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This title in other editions

Kings of the Earth


Kings of the Earth Cover





My brother Vernon went on ahead. I woke up and felt for him but the bed was dry and my brother Creed was already up. He had his overalls on and he was telling me that I had to get up too because it was after fourthirty and the cows wouldn’t wait. The bed was cold but it was dry. My brother Vernon was still in it and he was cold like the bed was since he had gone on. That left me here with Creed. It made me the oldest. 


I wouldn’t have been surprised if we’d lost the both of them at the same time. Vernon and Audie I mean. That’s how close they’ve been ever since they were boys. Vernon would lead the way and Audie would follow right along behind. Not that they were two peas in a pod, not by any means. Vernon was the brains of the operation and Audie had problems. Has problems. 

I was sitting in the kitchen with my coffee and down the hill Creed opened the barn door the way he always does first thing, but instead of opening it and looking at the day and then going right back in he kept coming. I’ve known those boys since they were boys, I’ve lived right here alongside their place since the thirties, and they’ve always run in the same track. Everything goes the same today as it went yesterday. That’s how it is around a farm. A farm is the master of you and not the other way around. So when Creed opened the barn door and came out and kept on coming instead of going back in, I knew something wasn’t right. I believe I stood up at the kitchen table and said so to Margaret. I said something wasn’t right. 

He was coming across the field toward our place and I guessed by how he was coming that it’d be a good idea to meet him halfway if I could. I put my coffee cup down and I went out onto the porch and then I came back in to put my coat on because it was cooler outdoors than I’d expected it to be and I guessed I might be out there for a while. Creed had on that old wool coat of his that’s torn up the back and covered all over with cow manure. It’s either his coat or Vernon’s. I can never remember. They all swap things around. It’s the way they were brought up. Anyway he was wearing the wool coat. That house of theirs doesn’t have anything much in the way of insulation, so they probably have a better idea of the weather out- doors than we do. That’s why I had to go back in for a coat of my own. Outdoors is no different from indoors to them, except outdoors there’s more breeze and it smells better. Even in the barnyard. I don’t know if he slept in that coat or not but he might have. 

That poor old boy looked like he was about to have a heart attack and I was glad I’d gone out so he didn’t have to keep coming up the hill. “Vernon died in the night,” he said. He was shaking a little, like he was about to have a fit. I’m no doctor but that’s how it seemed. A doctor might tell you something else, or put it another way. “My brother’s awful cold,” he said. 

So we went down. I got him turned back around and we went down the hill and in through the barn instead of up on the porch and in by the front door. Not that I think they ever lock that front door. I don’t guess those boys ever owned a lock other than the one on that room they closed off thirty years ago. Why would they? But we didn’t go in the front door anyhow. We cut straight through the barn. The cows were coming in all by themselves and they were complaining the way they will, but they were going to have to wait. 

The house has just the one room that they use. Audie was on the floor and Vernon was in the bed. I wouldn’t say he was cold but he wasn’t much better than room temperature. It seemed to me he was stiffening up some. Creed didn’t seem to mind my touching him, but I minded it enough for both of us. I’ve been around death enough that it ought not to bother me, but now that I’m getting nearer to it myself it’s different. It’s different for an old man. 

Audie was the one who needed a hand. He was curled up in a ball in his long johns and he was shaking all over like he was freezing to death. Moving all over, every part of him, the way his brother Creed had done outdoors but worse. Audie will do that some anyhow, just as a regular thing, but this was worse than usual. I said his name and he didn’t say anything back. I got down on my hands and knees in front of him and I looked at him hard and I said his name louder. I made an effort to kind of bark it, the way Vernon used to when he wanted to get his attention. I slapped the floor with the flat of my hand and a cloud of dust rose up and I got a splinter but never mind that. He heard me and his eyes popped opened wide and he looked at me like he’d seen a ghost. Or like I was the ghost and he was looking straight through me at something else. Maybe Vernon, up there on the bed. Audie’s pretty near blind and one of his eyes is clouded over some, but I’ve never seen anything so blue. 


