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This title in other editions

Other titles in the Quellen Und Forschungen Zur Literatur- Und Kulturgeschichte series:

Der Andere Orientalismus: Regeln Deutsch-Morgenldndischer Imagination Im 19. Jahrhundert

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Der Andere Orientalismus: Regeln Deutsch-Morgenldndischer Imagination Im 19. Jahrhundert Cover

 

Synopses & Reviews

Publisher Comments:

Diese Gesamtdarstellung zeichnet die Entstehung des deutschen Orientbildes um 1800 nach. Auf breiter Materialbasis werden die ästhetischen, wissenschaftsgeschichtlichen und politischen Entwicklungslinien aufgezeigt, die den deutschen Orientalismus der Neuzeit hervorgebracht haben. Darüber hinaus entwickelt das Buch eine neue methodische Grundlegung für die weitere Forschung.

Synopsis:

This book presents the first systematic overall view of the genesis and form of what has long been discussed by researchers under the heading of German Orientalism . Focussing historically on the early 19th century, the author sketches the literary, academic and political conditions under which the modern German image of the Orient has been constituted, and in the process proposes a fundamental theoretical revision to the key text in oriental research, Edward Said 's Orientalism. Detailed individual studies on Goethe 's ?West- stlicher Divan, Hauff 's fairy-tales and the oriental fantasies at the Prussian court map out the possible boundaries of an orientalist aesthetic.

Product Details

ISBN:
9783110184952
Author:
Polaschegg, Andrea
Publisher:
Walter de Gruyter
Subject:
General
Subject:
European - German
Subject:
Middle Eastern
Subject:
German
Series:
Quellen Und Forschungen Zur Literatur- Und Kulturgeschichte
Series Volume:
35 (
Publication Date:
20110131
Binding:
Hardcover
Language:
German
Pages:
613
Dimensions:
9.28x6.46x1.49 in. 2.28 lbs.

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Der Andere Orientalismus: Regeln Deutsch-Morgenldndischer Imagination Im 19. Jahrhundert New Hardcover
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$157.50 In Stock
Product details 613 pages Walter de Gruyter - German 9783110184952 Reviews:
"Synopsis" by , This book presents the first systematic overall view of the genesis and form of what has long been discussed by researchers under the heading of German Orientalism . Focussing historically on the early 19th century, the author sketches the literary, academic and political conditions under which the modern German image of the Orient has been constituted, and in the process proposes a fundamental theoretical revision to the key text in oriental research, Edward Said 's Orientalism. Detailed individual studies on Goethe 's ?West- stlicher Divan, Hauff 's fairy-tales and the oriental fantasies at the Prussian court map out the possible boundaries of an orientalist aesthetic.
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