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Other titles in the Studies in Print Culture and the History of the Book series:

America the Middlebrow: Women's Novels, Progressivism, and Middlebrow Authorship Between the Wars (Studies in Print Culture and the History of the Book)

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America the Middlebrow: Women's Novels, Progressivism, and Middlebrow Authorship Between the Wars (Studies in Print Culture and the History of the Book) Cover

 

Synopses & Reviews

Book News Annotation:

During the 1920s and 1930s, American women writers often fought the characterization of women writers as sentimental and emotional, but Harker (English, U. of Mississippi) investigates those who shrugged off the accusation and embraced emotion and activism in their works to challenge their own generation of Americans to right action. Annotation ©2008 Book News, Inc., Portland, OR (booknews.com)

Synopsis:

Between the two world wars, American publishing entered a "golden age" characterized by an explosion of new publishers, authors, audiences, distribution strategies, and marketing techniques. The period was distinguished by a diverse literary culture, ranging from modern cultural rebels to working-class laborers, political radicals, and progressive housewives. In America the Middlebrow, Jaime Harker focuses on one neglected mode of authorship in the interwar period-- women's middlebrow authorship and its intersection with progressive politics. With the rise of middlebrow institutions and readers came the need for the creation of the new category of authorship. Harker contends that these new writers appropriated and adapted a larger tradition of women's activism and literary activity to their own needs and practices. Like sentimental women writers and readers of the 1850s, these authors saw fiction as a means of reforming and transforming society. Like their Progressive Era forebears, they replaced religious icons with nationalistic images of progress and pragmatic ideology. In the interwar period, this mode of authorship was informed by Deweyan pragmatist aesthetics, which insisted that art provided vicarious experience that could help create humane, democratic societies. Drawing on letters from publishers, editors, agents, and authors, America the Middlebrow traces four key moments in this distinctive culture of letters through the careers of Dorothy Canfield, Jessie Fauset, Pearl Buck, and Josephine Herbst. Both an exploration of a virtually invisible culture of letters and a challenge to monolithic paradigms of modernism, the book offers fresh insight into the ongoing tradition ofpolitical domestic fiction that flourished between the wars.

Product Details

ISBN:
9781558495975
Author:
Harker, Jaime
Publisher:
University of Massachusetts Press
Subject:
General
Subject:
Women Authors
Subject:
American - General
Subject:
American fiction
Subject:
Women and literature
Subject:
Women and literature -- United States.
Subject:
American fiction -- 20th century.
Subject:
Literary Criticism : General
Edition Description:
Paperback
Series:
Studies in Print Culture and the History of the Book
Publication Date:
20070731
Binding:
TRADE PAPER
Language:
English
Pages:
182
Dimensions:
8.93x6.43x.56 in. .63 lbs.

Related Subjects

Humanities » Literary Criticism » General

America the Middlebrow: Women's Novels, Progressivism, and Middlebrow Authorship Between the Wars (Studies in Print Culture and the History of the Book) New Trade Paper
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Product details 182 pages University of Massachusetts Press - English 9781558495975 Reviews:
"Synopsis" by , Between the two world wars, American publishing entered a "golden age" characterized by an explosion of new publishers, authors, audiences, distribution strategies, and marketing techniques. The period was distinguished by a diverse literary culture, ranging from modern cultural rebels to working-class laborers, political radicals, and progressive housewives. In America the Middlebrow, Jaime Harker focuses on one neglected mode of authorship in the interwar period-- women's middlebrow authorship and its intersection with progressive politics. With the rise of middlebrow institutions and readers came the need for the creation of the new category of authorship. Harker contends that these new writers appropriated and adapted a larger tradition of women's activism and literary activity to their own needs and practices. Like sentimental women writers and readers of the 1850s, these authors saw fiction as a means of reforming and transforming society. Like their Progressive Era forebears, they replaced religious icons with nationalistic images of progress and pragmatic ideology. In the interwar period, this mode of authorship was informed by Deweyan pragmatist aesthetics, which insisted that art provided vicarious experience that could help create humane, democratic societies. Drawing on letters from publishers, editors, agents, and authors, America the Middlebrow traces four key moments in this distinctive culture of letters through the careers of Dorothy Canfield, Jessie Fauset, Pearl Buck, and Josephine Herbst. Both an exploration of a virtually invisible culture of letters and a challenge to monolithic paradigms of modernism, the book offers fresh insight into the ongoing tradition ofpolitical domestic fiction that flourished between the wars.
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