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The Practice and Science of Drawing

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The Practice and Science of Drawing Cover

 

Synopses & Reviews

Publisher Comments:

Much of the learning to practice as well as to appreciate art is concerned with understanding the basic principles. One of these principles is what Harold Speed calls "dither," the freedom that allows realism and the artistic vision to play against each other. Very important to any artist or work of art, this quality separates the scientifically accurate from the artistically accurate. Speed's approach to this problem is now considered a classic, one of the few books from the early years of this century that has continued to be read and recommended by those in the graphic arts.

In this work, Harold Speed approaches this dynamic aspect of drawing and painting from many different points of view. He plays the historical against the scientific, theory against precise artistic definition. He begins with a study of line drawing and mass drawing, the two basic approaches the artist needs to learn. Further sections carry the artistic vision through unity and variety of line and mass, balance, proportion, portrait drawing, the visual memory, materials, and procedures. Throughout, Speed combines historical backgrounds, dynamic aspects which each technique brings to a work of art, and specific exercises through which the young draughtsman may begin his training. Although not a technique book in the strict sense of the terms, The Practice and Science of Drawing brings to the beginner a clear statement of the principles that he will have to develop and their importance in creating a work of art. Ninety-three plates and diagrams, masterfully selected, reinforce Speed's always clear presentation.

Harold Speed, master of the art of drawing and brilliant teacher, has long been cited for this important work. For the beginner, Speed will develop a sense for the many different aspects which go into an artistic education. For the person who enjoys looking at drawings and paintings, Speed will aid developing the ability to see a work of art as the artist meant it to be seen.

Synopsis:

Classic approach to the dynamics of drawing by brilliant teacher with insights and practical advice on line drawing, mass drawing, visual memory, materials, and much more. 84 plates and diagrams.

Synopsis:

Reproductions of works by such artists as Degas, Velasquez, and Manet complement this study of the line and mass approaches to drawing

Table of Contents

I. INTRODUCTION

II. DRAWING

III. VISION

IV. LINE DRAWING

V. MASS DRAWING

VI. THE ACADEMIC AND CONVENTIONAL

VII. THE STUDY OF DRAWING

VIII. LINE DRAWING : PRACTICAL

IX. MASS DRAWING : PRACTICAL

X. RHYTHM

XI. RHYTHM : VARIETY OF LINE

XII. RHYTHM : UNITY OF LINE

XIII. RHYTHM : VARIETY OF MASS

XIV. RHYTHM : UNITY OF MASS

XV. RHYTHM : BALANCE

XVI. RHYTHM : PROPORTION

XVII. PORTRAIT DRAWING

XVIII. THE VISUAL MEMORY

XIX. PROCEDURE

XX. MATERIALS

XXI. CONCLUSION

  APPENDIX

  INDEX

Product Details

ISBN:
9780486132372
Publisher:
Dover Publications
Subject:
main_subject
Author:
Speed, Harold
Subject:
all_subjects
Subject:
Techniques
Subject:
Art -- Instruction.
Subject:
Drawing
Edition Description:
Trade Paper
Series:
Dover Art Instruction
Publication Date:
19720601
Binding:
Electronic book text in proprietary or open standard format
Language:
English
Pages:
296
Dimensions:
8.5 x 5.38 in 0.98 lb

Related Subjects

Arts and Entertainment » Art » Drawing
Arts and Entertainment » Art » Miscellaneous Techniques

The Practice and Science of Drawing
0 stars - 0 reviews
$ In Stock
Product details 296 pages Dover Publications - English 9780486132372 Reviews:
"Synopsis" by ,
Classic approach to the dynamics of drawing by brilliant teacher with insights and practical advice on line drawing, mass drawing, visual memory, materials, and much more. 84 plates and diagrams.
"Synopsis" by , Reproductions of works by such artists as Degas, Velasquez, and Manet complement this study of the line and mass approaches to drawing
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