When I came out onto the front porch they were turning. 

A little wind had come up and they were all faced in the same direction and they were turning. I couldn’t see them all that clear but I could hear every one separate. They all make a different sound. Every one. I didn’t make them that way on purpose, but that’s how they come out. They can’t help it and I couldn’t help it either. They come out how they come out. 

Vernon says they’re like children that way. They were turning in the little wind and I listened to them turn and I felt some better. 


It was Margaret who thought to call the sister. 

Margaret Hatch, who’d watched from her kitchen window as her husband walked down the hill between the houses and who’d kept watching when he didn’t come back. Margaret, who’d watched as the sun came up and the shadow of her house gathered itself and pushed down the hill to poke at the Proctor boys’ barn, and who’d moved with her coffee out onto the screen porch to keep on watching as the shadow withdrew a little and the heat of the day began to rise and the state trooper’s patrol car came roaring up the dirt lane. 

She figured the boys’ telephone must work or else they couldn’t have called the troopers, but she didn’t figure they would think to call Donna. She was right. She looked up the number and stood in the kitchen and dialed. She wished she had a cigarette, and the idea of it surprised her completely. She hadn’t smoked since Harry Truman, but she thought that right now a cigarette might be just the thing to calm her nerves.

The house smelled like cow manure and dry rot and spoiled food. Like tobacco and burnt rope and rat droppings. Like old men and sickness and death. Del Graham was the captain and he arrived first. He walked past the old man who sat rocking on the porch with his long white beard pooling in his lap and his hands knotted over his hairless skull, and he went through the open front door as into a mouth full of rotted teeth. The disarray and the stink. The order and the purposefulness gone to no use in the end. Creed was sitting at the table alongside the neighbor, Hatch. Preston Hatch who’d made the call. The telephone was on the table between them, and they sat composed on either side of it like a formal double portrait. Titans of industry, awaiting a message from some distant outpost of commerce. The telephone was solid black, square and heavy. All business. The cord that connected it to the wall was wrapped in a kind of woven material that Graham didn’t remember having seen for a long time. It looped easily and snakelike in spite of its age, and although it was frayed in places it looked made to last. The telephone was the old- fashioned kind with a dial, rotary phones they called them, and the numbers under the dial were either worn away from use or obscured by dirt. He figured the second. Either way, in the absence of the numbers a person would need to count in order to make a phone call. Graham guessed that such a telephone probably didn’t get much use, considering. It was a conduit to a world that had no business here. 

The bed was in the corner beyond the table and the man on it had no pulse. There was one empty chair at the table and Graham came back and took it for himself. These two looked like individuals who could be trusted to know death when they laid their hands on it. He knew Creed by sight. He was the double of the old man on the porch except for a full head of hair pushed up crazily in some places and flattened down in other places. He looked about used up. His cheeks were hollow beneath his beard and his mouth was caved in. His nose was spotted and bulbous, something grown underground and dug up and left to wither. His pale eyes, heavy- lidded and sunken, were vague and weary of witness. 

“So what happened.” 

“Vernon’s dead. My brother.” 

“I know. I’m sorry.” 

“My brother Vernon.” 

“I know who he is.” 

Creed held a Red Man cap in his knobby hands and he wrung it. “He weren’t dead last night when he went to sleep but he’s dead now.” 

“We’ll have some fellows up here soon’ll take care of him. I live just down the West Road a little, so I came straight from the house. Those other fellows’ll be right along.” 

Creed reached behind him, into a teetering pile of what looked like trash. He drew out a pouch of tobacco. “You mind if I chew?” 

“It’s your house.” 

Hatch touched Creed on the arm but only briefly. “You do what you like.” 

“This ain’t no crime scene I guess.” He fiddled with the pouch. “I ain’t disturbing anything.” 

“Not so’s I can tell,” said Graham. He took off his flat- brimmed hat and hung it on his knee. He looked at Creed. Then with the palms of both hands he smoothed back the hair on each side of his head, as if he needed to.

