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No Man's Land

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No Man's Land Cover

 

Synopses & Reviews

Publisher Comments:

We know that human beings people these places, but they have scurried away, leaving behind nothing but desks, machines, instruments, walls, ceilings, floors, lighting--the impersonal, neutral artifacts of modern existence. An air of claustrophobia hangs over everything: there is no way in and no way out of these stifling spaces, either physically or ideologically. We need a good deal of persuading that these extraordinary environments actually exist in the real world. But they do. And for thirty years the photographer Lynne Cohen has been searching them out and recording them. brings together for the first time more than 100 of the most powerful of these images in both duotone and color from the 1970s up to the present day. Cohen began as a sculptor, but in 1971 turned to photography. Her work has certain affinities with Marcel Duchamp's ready-mades in that she collects fragments of the real world photographically and turns them into found installations. Her photography should be appreciated alongside the work of her peers in the area of contemporary art and photography, such as Dieter Appelt, Andreas Gursky, Thomas Ruff, Cindy Sherman, Thomas Struth, and Jeff Wall. Cohen's photography has always been concerned with psychological, sociological, intellectual, and political artifice and her later images reveal a preoccupation with deception, manipulation, and control. includes a critique of Cohen's work by Ann Thomas, Curator of the Photographs Collection at the National Gallery of Canada; an interview with the photographer; and a preface by Pierre Theberge and by William A. Ewing, author of and many other internationally renowned photography books.

Synopsis:

A volume of photographs by Lynne Cohen taken from 1971-2001. Cohen's photography is concerned with psychological, sociological, intellectual and political artifice, and her later pictures reveal a preoccupation with deception, manipulation and control.

Synopsis:

"No Man's Land" is a surreal and terrifying place. It is a world empty of the living, consisting entirely of strange, often sinister interiors: spas that look like forensic laboratories; classrooms that fill us with vague, unsettling fears; offices; military installations; mortuaries....

About the Author

Ann Thomas is Curator of the Photographs Collection at the National Gallery of Canada, Ottawa. Among her books are No Man's Land: The Photography of Lynne Cohen; Beauty of Another Order, which won the Kraszna-Krausz Photography Book Award in 1998; and Lisette Model.William A. Ewing is the author of many publications on photography including Masterclass: Arnold Newman.

Product Details

ISBN:
9780500542408
Author:
Cohen, Lynne
Author:
Cohen, Lynne
Author:
Ewing, William A.
Author:
Theberge, Pierre
Author:
Cohen, Lynne
Publisher:
Thames & Hudson
Location:
London
Subject:
Photo Essays
Subject:
Collections, Catalogs, Exhibitions
Subject:
Photography of interiors.
Subject:
Cohen, Lynne
Subject:
Photoessays & Documentaries
Subject:
Collections, Catalogs, Exhibitions - General
Subject:
Individual Photographer
Subject:
Photography-Anthologies and History
Copyright:
Series Volume:
0-1854
Publication Date:
20011017
Binding:
HARDCOVER
Language:
English
Illustrations:
120 photographs in duotone and color
Pages:
160
Dimensions:
11.4 x 11 x 0.8 in 3.015 lb

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Related Subjects

Arts and Entertainment » Architecture » Architects
Arts and Entertainment » Photography » Annuals
Arts and Entertainment » Photography » Anthologies and History
Arts and Entertainment » Photography » Photographers

No Man's Land New Hardcover
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Product details 160 pages Thames & Hudson - English 9780500542408 Reviews:
"Synopsis" by , A volume of photographs by Lynne Cohen taken from 1971-2001. Cohen's photography is concerned with psychological, sociological, intellectual and political artifice, and her later pictures reveal a preoccupation with deception, manipulation and control.
"Synopsis" by , "No Man's Land" is a surreal and terrifying place. It is a world empty of the living, consisting entirely of strange, often sinister interiors: spas that look like forensic laboratories; classrooms that fill us with vague, unsettling fears; offices; military installations; mortuaries....
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