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Leaving Van Gogh

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Leaving Van Gogh Cover

 

Synopses & Reviews

Publisher Comments:

In the summer of 1890, in the French town of Auvers-sur-Oise, Vincent van Gogh shot himself in the chest with a revolver.  He died two days later, at the age of thirty-seven, largely unknown despite having completed over two thousand works of art that would go on to become some of the most important and valued in the world.          

In this riveting novel, Carol Wallace brilliantly navigates the mysteries surrounding the master artist’s death, relying on meticulous research to paint an indelible portrait of Van Gogh’s final days—and the friendship that may or may not have destroyed him. Telling Van Gogh’s story from an utterly new perspective—that of his personal physician, Dr. Gachet, specialist in mental illness and great lover of the arts—Wallace allows us to view the legendary painter as we’ve never seen him before.  In our narrator’s eyes, Van Gogh is an irresistible puzzle, a man whose mind, plagued by demons, poses the most potentially rewarding challenge of Gachet’s career. 

Wallace’s narrative brims with suspense and rich psychological insight as it tackles haunting questions about Van Gogh’s fate. A masterly, gripping novel that explores the price of creativity, Leaving Van Gogh is a luminous story about what it means to live authentically, and the power and limits of friendship.

Review:

"With several middle-grade books behind her, Wallace makes her adult fiction debut with an intense look at the last months of Vincent van Gogh through the eyes of Paul Gachet, a doctor specializing in mental illness. In the spring of 1890 Theo van Gogh, Vincent's younger brother, approaches Gachet with a request. Vincent was moving to Auvres, France, to paint and seek peace in the countryside. Theo wants Gachet, who once lived in the region, to supervise his brother. Gachet, a known patron of the arts and an amateur artist himself, agrees and is immediately drawn to van Gogh's luminous work. As the seasons pass he bears witness to the painter's mental anguish and struggles to determine what maladies so consume him. As he watches the artist's troubling downfall, Gachet must determine how best to care for van Gogh — and the family his death would leave in need. Tapping a deep well of research, Wallace paints a portrait of how madness can both make and break a man. But by making the clinical Gachet his narrator, the author pushes readers away, rather than giving them a chance to get to know the haunted figure behind the canvas. (Apr.)" Publishers Weekly (Copyright PWyxz LLC)

About the Author

Carol Wallace is the author of numerous books, including The Official Preppy Handbook, which she coauthored. Leaving Van Gogh is her first historical novel. A graduate of Princeton University, Wallace received a M.A. in art history from Columbia University in 2006. The research for her M.A. thesis provided the foundation for Leaving Van Gogh. Wallace lives in New York.

Product Details

ISBN:
9781400068791
Author:
Wallace, Carol
Publisher:
Spiegel & Grau
Subject:
Biographical fiction
Subject:
Psychological fiction
Subject:
General
Subject:
Historical - General
Subject:
Biographical
Subject:
Historical
Subject:
Literature-A to Z
Subject:
art;historical fiction;fiction;van gogh;france;mental illness;artists
Publication Date:
20110431
Binding:
HARDCOVER
Grade Level:
General/trade
Language:
English
Pages:
288
Dimensions:
9.51 x 6.38 x 1.02 in 1.06 lb

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Related Subjects

Fiction and Poetry » Literature » A to Z
Fiction and Poetry » Literature » Biographical

Leaving Van Gogh Used Hardcover
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Product details 288 pages Spiegel & Grau - English 9781400068791 Reviews:
"Publishers Weekly Review" by , "With several middle-grade books behind her, Wallace makes her adult fiction debut with an intense look at the last months of Vincent van Gogh through the eyes of Paul Gachet, a doctor specializing in mental illness. In the spring of 1890 Theo van Gogh, Vincent's younger brother, approaches Gachet with a request. Vincent was moving to Auvres, France, to paint and seek peace in the countryside. Theo wants Gachet, who once lived in the region, to supervise his brother. Gachet, a known patron of the arts and an amateur artist himself, agrees and is immediately drawn to van Gogh's luminous work. As the seasons pass he bears witness to the painter's mental anguish and struggles to determine what maladies so consume him. As he watches the artist's troubling downfall, Gachet must determine how best to care for van Gogh — and the family his death would leave in need. Tapping a deep well of research, Wallace paints a portrait of how madness can both make and break a man. But by making the clinical Gachet his narrator, the author pushes readers away, rather than giving them a chance to get to know the haunted figure behind the canvas. (Apr.)" Publishers Weekly (Copyright PWyxz LLC)
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