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Home Boy

by

Home Boy Cover

ISBN13: 9780307409102
ISBN10: 0307409104
Condition: Student Owned
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Excerpt

1.

Wed become Japs, Jews, Niggers. We werent before. We fancied ourselves boulevardiers, raconteurs, renaissance men, AC, Jimbo, and me. We were mostly self-invented and self-made and certain we had our fingers on the pulse of the great global dialectic. We surveyed the Times and the Post and other treatises of mainstream discourse on a daily basis, consulted the Voice weekly, and often leafed through other publications with more discriminating audiences such as Tight or Big Butt. Save Jimbo, who wasnt a big reader, we had read the Russians, the postcolonial canon, but had been taken by the brash, boisterous voices of contemporary American fiction; we watched nature documentaries when we watched TV, and variety shows on Telemundo, and generally did not follow sports except when Pakistan played India in cricket or the Knicks made a playoff run; we listened to Nusrat and the new generation of native rockers, as well as old-school gangsta rap, so much so that we were known to spontaneously break into Straight outta Compton, crazy motherfucker named Ice Cube / From a gang called Niggaz With Attitude but were underwhelmed by hip-hops hegemony (though Jimbo was known to defend Eminems trimetric compositions and drew comparisons be?tween hip-hops internal rhythms and the beat of Kurdish marching bands). And we slummed in secret cantons of Central Park, avoided the meatpacking district, often dined in Jackson Heights; werent rich but werent poor (possessing, for instance, extravagant footwear but no real estate); werent frum but avoided pork—me on principle and Jimbo because of habit—though ACs vigorous atheism allowed him extensive culinary latitude; and drank everywhere, some more than others, celebrating ourselves with vodka on the rocks or Wild Turkey with water (and Id discovered beer in June) among the company of women, black, Oriental, and denizens of the Caucasian nation alike.

Though we shared a common denominator and were told half-jokingly, Oh, all you Pakistanis are alike, we werent the same, AC, Jimbo, and me. AC—a cryptonym, short in part for Ali Chaudhry—was a charming rogue, an intellectual dandy, a man of theatrical presence. Striding into a room sporting his signature pencil-thin mustache, one-button ve?lour smoking jacket, and ankle-high rattlesnake-skins, he demanded attention, an audience. Hed comb his brilliantined mane back and flatten it with wide palms. Hed raise his arm, reveal a nicotine-stained grin, and roar, “Let the revelry commence!” then march up to you, meaty palm extended, de?claiming, “There you are, chum! We need to talk immediately!” Of us three, he was the only immigrant. While he lived day to day in a rent-stabilized railway apartment in Hells Kitchen and moonlighted as a sub at a Bronx middle school, his elder sister had emigrated in 81—at the tail end of the first wave of Pakistani immigrants—and enjoyed spectacular success. A decade later she sponsored ACs green card. A small, no-bullshit lady, Mini Auntie worked at the pediatric ward at Beth Israel on East 87th, lived in a brownstone around the corner, and financed ACs on-and-off-again doctorate and studied debauchery.

Jamshed Khan, known universally as Jimbo, was a different cat altogether, a gentle, moon-faced man-mountain with kinky dreadlocks and a Semitic nose which, according to AC, affirmed anthropological speculation that Pathans are the Lost Tribe of Israel. Not that such grand themes moved or motivated Jimbo. Propped against a wall like a benign, overstuffed scarecrow, hed keep to himself, but at a late juncture he would grab you by the arm to articulate the conversation hed been having in his head. Jimbo was known to converse in nonmalapropisms and portmanteaus, his deliberate locutions characterized by irregular inflexion of voice, by rhyme if not rationale. On the face of it, he was a space cadet, but we knew he knew what was what. Unlike AC or me, he had a steady girlfriend and, as a DJ slash producer, a vocation with certain cachet. If his career trajectory opened doors in the city, it estranged him from his septuagenarian father, a retired foreman settled in Jersey City for a quarter of a century. In that time hed raised a son and a daughter and several notable edifices on either side of the Hudson. Born and bred in Jersey, Jimbo was a bonafide American.

