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New Directions in Aesthetics #2: Art as Performance

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New Directions in Aesthetics #2: Art as Performance Cover

 

Synopses & Reviews

Publisher Comments:

In this wide-ranging and challenging book, David Davies elaborates and defends a broad conceptual framework for thinking about the arts that reveals important continuities and discontinuities between traditional and modern art, and between different artistic disciplines. The centerpiece is a novel and provocative view about the kinds of things that artworks are, with important consequences for how they are to be understood.

Beginning with a lively discussion of the difficulties that audiences experience in their attempts to grasp and appreciate much modern and contemporary art, Davies continues with illuminating considerations of important and influential works from a broad range of artistic media – including painting, music, literature, film, performance, and dance – steadily mounting a bold and persuasive theory of the arts which construes artworks as performances. Replete with examples drawn from both modern and traditional art, the book highlights core topics in aesthetics and art theory, including traditional theories about the nature of art, aesthetic appreciation, artistic intentions, performance, and artistic meaning.

Synopsis:

In this richly argued and provocative book, David Davies elaborates and defends a broad conceptual framework for thinking about the arts that reveals important continuities and discontinuities between traditional and modern art, and between different artistic disciplines.

Synopsis:

In this richly argued and provocative book, David Davies elaborates and defends a broad conceptual framework for thinking about the arts that reveals important continuities and discontinuities between traditional and modern art, and between different artistic disciplines.

  • Elaborates and defends a broad conceptual framework for thinking about the arts.

  • Offers a provocative view about the kinds of things that artworks are and how they are to be understood.

  • Reveals important continuities and discontinuities between traditional and modern art.

  • Highlights core topics in aesthetics and art theory, including traditional theories about the nature of art, aesthetic appreciation, artistic intentions, performance, and artistic meaning.

About the Author

David Davies is Associate Professor of Philosophy at McGill University and has published widely on topics in philosophy of art, metaphysics, philosophy of language, and philosophy of mind.

Table of Contents

Preface.

1. Introduction:.

Challenges to Aesthetic Empiricism.

Methodological Interlude: The ‘Pragmatic Constraint’ on the Ontology of Art.

Aesthetic Empiricism and the Philosophy of Art.

2. Aesthetic Empiricism:.

Indirect Arguments Against Aesthetic Empiricism.

3. The Fine Structure of the Focus of Appreciation:.

The Structure of the Focus of Appreciation.

4. The Artwork as Performance: An Argument from Artistic Intentions:.

Overview.

The Bearing of Provenance on Work and Focus.

Artistic Intentions and the Ontology of Art.

Interpretation and Intention.

A Role for Actual Intentions.

Ontological Implications.

Conclusions.

5. Provenance, Modality, and the Identity of the Artwork:.

Preliminaries.

6. Artwork, Action, and Performance.

7. Art as Performance:.

Elaborating the Performance Theory.

Structure and Focus.

Heuristics and the Individuation of Artworks.

Work-Constitution and Modality on the Performance Theory.

Performances, Actions, and Doings.

8. Revisionism and Modernism Revisited.

9. Performance as Art.

10. Defining ‘Art’ as Performance, and the Values of Art:.

Notes Towards a Definition of ‘Art’.

The Values of Art.

Conclusions: The Case Against Contextualism.

References.

Index

Product Details

ISBN:
9781405116671
Author:
Davies, David
Publisher:
Wiley-Blackwell
Author:
Davies, Dave
Location:
Malden, MA
Subject:
Philosophy
Subject:
Art
Subject:
Aesthetics
Subject:
Art -- Philosophy.
Subject:
Philosophy-Aesthetics
Copyright:
Series:
New Directions in Aesthetics
Series Volume:
OF 03-1862
Publication Date:
January 2004
Binding:
Electronic book text in proprietary or open standard format
Grade Level:
Professional and scholarly
Language:
English
Pages:
292
Dimensions:
900x600

Related Subjects

Health and Self-Help » Health and Medicine » Nursing
History and Social Science » Politics » United States » Foreign Policy
Humanities » Philosophy » Aesthetics
Humanities » Philosophy » General

New Directions in Aesthetics #2: Art as Performance New Trade Paper
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Product details 292 pages Blackwell Publishers - English 9781405116671 Reviews:
"Synopsis" by , In this richly argued and provocative book, David Davies elaborates and defends a broad conceptual framework for thinking about the arts that reveals important continuities and discontinuities between traditional and modern art, and between different artistic disciplines.
"Synopsis" by , In this richly argued and provocative book, David Davies elaborates and defends a broad conceptual framework for thinking about the arts that reveals important continuities and discontinuities between traditional and modern art, and between different artistic disciplines.

  • Elaborates and defends a broad conceptual framework for thinking about the arts.

  • Offers a provocative view about the kinds of things that artworks are and how they are to be understood.

  • Reveals important continuities and discontinuities between traditional and modern art.

  • Highlights core topics in aesthetics and art theory, including traditional theories about the nature of art, aesthetic appreciation, artistic intentions, performance, and artistic meaning.

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