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Elephas Maximus: A Portrait of the Indian Elephant


Elephas Maximus: A Portrait of the Indian Elephant Cover




Winter Sanctuary

January 3, 2002

We had spent eight hours that day in pursuit of elephants, driving from early morning to late afternoon along the dusty roads that circle through Corbett National Park. Accompanying me was a close friend, Ajay Mark, as well as our driver, Sanjay Singh, and a guide assigned by park authorities, M. S. Negi. Our search had taken us across open grasslands, up boulder-strewn riverbeds, and through heavy jungle. Despite their size, elephants have a way of disappearing in the forest and none of these huge beasts had revealed themselves. We saw plenty of other animals, including four kinds of deer-spotted cheetal, barking deer that have rusty red coats, sambar with shaggy brown manes, and hog deer that are a dull gray color and duck into the underbrush at the first growl of a car's engine. Sounders of wild boar rooted about near the roadside and langur monkeys with silver fur sprang from branch to branch overhead. But there were no elephants that we could see.

Signs of them were everywhere-broken tree limbs and mounds of dung like fibrous clumps of drying mulch. Obviously, a herd of elephants had been nearby in recent days, browsing over the grasslands and along the leaf-tangled margins of the jungle. Near the river we could see the circular prints of their feet in the mud and we found a place where one of them had wallowed near the shore, leaving a broad depression partly filled with water. Marks from creases in the elephant's skin were etched in the drying clay and looked like giant fingerprints.

I was told that only two days earlier a family of seven elephants had wandered up to the gate of the park headquarters at Dhikala. "They were right here," said Negi, pointing to the high grass encircling the camp. "All night we could hear them feeding."

Now the elephants were gone, retreating into the forest like the shadows of trees. Seated on the veranda of the rest house, I could see the foothills across the river fading into darkness. Stars were coming out and Venus shone overhead like a beacon, so bright it seemed artificial. The electricity at Dhikala had gone off and only a few kerosene lanterns glowed in doorways of the camp. My frustration at not having seen a wild elephant was tempered by a comforting sense of separation from the world of jet airliners, digital communication, and the so-called war on terror that dominated recent headlines. Though Dhikala is a large camp, housing over a hundred people, I had a feeling-particularly with the lights off-that this was a world in which human beings were thankfully outnumbered. The venality and violence of civilization, our petty jingoism and material conceits, counted for little under a black sky, pierced by the innumerable sparks of distant galaxies.

Alone with my thoughts, I imagined those shadowy elephants moving about under the cover of night. Their invisible presence seemed as constant and fluid as the nearby river, which had also disappeared. The elephants were elusive, but I knew that somewhere close at hand, certainly nearer than the stars, a herd was roaming through the forest. In my mind they grew larger and larger, taller than the trees, taller than the ridges on either side of the valley. Surrounded by darkness, I had no sense of scale, no skyline against which to measure my imagination. For me the elephants could be as huge as mountains or as small as specks of dust in my eye. Yet all I wanted was to see them, to witness the movement of their bodies and trace the swaying of their trunks. The footprints, the shattered branches and piles of dung weren't proof enough. I needed to reaffirm with my own eyes that they were here.

To fully appreciate the elephant it is essential to understand the habitat in which it lives. Few places in India are as beautiful as Corbett Park, where the Ramganga River emerges from the lower Himalayas and cuts a course that runs parallel to the foothills for thirty kilometers before spilling out into the plains. The Patlidun, literally "narrow valley," lies at the heart of this sanctuary. Thirty years ago a dam was built downstream, creating a reservoir, but above Dhikala the river remains pristine and undisturbed, flowing between densely wooded hills and bordered by an undulating mosaic of rounded rocks. The Ramganga is the vital artery of the park, a river that teems with fish like the mahseer and the goonch, sometimes referred to as a "freshwater shark." Two kinds of crocodiles are also found in this river. The mugger is more common, with a broad, flat snout, while gharial crocodiles have long, thin jaws and the males grow a bulbous nose.

Immediately upon entering the park one has a feeling of enclosure as the road passes through thick sal forests, the broad-leafed trees forming a cavern of branches overhead. In places there are clearings, revealing a muddy water hole or a brief glimpse of rugged foothills. The road is scored by dozens of dry streambeds that flood during the monsoon, though in winter these are littered with boulders and fringed with tall grass. The park is one of the last sanctuaries for the elephant and a place that preserves India's forest heritage, which has gradually been eroded by the felling of trees, the spread of agriculture, and the encroachment of human population.

With a park area of 520 square kilometers and contiguous reserve forests stretching over 2,000 square kilometers, Corbett National Park provides a refuge for many different species of wildlife, particularly the tiger. Roughly 350 elephants live here and until recently these were safe from poaching. However, in the winter of 2000-2001 eight bulls were killed in the park and their tusks hacked off. There are differing accounts of the method by which these animals were slaughtered. Newspaper articles reported that jagged pieces of metal and sharp nails were hidden inside balls of dough that were left in the path of the wild tuskers, who swallowed them whole. Once the sharp objects were ingested they lacerated the stomach and intestines of the elephants, who slowly bled to death. Later investigations suggest that the elephants were killed by poison arrows, implying that the poachers came from the northeastern states of Assam and Arunachal Pradesh, where this method of hunting is common.

