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Other titles in the Krazy & Ignatz series:
Krazy & Ignatz 1939-1940: A Brick Stuffed with Moom-Bims (Krazy & Ignatz)
Synopses & Reviews
George Herriman integrated full spectacular color into Krazy Kat in June 1935. The gorgeous evolution continues in our second color volume. Which includes the Sunday strips from all of 1939 and 1940. The color format opens the floodgates for a massive amount of spectacular rare color art from series editor Bill Blackbeard and designer Chris Ware's files, including an unpublished Herriman painting from the 1920s and other surprises.
Krazy Kat is a love story, focusing on the relationships of its three main characters. Krazy Kat adored Ignatz Mouse. Ignatz Mouse simply tolerated Krazy Kat, except for recurrent onsets of targeted tumescence, which found expression in the fast delivery of bricks to Krazy's cranium. Offisa Pup loved Krazy and sought to protect "her" (Herriman always maintained that Krazy was gender-less) by throwing Ignatz in jail. Each of the characters was ignorant of the others' true motivations, and this simple structure allowed Herriman to build entire worlds of meaning into the actions, building thematic depth and sweeping his readers up by the looping verbal rhythms of Krazy & Co.'s unique dialogue. Most of these strips in this volume have not seen print since originally running in Hearst newspapers over 70 years ago.
Continuing the award-winning Krazy Kat Sunday reprints, as designed by Chris Ware.
About the Author
George Herriman was born in New Orleans, LA, 1880 and died in 1944 in Los Angeles, CA. His work was recently showcased in the landmark "Masters of American Comics" exhibition at the Hammer and MOCA museums in Los Angeles.
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