- Used Books
- Staff Picks
- Gifts & Gift Cards
- Sell Books
- Stores & Events
- Let's Talk Books
Special Offers see all
More at Powell's
Recently Viewed clear list
We Are What We Pretend to Be: The First and Last Worksby Kurt Vonnegut
Synopses & Reviews
Called “our finest black-humorist” by The Atlantic Monthly, Kurt Vonnegut was one of the most influential writers of the 20th century. Now his first and last works come together for the first time in print, in a collection aptly titled after his famous phrase, We Are What We Pretend To Be.
Written to be sold under the pseudonym of “Mark Harvey,” Basic Training was never published in Vonnegut’s lifetime. It appears to have been written in the late 1940s and is therefore Vonnegut’s first ever novella. It is a bitter, profoundly disenchanted story that satirizes the military, authoritarianism, gender relationships, parenthood and most of the assumed mid-century myths of the family. Haley Brandon, the adolescent protagonist, comes to the farm of his relative, the old crazy who insists upon being called The General, to learn to be a straight-shooting American. Haley’s only means of survival will lead him to unflagging defiance of the General’s deranged (but oh so American, oh so military) values. This story and its thirtyish author were no friends of the milieu to which the slick magazines’ advertisers were pitching their products.
When Vonnegut passed away in 2007, he left his last novel unfinished. Entitled If God Were Alive Today, this last work is a brutal satire on societal ignorance and carefree denial of the world’s major problems. Protagonist Gil Berman is a middle-aged college lecturer and self-declared stand-up comedian who enjoys cracking jokes in front of a college audience while societal dependence on fossil fuels has led to the apocalypse. Described by Vonnegut as, “the stand-up comedian on Doomsday,” Gil is a character formed from Vonnegut’s own rich experiences living in a reality Vonnegut himself considered inevitable.
Along with the two works of fiction, Vonnegut’s daughter, Nanette shares reminiscences about her father and commentary on these two works—both exclusive to this edition. In this fiction collection, published in print for the first time, exist Vonnegut’s grand themes: trust no one, trust nothing; and the only constants are absurdity and resignation, which themselves cannot protect us from the void but might divert.
"Bookending Vonnegut's career, the two semi-autobiographical stories contained in this unpolished posthumous collection are in print for the first time here. 'Basic Training' is the author's earnest first novella, written a few years before Player Piano and never published. In it, an orphaned, wet-behind-the-ears city kid is dispatched to a farm to live with a trio of opinionated female cousins under the watchful eye and iron fist of his uncle, whom he calls 'the General.' A series of outlandish mishaps and numerous missteps, including an unrequited love and a madcap hitchhiking adventure with a delusional and murderous farmhand, invoke a slightly unhinged Mark Twain. 'If God Were Alive Today,' unfinished upon the author's death in 2007, raises Vonnegut's signature existential critique of America's warped values and corrupt political climate to a fevered pitch via the uncensored standup routine of his twice-institutionalized protagonist, comedian Gil Berman. Berman's rapid-fire potshots — from the 'war on drugs' to global warming ('The farts of our internal combustion engines have wrecked the atmosphere as a protective shield, and as anything a mother would want her child to breathe') — couched in Vonnegut's page-long rants are sometimes tiresome but will make readers wonder what a completed (and edited) novel might've amounted to." Publishers Weekly Copyright PWxyz, LLC. All rights reserved.
Kurt Vonnegut's first and last works come together for the first time in print, in a collection aptly titled after his famous phrase, We Are What We Pretend To Be.
About the Author
Kurt Vonnegut (1922-2007) is one of the most beloved American writers of the twentieth century. Vonnegut’s audience increased steadily since his first five pieces in the 1950s and grew from there. His 1968 novel Slaughterhouse-Five has become a canonic war novel with Joseph Heller’s Catch-22 to form the truest and darkest of what came from World War II.
Vonnegut began his career as a science fiction writer, and his early novels--Player Piano and The Sirens of Titan--were categorized as such even as they appealed to an audience far beyond the reach of the category. In the 1960s, Vonnegut became closely associated with the Baby Boomer generation, a writer on that side, so to speak.
Now that Vonnegut’s work has been studied as a large body of work, it has been more deeply understood and unified. There is a consistency to his satirical insight, humor and anger which makes his work so synergistic. It seems clear that the more of Vonnegut’s work you read, the more it resonates and the more you wish to read. Scholars believe that Vonnegut’s reputation (like Mark Twain’s) will grow steadily through the decades as his work continues to increase in relevance and new connections are formed, new insights made.
What Our Readers Are Saying
Other books you might like
Featured Titles » Literature