As for me, they called me Chuck and it stuck. I was growing up but thought I was grown-up, was and remain not so tall, lean, angular, like my late father, have brown hair, tin-tinted eyes, and a sharp nose, “like an eaglet,” my mother liked to say. Id arrived in New York from Karachi four years earlier to attend college, which I completed swimmingly in three, and, though I was the only expatriate among us, liked to believe Id since claimed the city and the city had claimed me.

The turn of the century had been epic, and we were easy then, and on every other Monday night youd see us at Tja!, this bar-restaurant-and-lounge populated by the local Scandinavian scenesters and sundry expatriates as well as socialites, arrivistes, homosexuals, metrosexuals, and a smattering of has-been and wannabe models. Located on the periphery of Tribeca, Tja! seldom drew passersby or hoi polloi, perhaps because there were no gilded ropes circumscribing the entrance, no bouncers or surly transvestites maintaining vigil outside. It was hush-hush, invitation by wink and word of mouth. We got word that summer when my gay friend Lawrence né Larry introduced us to a pair of lesbian party promoters who called themselves Blond and Blonder, and ever since the beau monde included a Pakistani contingent comprising Jimbo, AC, and me.

Soon Jimbo a.k.a. DJ Jumbolaya was spinning there, and when Id arrive, hed already be in the booth, svelte in a very Kung Fu Fighting tracksuit, swaying from side to side, hand cupped around ear, pudgy fingertips smoothing vinyl like it was chapati. Starting down-tempo with, say, a track from a cooing Portuguese lounge singer, hed then kick it with some thumping Senegalese pop, seamlessly, effortlessly, as if the latter were an organic extension of the former. DJ Jumbolaya distilled the post-disco-proto-house-neo-soul canon in his compositions. His credo was: Is All Good.

When Id slide next to him and pay respect—high five, chest bump, that kind of thing—hed say something like “Dude, youve come to sip martinis and look pretty cause youre a preena, a lova, a prophet, a dreama,” and when Id ask what he was having, hed say whatever, so Id order a couple of cocktails from Jon the bartender, who would have his shirt unbuttoned to his navel and make drinks for us on the house. He told me hed served in the French Foreign Legion as a chef and, recognizing me as a man of the world, would relate news (“you hear about the latest Mai-Mai offensive?”), dispense proprietary advice (“its best to run hot water over a razor before shaving as the metal expands”), and discuss matters of aesthetics (“that one, yeah, the one thats looking at me, shes got whats called a callipygian rump”). Leaning on the bar, drink in hand, Id suck it all in.

Friends would show up in ones and twos, characters we knew from Tja! and here and there. There was Roger, a towering sommelier originally from Castle Hill, whod taken classes in conversational Urdu because, hed say, “I dig your women.” Once he asked, “You think theyd make with a brother? What do I gotta do, man? Like, recite Faiz?” And Ari, a curator at a Chelsea art gallery who cultivated a late Elvis bouffant, had this great story about his first day at P.S. 247 when he found himself in Dodgeball Alley at lunch: “So the black and white kids separated into teams, like it was 1951 or something, and there was this pencil-neck Chink and a bunch of sorry-looking Spics, and me, the Jewboy. We didnt know which side to join, and like nobody wanted us, so we banded together like the Last of the Mos. And sure, we got our asses kicked pretty bad the first day, but man, after a couple of weeks, they were black and blue . . .” By and by and arm in arm, Blond and Blonder circulated, making small talk and grand gestures—“Like those shoes!” “Canapé for everyone!” Sometimes Jimbos girlfriend made an appearance. A natty, masculine woman with a belly and waddle, she hailed from East Coast aristocracy, sipped berry Bellinis, no cassis, and moved with a hipster crowd—whats called an urban tribe—comprising acolytes. We all loved her and called her the Duck.