DeAlton answered the telephone in his businesslike way and Margaret asked for his wife without identifying herself. It was no business of his who she was, and he didn’t ask, and that suited her fine. Donna got on the line and Margaret told her that there was a state trooper at her brothers’ place. Told her everything she knew: that she had seen Creed come out as usual and that she had seen Audie sitting on the porch. That she could see him there still or at least his legs, kicking. But that no, she had not seen Vernon. Not this morning. Not yet. 

Now there were a couple more troopers and an ambulance too. That last had come slow up the dirt lane with its lights off. Donna had better drop everything and come. 


Product Details

A Novel
Clinch, Jon
Random House
Rural families
General Fiction
Literature-A to Z
Publication Date:
July 2010
Grade Level:
9.54x6.62x1.34 in. 1.43 lbs.

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Related Subjects

Fiction and Poetry » Literature » A to Z
Fiction and Poetry » Literature » Family Life

Kings of the Earth Used Hardcover
0 stars - 0 reviews
$10.95 In Stock
Product details 416 pages Random House - English 9781400069019 Reviews:
"Publishers Weekly Review" by , "In Clinch's multilayered, pastoral second novel (after Finn), a death among three elderly, illiterate brothers living together on an upstate New York farm raises suspicions and accusations in the surrounding community. After their beloved mother, Ruth, dies, Audie, considered mentally 'fragile,' is devastated, but goes on tending to the Carversville farm with his brothers Vernon and Creed. When Vernon, frail at 60 and not under a doctor's care, dies in his bed with evidence of asphyxiation, Creed is interrogated by troopers, along with Audie, the brother closest to Vernon. Family histories and troubles are divulged in short chapters by a cacophony of characters speaking in first person. Secrets and hidden alliances are revealed: Vernon's nephew, Tom, grew and sold marijuana, which the family used medicinally; the brothers endured painful, bloody haircuts administered by their father. Alongside the police troopers' investigation, each player contributes his own personal perspectives and motivations, including allusions to homosexual behavior. Inspired by the Ward brothers (of the 1992 documentary My Brother's Keeper), Clinch explores family dynamics in this quiet storm of a novel that will stun readers with its power. (July)" Publishers Weekly (Copyright Reed Business Information, Inc.)
"Review" by , "To read a book by Jon Clinch is to enter an emotional mineshaft, a place where the darkness is profound and menacing yet lures you on with the promise of untold treasure. Like Finn, Clinch's stunning debut,Kings of the Earth is blunt and brutal yet beautifully told, a classic tale of family kinship twisted askew. It is a fine fable as well, leaving in its wake the resonance of a modern ballad — more Waits than Springsteen — about the fate of America's rural outback."
"Review" by , "Kings of the Earth becomes a story that is not told but lived, a cry from the heart of the heart of the country...unsentimental but deeply felt, unschooled but never less than lucid. Never mawkish, Clinch's voice never fails to elucidate and, finally, to forgive, even as it mourns."
"Review" by , "[W]riting so vibrant that you feel the bite of a northern wind, smell the rankness of dissipated lives and experience the heart-tug of watching tenuous lives play out their last inches of thread."
"Review" by , "[H]aunting and sorrowful....Told from the voices of family, friends and law enforcement from the 1930s through the 1990s, Kings of the Earth is a family saga that is not easy to read and even harder to forget."
"Review" by , "[An] ambitious, troubling drama that offers its own alarming revelations about the human animal, about family, about the wafer-thin surface of civilization."
"Review" by , "Kings of the Earth is the product of a truly inspired pairing. By applying Faulkner's pointillism and stream-of-consciousness to the Upstate Gothic, Jon Clinch delivers a rich, involving yarn. As one character says: 'Out here there is no such thing as a main road....Everything winds.'”
"Synopsis" by , Told in a chorus of voices that spans a generation, Kings of the Earth examines the bonds of family and blood, faith and suspicion, that link not just three brothers but their entire community.
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