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A Memoir of the Warsaw Uprising (New York Review Books Classics)

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A Memoir of the Warsaw Uprising (New York Review Books Classics) Cover

 

Synopses & Reviews

Publisher Comments:

A Memoir of the Warsaw Uprising is both a work of memory and a work about memory. Miron Białoszewski, the great avant-garde Polish poet, memorializes the doomed uprising of the Polish population against their Nazi masters, which began on August 1, 1944, and was eventually abandoned on October 2, 1944, with the physical destruction of Warsaw, street by street and house by house, and the slaughter of 200,000 civilians.

 

Yet Białoszewski begins his memoir not with an invocation of the great historical events about to unfold but with a simple observation: “Tuesday, August 1, 1944, was cloudy, humid, not too warm...and I remember that there were many trolleys, cars, and people and that right after I reached the corner of Zelazna Street, I realized what day it was (the first of August) and I thought to myself, more or less in these words: ‘August 1 is Sunflower Day.’ ”

 

Białoszewski concentrates on recalling the things he saw, felt, smelled, and heard. Each object is precious. Each possesses its own integrity, which the violence of the Nazis will destroy. In reclaiming these objects, Białoszewski combats the inner evil of the time he recounts, the thinking of those for whom the individual is meaningless and the moment is a fraud. In dwelling with loving concern on the cobblestones, glass jars, and the casual words people spoke in passing, Białoszewski sets himself against those for whom history justifies all actions and violence is a substitute for truth.

 

Białoszewski rescues memory from history. He rescues the moment from the epic sweep of the thousand-year Reich. He observes “the glaring identity of ‘now.’ ” He tells us: “That is why I am writing about this. Because it is all intermeshed. Everything. My neighborhood too. Leszno, Chlodna, and Muranow. Because the majority of my churches were there. Then the Jews. And Kochanowski. And that woman near the pillars.” In reclaiming the memory of the anonymous “woman near the pillars,” Białoszewski reaffirms the life-giving power of the imagination, which all the force of the inhuman Nazi machine could not—and cannot—obliterate.

Synopsis:

US

About the Author

Miron Białoszewski (1922–1983) was one of Poland’s greatest postwar poets, a playwright, and an actor. Deported to a German work camp following the Warsaw Uprising, he escaped a month later and eventually returned to the devastated city after the war. His first volume of poetry, Obroty rzeczy (Revolution of Things), appeared in 1956 in Warsaw and created a sensation. This was followed by several other collections of poetry, A Memoir of the Warsaw Uprising and other narrative prose, and travelogues. Idiosyncratic and notoriously difficult to translate, he became a minor cult figure in the United States with the appearance of The Revolution of Things: Selected Poems of Miron Białoszewski (1974).

 

Madeline Levine is a professor of Slavic languages and literatures at the University of North Carolina, Chapel Hill.

Product Details

ISBN:
9781590176658
Author:
Bialoszewski, Miron
Publisher:
New York Review of Books
Author:
Levine, Madeline
Subject:
World History-Eastern Europe
Edition Description:
Trade paper
Publication Date:
20150931
Binding:
TRADE PAPER
Language:
English
Pages:
256

Related Subjects

Biography » General
History and Social Science » Military » World War II » General
History and Social Science » World History » Eastern Europe

A Memoir of the Warsaw Uprising (New York Review Books Classics) New Trade Paper
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Product details 256 pages New York Review of Books - English 9781590176658 Reviews:
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