Reading newspaper articles about the elephant deaths, I couldn't help but feel a personal sense of violation and anger at the way in which the sanctuary had been desecrated. When I was a child, our family made annual trips to the park during winter holidays, and we would spend a week or more at one of the forest bungalows along the banks of the Ramganga. These trips provided some of my formative memories of the Indian jungle, driving in an open jeep at dawn, spotting animals in the mist. Corbett Park is where I saw my first tiger in the wild, as well as leopards and crocodiles, those shy predators that excited my imagination. It was here, too, I saw wild elephants for the first time, a memory that remains vivid after thirty-five years.

My father had stopped the jeep at the side of a forest track, where we could see that elephants had recently crossed. Over the sound of the idling engine I heard them snapping branches as they fed, less than a hundred feet away. The foliage shook and trembled but the elephants were hidden behind a curtain of leaves. We waited for ten minutes, then cautiously got down from the vehicle and began to enter the forest. Immediately one of the elephants stepped into view, a large female holding a switch of leaves in her trunk. A pair of tiny, somber eyes looked down at us with matronly disapproval. The gray bulk of her body swayed from foot to foot with the imposing indignation of a stern headmistress. As she waved her switch accusingly in our direction, I felt vulnerable and strangely guilty for sneaking about the jungle. Each of us held our breath and got ready to dive back into the jeep, but just when I expected the elephant to charge, she stuffed the leaves into her mouth and turned away complacently, as if she had convinced herself that we no longer merited her displeasure.

Years later, reading about elephant poaching in Corbett Park, I felt an immediate impulse to go back. More than anything I wanted to locate those animals again and confirm their presence. The cruel deaths of those tuskers seemed to threaten the sanctity of the Ramganga valley. Beyond the outrage and revulsion that I felt was an enigmatic sense of loss and separation, the knowledge of extinction.

Within a few months Corbett Park was in the headlines again. This time a forest ranger had been shot dead and three guards wounded when they tried to apprehend a gang of poachers. As before there was a brutal and mindless savagery to these deaths that seemed so alien to my memories of the protected forests and peaceable grasslands. This time the victims were not elephants but men, equally innocent, their lives cut short by human predators acting out of greed and cowardice. It seemed as if even this tiny strip of jungle, a final remnant of the sprawling forests that once bordered the Himalayas, was not safe from the violence of this new millennium.

Copyright © 2004 by Stephen Alter

All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording, or any information storage and retrieval system, without permission in writing from the publisher.

Requests for permission to make copies of any part of the work should be mailed to the following address: Permissions Department, Harcourt, Inc., 6277 Sea Harbor Drive, Orlando, Florida 32887-6777.

Product Details

A Portrait of the Indian Elephant
Alter, Stephen
Mariner Books
Environmental Conservation & Protection - Endangered Species
Asiatic elephant.
Asia - India & South Asia
Environmental Conservation & Protection - General
Life Sciences - Zoology - Mammals
Animals - Mammals
Nature Studies-Mammals
Edition Number:
1st ed.
Edition Description:
Trade Cloth
Series Volume:
Publication Date:
11 black-and-white illustrations and pho
8 x 5.31 in

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Related Subjects

Science and Mathematics » Nature Studies » Mammals » Elephants
Science and Mathematics » Nature Studies » Mammals » General

Elephas Maximus: A Portrait of the Indian Elephant Sale Hardcover
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Product details 336 pages Harcourt - English 9780151006465 Reviews:
"Synopsis" by ,
Revered in Indian religion as the source of life, respected in Indian culture as a bringer of good fortune, and coveted by poachers for its ivory tusks, the majestic Asian elephant has lived, worked, and even fought side by side with humans for more than four thousand years. Stephen Alter first encountered Elephas maximus when he was a child. Now he has traveled to every corner of India to create an unabashed celebration of these compelling, powerful creatures.

Alter's search takes him from the depths of wildlife preserves to a tempting elephant auction, from a dazzling festival dedicated to Ganesha the elephant-headed god to a remote valley filled with ancient carvings of the revered animals. He finds conservationists fighting to protect the elephants habitat, mahouts who are as close to their elephants as they are to their own families, and even ivory poachers, whose ongoing assault on the animals may be contributing to the evolution of tuskless males. Tracking the elephant in history, art, religion, and folklore, Alter draws a vivid, gorgeously written portrait of its past and its troubled present while offering hope for its future.

"Synopsis" by ,
Revered in Indian religion and culture, coveted for its ivory tusks, the majestic Asian elephant has captured the fascination of humans for more than four thousand years. In an effort to shed light on this regal animal and its unique relationship with humankind, author Stephen Alter traveled around the world to explore its natural home and its place in history and myth.

Alter's search takes him from the depths of wildlife preserves, to a tempting elephant auction, to a dazzling festival dedicated to Ganesha the elephant-headed god. Elephas maximus is as important to modern India as it was centuries ago. Yet conservationists are fighting to preserve its endangered habitat as settlements expand, and ivory poaching has threatened generations of elephants until tuskless males may be all that survive. Charting the elephant in history, art, religion, and folklore, Alter draws a vivid, gorgeously written portrait of its past and its troubled present while offering hope for its future.

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