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Creating Textured Landscapes with Pen Ink & Watercolorby Claudia Nice
Synopses & Reviews
Capture the Rich Textures of Nature, Step by Step
Capture nature's beauty as you never have before. Beloved artist and teacher Claudia Nice leads you on an inspired journey through the great outdoors. With paints in hand, she shares with you her best techniques for creating landscapes that come alive with richness, depth and textured detail.
Read this guide and start painting right away. As you follow engaging, step-by-step demonstrations and exercises, you'll learn to recreate the textural elements of a range of terrains and landscapes. Chapters include: Creative clouds and skiesMajestic mountains, hills and mesasTexturing trees, trunks and foliageRugged rocks and gritty gravelTransparent textures for rivers, falls and lakesFlowers of the fieldIn a special section, Claudia covers basic texturing techniques with mini demos using lines, dots, bruising, scribbling, spattering, blotting, printing, stamping and more. From paints and pens to sponges, leaves and facial tissue, you'll explore all kinds of fun and inventive ways to create amazing textures.
And to help you put it all together, Claudia includes her masterful advice for creating compositions using reference photos, field sketches and your own creative license. Each demonstration features a large image of the completed landscape, so you can see exactly how Claudia's methods work - from start to finish.
Texture makes the difference between run-of-the-mill landscapes, and paintings that spring to life. In Creating Textured Landscapes with Pen, Ink and Watercolor, pen and ink is used to add depth, impact and textural contrast - the key to realism in landscape painting. With the help of reference photos and field sketches, the author shows how to create realistic and colorful paintings of landscapes ranging from expansive mountain vistas to more intimate vignettes. Various components of landscape paintings are simplified for the reader and brought together throughout each chapter into full-page finished landscapes, giving readers a goal to work towards. The tools demonstrated are simple and fun to use plus pen and ink is used to enhance the more highly textured areas of the paintings.
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