On occasion, when Id find a girl perched on a distant barstool, legs crossed, hair wafting the scent of apple shampoo, Id say, “Ciao ciao, baby.” It wasnt a pickup line, just something I muttered when drunk. The last time wed been at Tja!, a girl with mermaid eyes and a pronounced Latin lisp had actually responded to my tender advance with a staccato laugh. “Next week,” shed said before being tugged away, “jou n me tan-go!” There was, I believed, great promise in the phrase, in what AC would have dubbed the proverbial tango.

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Average customer rating based on 3 comments:

Elatia Harris, September 7, 2009 (view all comments by Elatia Harris)
This horribly smart, funny novel is all heart -- with a sliver of ice. You won't know what's been done to you -- or, for you -- until you finish reading, but you'll be riveted all the way. The howling dislocation of being a Pakistani in New York just after 9/11 could not possibly be better rendered, nor could the sea change of that era, the grit that settled forever and made us grow up. This is a work of art that helps to define our times, to answer the nagging question: who are we, really? To do all that, it shouldn't be so much fun to read. But it is. It is.
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(3 of 4 readers found this comment helpful)
Louisagordon, September 7, 2009 (view all comments by Louisagordon)
H. M. Naqvi's Home Boy takes the reader to post-9/11 Manhattan through the eyes of Chuck and his two "chums," AC and Jimbo. The three are suddenly wrenched from their bon vivant cosmopolitan lives when they're picked up by the FBI and thrown into a detention center for questioning.

Naqvi's narrative and dialogue are brilliantly rendered, capturing the ethos and ethnicity of the New York experience in tones that for me bring Faulkner to mind rather than Rushdie. Race, religion and tough guy interrogation tactics reveal a coming of age, not only for Chuck and his chums, but everyone in a time when precarious human rights can be dispensed with on the basis of suspicion alone.

By contrast, Naqvi also explores the lifetime bonds of family and friendship. It's a tale of tragedy and laughter, both captured in unforgettable scenes. For instance, the classes and test Chuck has to take before getting his NY cab driver's license after being laid off in the banking business.

H. M. Naqvi is an extraordinary raconteur. His gifts of insight match his gift of gab.
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(2 of 3 readers found this comment helpful)
s.abbas.raza, August 27, 2009 (view all comments by s.abbas.raza)
If you don't read any other fiction this year, read this book. It is the most sharply observed (and affectionate) potrait of New York City life. Naqvi does here what Rushdie failed to do in his novel Fury.

Supremely funny and intelligent!!!

Just buy it NOW!
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Product Details

ISBN:
9780307409102
Subtitle:
A Novel
Author:
Naqvi, H. M.
Author:
Naqvi, Husain
Publisher:
Crown
Subject:
Literary
Publication Date:
20090825
Binding:
Hardback
Grade Level:
General/trade
Language:
English
Pages:
288
Dimensions:
8.55 x 5.8 x 1 in .85 lb

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Related Subjects

Fiction and Poetry » Literature » A to Z

Home Boy Used Hardcover
0 stars - 0 reviews
$12.00 In Stock
Product details 288 pages Shaye Areheart Books - English 9780307409102 Reviews:
"Synopsis" by , Beautifully written, sharply observed, and very funny, "Home Boy" is a heartbreaking story of a young immigrant's romance with America.
"Synopsis" by , Shehzad, aka Chuck, is young, impressionable, and making his way in the world. When he arrives in New York from Pakistan in the late 1990s, the city strikes him as cold and unfamiliar, but things start coming together: Chuck secures a coveted Wall Street job and begins moving with glitterati scenesters. Just as hes beginning to feel like a bona fide New Yorker, however, the good life unravels: He is fired, but undaunted, resorts to working as a cabbie when tragedy strikes. In the wake of the 9/11 terrorist attacks, Chuck and his pals, AC and Jimbo, find themselves suspected of terrorist activities, accused, and incarcerated.

Beautifully written, sharply observed, and very funny, Home Boy is a heartbreaking story of a young immigrants romance with America.

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