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- Local Warehouse Poetry- A to Z

Unmentionables

by

Unmentionables Cover

 

Synopses & Reviews

Publisher Comments:

With elegant wordplay and her usual subversive wit, Beth Ann Fennelly explores the "unmentionable"--not only what is considered too bold but also what can't be said because words are insufficient. In sections of short narratives, she questions our everyday human foibles. Three longer sequences display her admirable reach and fierce intelligence: One, "The Kudzu Chronicles," is a rollicking piece about the transplanted weed. Another, "Bertha Morisot: Retrospective," conjures up a complex life portrait of the French impressionist painter. The third presents fifteen dream songs that virtually out-Berryman Berryman.

Review:

"What happens when a child of troubled parents from the cold rural Midwest grows up, gets married, bears a son and a daughter, and settles down to writing and teaching poetry amid the abundant heat of Oxford, Mississippi? Fennelly's very likable third book of verse (she's also the author of Great With Child: Letters to a Young Mother) pursues such questions with vigor and ease. 'A girl at thirty-two, who likes to think she was a rebel,' Fennelly splits her attention between her loves and her duties at home (one poem is called 'People Ask What My Daughter Will Think of My Poems When She's 16,') and the fertile landscape outside her door, where the 'kudzu sees a field of cotton,/ wants to be its better half,' and the humidity (she says) encourages couples to copulate. A funny sestina shows her technical skill; an impressive sequence follows the life of the Impressionist painter Berthe Morisot, inspired by motherhood to 'paint fresh as a child sees,' while a less impressive sequence addresses, and imitates, John Berryman, never rising above pastiche. Readers will most likely enjoy, and remember, Fennelly's most affable, and most personal work-her sweet, enthusiastic memories of good sex in many locales, the comic moments she shares with her children, and her walks around her adopted region, where William Faulkner's grave inspires her to ask 'Am I not a Southern writer now.'" Publishers Weekly (Copyright Reed Business Information, Inc.)

Synopsis:

A new collection by a poet declared "one of the most exciting poets of her generation" ().

Synopsis:

'Insouciant, sexy, funny, and dead-on . . . a startlingly empathetic series of concise and slashing poems."Booklist

About the Author

Beth Ann Fennelly is the author of Unmentionables, Tender Hooks, Open House and Great with Child: Letters to a Young Mother. She lives in Oxford, Mississippi.

Product Details

ISBN:
9780393066050
Author:
Fennelly, Beth Ann
Publisher:
W. W. Norton & Company
Author:
Fennelly, Beth A.
Subject:
General
Subject:
American - General
Subject:
General Poetry
Subject:
Single Author / American
Subject:
Poetry-A to Z
Publication Date:
20080431
Binding:
Hardcover
Grade Level:
General/trade
Language:
English
Pages:
128
Dimensions:
8 x 7 in

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Related Subjects

Fiction and Poetry » Poetry » A to Z

Unmentionables New Hardcover
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Product details 128 pages W. W. Norton & Company - English 9780393066050 Reviews:
"Publishers Weekly Review" by , "What happens when a child of troubled parents from the cold rural Midwest grows up, gets married, bears a son and a daughter, and settles down to writing and teaching poetry amid the abundant heat of Oxford, Mississippi? Fennelly's very likable third book of verse (she's also the author of Great With Child: Letters to a Young Mother) pursues such questions with vigor and ease. 'A girl at thirty-two, who likes to think she was a rebel,' Fennelly splits her attention between her loves and her duties at home (one poem is called 'People Ask What My Daughter Will Think of My Poems When She's 16,') and the fertile landscape outside her door, where the 'kudzu sees a field of cotton,/ wants to be its better half,' and the humidity (she says) encourages couples to copulate. A funny sestina shows her technical skill; an impressive sequence follows the life of the Impressionist painter Berthe Morisot, inspired by motherhood to 'paint fresh as a child sees,' while a less impressive sequence addresses, and imitates, John Berryman, never rising above pastiche. Readers will most likely enjoy, and remember, Fennelly's most affable, and most personal work-her sweet, enthusiastic memories of good sex in many locales, the comic moments she shares with her children, and her walks around her adopted region, where William Faulkner's grave inspires her to ask 'Am I not a Southern writer now.'" Publishers Weekly (Copyright Reed Business Information, Inc.)
"Synopsis" by , A new collection by a poet declared "one of the most exciting poets of her generation" ().
"Synopsis" by , 'Insouciant, sexy, funny, and dead-on . . . a startlingly empathetic series of concise and slashing poems."Booklist
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