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Nanjing Requiem


Nanjing Requiem Cover

ISBN13: 9780307379764
ISBN10: 0307379760
Condition: Standard
Dustjacket: Standard
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Reading Group Guide

1. Why does Ha Jin tell the story of Nanjing and Minnie Vautrin in Anling’s eyes and voice? What does her voice bring to the novel and to Minnie’s story? What are Anling’s strengths and weaknesses as a character and a narrator? Is her version of the events believable? Does her voice change over the course of the novel?

2. In what ways is this novel about power relationships—between the Japanese and Chinese, between soldiers and civilians; between Dr. Dennison and Minnie; between the foreigners living in Nanjing and the Chinese citizens; between teachers and students; between those living in the dormitories and those not; between men and women? Does any one person or group emerge victorious over another?

3. What does the word “requiem” in the title refer to? What does it imply? Why do you think Ha Jin chose this as the title for this novel?

4. Why has Ha Jin chosen American Minnie Vautrin’s story to tell within the larger framework of the Rape of Nanjing? Why not choose a Chinese woman’s story? Or a Chinese man’s?

5. Discuss the role of religion in the novel, especially Christianity. How are Minnie’s views of God and Christianity different from that of the local Chinese Christians? Explain the difference between the American and the Chinese views on divinity and humanity. Why is Minnie so embarrassed that the local Chinese view her as a living goddess?

6. Gardens and the natural landscape play a part in this novel, despite its taking place in a large Chinese city. Describe some of the trees and flowers in the novel. Why do Minnie, Anling, and the gardener go to great lengths to keep the college garden flourishing regardless of the chaos and destruction occurring all around them?

7. Reviewers have commented that the language of this novel is different from other Ha Jin novels: “a matter-of-fact, plainspoken narrative” (Kirkus Reviews); “bluntness—jarringly effective—different from his previous works” (Library Journal); “writing with unnerving austerity” (Booklist). Do you agree with his reviewers that the language is more direct, blunter and more plainspoken?  Why do you think Ha Jin decided to use this tone?

8. Why do you think Ha Jin begins his novel with a young boy’s graphic, horrific story of what he saw as he ran from the college to the Safety Zone Committee headquarters in the early days of the occupation? How does this set the tone for the rest of the novel?

9. When Anling comments that “most people are good at forgetting. That’s a way of survival,” Minnie responds, “History should be recorded as it happened so it can be remembered with little room for doubt and controversy” (p. 97). Describe their conflicting views of the way to deal with history, memory, and national atrocities.

10. “What this country needed was Christianity, [Minnie] often told me, and I shared her belief.” (p. 97), says Anling. Why do you think Minnie and Anling believe this?

11. Describe the “madwoman” in Nanjing Requiem. Why does Minnie feel so guilty about her and take her under her wing?

12. Why does Minnie let the Japanese soldiers take a number of women refugees? What do you think you would have done in the same circumstances?

13. “We Chinese were obsessed with food and face, so even in a time of distress like now, we’d still make the best use of the pleasure life could offer, turning a meal into a small feast,” (p. 188) comments Anling. Describe other instances of this obsession in the novel. Is it positive or negative?

14. Describe Anling’s relationship with her son. Why is it complicated? How does Anling feel about her half-Japanese grandchild?

15. Describe Minnie’s relationship with Dr. Dennison. Why is it so fraught with tension and competition? Given that they both love China and the college, why can’t they work together toward shared goals?

16. Describe Minnie and Anling’s friendship. Do they understand each other intimately? How do they look out for and protect each other? Why do they trust each other?

17. How is the school able to survive the Rape of Nanjing and the subsequent occupation by the Japanese soldiers? How is Minnie able to orchestrate the housing and feeding of the refugees and institute various programs?

18. What happens to Minnie in the end? Did you see the ending coming? Why or why not? What ultimately happens to the college, and to the city of Nanjing?

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Raymond Hunter, January 2, 2012 (view all comments by Raymond Hunter)
Ha Jin provides an articulate, moving account of the genocide committed against the Chinese people in the 1930's. It is told through the eyes of an American who remains in China, thinking her American citizenship will provide protection. The "protection" afforded her places her in the position of attempting to safeguard thousands of Chinese citizens who are fleeing the Japanese slaughter.
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Product Details

A Novel
Jin, Ha
Literature-A to Z
Publication Date:
Grade Level:
9.6 x 6.4 x 1.1 in 1.25 lb

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Featured Titles » Literature
Fiction and Poetry » Literature » A to Z

Nanjing Requiem Used Hardcover
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$11.95 In Stock
Product details 320 pages Pantheon Books - English 9780307379764 Reviews:
"Publishers Weekly Review" by , "For his sixth novel, Jin (Waiting) focuses on the atrocities committed by the Japanese occupiers in 1937 Nanjing. Jin describes horrible acts in a style bordering on reportage, lending bitter realism to his chronicle of violence and privation. While much will be familiar to readers of Iris Chang's The Rape of Nanjing, Jin anchors his tale on two characters: the middle-aged narrator, Anling Gao, and real-life American missionary Minnie Vautrin, dean of Jinling Women's College. Anling assists Minnie, and through her eyes we follow the missionary's heroic decision to open the college to homeless refugees, creating a safety zone that the Japanese can't penetrate. Jin wants to celebrate this 'Goddess of Mercy' who sheltered more than 10,000 women and children, endured near daily menace from the Japanese, and literally worked herself to death. Anling too makes a heartbreaking sacrifice, although her torment is secret, since she cannot acknowledge her son's Japanese wife nor the child they bear. Jin's dialogue includes some unfortunate anachronisms ('cut to the chase'; 'pain in the ass'), contemporary phrases that wouldn't have been part of a pious Chinese or American woman's vocabulary in the 1930s. Despite these minor lapses, Jin paints a convincing, harrowing portrait of heroism in the face of brutality. (Oct.)" Publishers Weekly Copyright PWxyz, LLC. All rights reserved.
"Review" by , "Since Ha Jin won the National Book Award for Waiting, his writing keeps opening up like a big, beautiful fan; this book sounds as far-reaching as anything he has ever written. And even bolder about looking into last century’s heart of darkness. Essential where good literature is read."
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