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Perla

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Reading Group Guide

1. Why do you think the author paired a quote from Moby-Dick with one from the former commander of the Argentine army for her epigraph?

2. What do you think inspired twelve-year-old Perla to write a story that reflected badly on her own parents?

3. “I described my experience at Romina’s bookshelves, opening volume after volume as if opening the gates to textual cities. In those cities, among those words and meanings, I said, the true trajectory of my life began” (page 77). How did Perla’s experience with those books shape her future? What role do words and ideas play in her life, and in the novel?

4. Several times in the novel, the notion of “two Perlas” comes up. What did that mean to you initially, and how did your understanding change by the end of the story?

5. On page 64, Perla thinks, “This was how it worked, wasn’t it? You don’t walk in the truth, you walk in the reality you want to inhabit, you walk in the reality you can stand. This is how realities are made.” What is the difference between truth and reality?

6. What did we learn from the story of the dead geraniums (chapter 5)?

7. On page 100, Héctor tells Perla, “It was war. It was a just war.” How did he and Luisa justify their behavior? Do you think they were really as comfortable with it as they seemed?

8. Perla calls herself a coward more than once in the novel, until Gabriel finally insists she’s brave. In what ways is each of them right?

9. “I did not want to erase the person that I’d been all these years when I did not know where I came from. However false my identity might be, it was the only one I had. Without it I was nothing” (page 201). Why does Perla feel this way? Ultimately, what changes her thinking?

10. Throughout the book, De Robertis uses water imagery. What is the significance when Perla drenches the home she grew up in (page 216)?

11. Why does the painting by Perla’s aunt survive the destruction?

12. Most of the novel alternates between two points of view: Perla’s and her birth father’s. Why does De Robertis switch to Héctor’s point of view for chapter 13, “Homecoming”?

13. Why do you think Héctor never comes after Perla? What do you think he would say to her if he did?

14. Why do you think the novel ends with Perla meeting her birth families?

15. Was the visitor real?

Product Details

ISBN:
9780307599599
Author:
De Robertis, Carolina
Publisher:
Knopf
Author:
Robertis, Carolina De
Subject:
Literary
Subject:
Literature-A to Z
Subject:
Literature-Coming of Age
Subject:
Argentina
Publication Date:
20120327
Binding:
Hardback
Language:
English
Pages:
256
Dimensions:
9.52 x 6.53 x 1.03 in 0.405 lb
Age Level:
Literature-Coming of Age

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Related Subjects

Featured Titles » Literature
Fiction and Poetry » Literature » A to Z
Fiction and Poetry » Literature » Coming of Age
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Perla Used Hardcover
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$9.95 In Stock
Product details 256 pages Knopf Publishing Group - English 9780307599599 Reviews:
"Publishers Weekly Review" by , "Following her successful fiction debut, Invisible Mountain, De Robertis tackles the lingering repercussions of the state-sponsored disappearances of political dissidents that characterized Argentina's late-1970s dirty war. In March 2001, while 22-year-old Perla Correa's parents are on vacation, a naked man, smelling like 'fish and copper and rotting apples,' materializes in her living room in an affluent Buenos Aires suburb, and Perla finds herself drawn to him. Over several days, he recalls the life he shared with his pregnant wife — a life that ended when he was abducted more than two decades earlier. As she listens, Perla laments her recent breakup with a kindhearted journalist who suspected that she herself might have been stolen from disappeared parents, a possibility that Perla has never wondered about, or 'more accurately, I had, but the wondering barely left an imprint on my conscious memory, it had been as rapid as a blink.' Perla neglects her friends and studies to spend time with the stranger, whose stories speak to her long dormant search for identity. She struggles for truth as she sorts through the shards of Argentina's shattered history, piecing together the painful fragments that may rightfully be hers. This ambitious narrative, largely told in flashbacks, is propulsive and emotionally gripping. De Robertis's lyrical flights are grounded in the fulfillment of the most desperate wishes of disappeared parents and their children, culminating in a wrenching catharsis about rebirth and healing." Publishers Weekly (Starred Review) Copyright PWxyz, LLC. All rights reserved.
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