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Original Essays | September 17, 2014

Merritt Tierce: IMG Has My Husband Read It?



My first novel, Love Me Back, was published on September 16. Writing the book took seven years, and along the way three chapters were published in... Continue »
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    Love Me Back

    Merritt Tierce 9780385538077

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- Local Warehouse Poetry- A to Z

A Fiddle Pulled from the Throat of a Sparrow

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A Fiddle Pulled from the Throat of a Sparrow Cover

 

Synopses & Reviews

Publisher Comments:

Poetry. In this winner of the 2006 Green Rose Prize "You can fairly hear the pinging of the world and all its parts-noises of earth's objects rubbing against each other and the spheres. In this ebullient music find the translation of colors, shapes, space, speech, integrity, destruction. It's as if the world's most believable cape were thrown back and below we found not a sham of seasons but all the body's most dynamic possibilities"--Eleni Sikelianos.

Review:

"With obfuscating cascades of images and precisely tumbling syntax, the 33 archly titled poems and sequences in Gordon's fourth collection attempt to assemble, sometimes like a computer running a poetic algorithm, a hallowed new world flush in art and music. Written with exactness (sonnet sequences, a series of seven line poems, anaphora, etc.), the pieces are thickly smattered with the bedrock and easy emotion of the deep image, the hipster-abstract, and bible-ese: 'the sound of smoke // was that of expansion // but the breaking of bread // like a dusk-shadow // became a name // losing itself in echo.' When Gordon (Novel Pictorial Noise, chosen by John Ashbery for the National Poetry Series) directs instead of alludes, wonderful harmonies accrete from these patterns: 'forget almond trees, grapes & poppies // what he wouldn't believe is the inescapable music here // the night filling with beloved firetrucks // cover your ears to cover the passing sirens // praise the passing sirens.' An intellectual latitude is at work here: Gordon references Barthes, Holderlin, Novalis, Stein, Twombly and many others that shadow the cacophony here. If the reader is sometimes pushed away by all the activity, the verse that floats to the top can be stunning." Publishers Weekly (Copyright Reed Business Information, Inc.)

About the Author

Noah Eli Gordon is an American poet, born in Cleveland, Ohio in 1975. Gordon was educated at the University of Massachusetts at Amherst. He currently teaches at the University of Colorado at Denver. His work has appeared in numerous national and international journals and magazines.

Product Details

ISBN:
9781930974685
Author:
Gordon, Noah Eli
Publisher:
New Issues Poetry & Prose
Subject:
American - General
Subject:
General Poetry
Subject:
Poetry-A to Z
Series:
New Issues Poetry & Prose
Publication Date:
20070101
Binding:
Paperback
Language:
English
Pages:
98
Dimensions:
9.66x6.10x.32 in. .52 lbs.

Related Subjects

Fiction and Poetry » Poetry » A to Z
Fiction and Poetry » Small Press » Poetry

A Fiddle Pulled from the Throat of a Sparrow New Trade Paper
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Product details 98 pages New Issues Poetry Press - English 9781930974685 Reviews:
"Publishers Weekly Review" by , "With obfuscating cascades of images and precisely tumbling syntax, the 33 archly titled poems and sequences in Gordon's fourth collection attempt to assemble, sometimes like a computer running a poetic algorithm, a hallowed new world flush in art and music. Written with exactness (sonnet sequences, a series of seven line poems, anaphora, etc.), the pieces are thickly smattered with the bedrock and easy emotion of the deep image, the hipster-abstract, and bible-ese: 'the sound of smoke // was that of expansion // but the breaking of bread // like a dusk-shadow // became a name // losing itself in echo.' When Gordon (Novel Pictorial Noise, chosen by John Ashbery for the National Poetry Series) directs instead of alludes, wonderful harmonies accrete from these patterns: 'forget almond trees, grapes & poppies // what he wouldn't believe is the inescapable music here // the night filling with beloved firetrucks // cover your ears to cover the passing sirens // praise the passing sirens.' An intellectual latitude is at work here: Gordon references Barthes, Holderlin, Novalis, Stein, Twombly and many others that shadow the cacophony here. If the reader is sometimes pushed away by all the activity, the verse that floats to the top can be stunning." Publishers Weekly (Copyright Reed Business Information, Inc.)
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