a comprehensive investigation of irony's significance in the modern theatre.
"Synopsis" by , Storm explores the significance of irony in the modern theatre, investigating major works by playwrights including Chekhov, Pirandello and Brecht. Focusing on well-known representative characters, from Ibsen's Halvard Solness to Stoppard's Septimus Hodge, he demonstrates how these key theatrical figures enact, embody and personify irony.
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