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Eight Days to Live (Eve Duncan Forensics Thrillers)

Eight Days to Live (Eve Duncan Forensics Thrillers) Cover






Day One

7:35 P.M.

SHE WAS LAUGHING, Jack Millet thought, enraged. Even as Jane MacGuire had left the sidewalk café, a lingering smile had remained on her lips.

He had to smother the anger, remind himself that she would not be laughing for very long.

Eight days, bitch. Just eight more days, and Ill send you to rot in hell.

He had watched her sitting there in the café, staring out at the Seine, and the seething anger had been building steadily within him. She had no right to look that serene and content.



He started after her, careful not to get close enough for her to know she was being followed. He knew where she was going. The Denarve Art Gallery was only two blocks away and tonight they were exhibiting Jane MacGuires paintings and would probably be heaping praise on her.

Blind. They couldnt see the ugliness of the atrocity she had committed.

She moved lithely, gracefully, her red-brown hair shining as the sunlight burnished it. Everything about her shouted that she was young and vibrantly alive.

And that enraged him, too.

Dead. You should be dead. You should be burning in Hell.

Eight days. But he wanted it to happen now. It was a deep hunger that wouldnt go away.

But if he could hurt her, it would help him to wait for that final glory. If he could rip and tear at her and destroy everything she valued and loved, he might be able to keep himself under control.

Take her, torture her, and make her scream with agony.

But he had to do it himself. He could order help in the taking, perhaps Folard, but after that, he couldnt trust his brothers to be able to stop themselves from killing her before her time. Their souls werent as strong as his had become through all the years of service to the Offering.

She was quickening her steps as she approached the gallery. The sun was going down, and the rays of the setting sun were causing her hair to blaze with fiery highlights.

Blaze. Scald. Burn. Suffer.

Yes, fire is an exquisite weapon. Knives. Scalpels. Whips. There are so many ways to hurt you, Jane MacGuire.

I know them all.


Overwhelming malice.

Jane stopped, stiffening, as her hand reached out to open the carved oak door of the Denarve Gallery.

For an instant she couldnt breathe, and she instinctively glanced back over her shoulder at the street behind her.

Nothing. A peaceful Parisian street on a beautiful spring day. No threat.

Imagination. A trick of the mind. Maybe a little nervous reaction because of the show tonight?

But she didnt usually have nerves.

She glanced over her shoulder again.



She pulled open the carved oak door and went into the gallery.

“There you are.” Celine Denarve turned to Jane and frowned with mock indignation. “I thought I was going to have to send the bloodhounds after you. Marie and I have been slaving with the preparations to make this exhibit the finest Ive ever given for any artist, and you go strolling o? as if it has no importance. Its an insult.”

Jane grinned. “You know that you would have whisked me out of here if Id offered to stay and help.” Celine was reacting with her usual sense of Gallic drama, and it always amused Jane. High drama was so far removed from her own practical character. She had flashes of intensity and recklessness, and that might be why she and Celine had so quickly become friends, but it was Celines basic shrewdness and kindness that had cemented that friendship. “How many times have you told me that an artist should paint and stay out of the business of selling her work?”

“Many times.” Celine turned to her assistant, Marie Ressault, who had come out of the offce carrying an ice bucket. “Put it at the bar, Marie. If I give everyone enough champagne, they will forget that Janes not really the Rembrandt Ive been hyping for the past month.”

“I believe those art critics may already be a little skeptical,” Jane said dryly. “Though if anyone could convince them, you could.”

“Youre right. Im splendid.” She smiled brilliantly at Jane. In her late thirties, Celine was sleek and dark-haired and as attractive as she was shrewd. She might know every trick in the book about pushing a young-and-coming artist up the next rung of the ladder, but she did it with honesty and a bubbly exuberance. “Thats what it takes to make a starving artist an icon.”

“I hate to tell you, but Im not a starving artist. I did have a few successful shows before you appeared in my life.”

“Yes, but those other gallery owners didnt make you focus on the important things. They should have made you do publicity to make you a house hold name.”

“Not my cup of tea.”

Celine made a face. “Thats why you make my life so diffcult. I have to work twice as hard just to make you show up for an interview. Ive begun to tell everyone that they have to forgive you because, after all, youre just an artist with a shy and sensitive soul.”


“It works,” Celine said cheerfully. “They dont know you.”

“Thats obvious.” Sensitive soul? she thought with amusement. She couldnt think of any term that would be less applicable. She hoped she was kind and caring and could see beneath the surface, but she was neither fragile nor temperamental. She was only a street kid who had been lucky enough to have been born with a certain talent and the drive to make that talent come alive.

She smiled as she thought about what Joe Quinn would have said about her sensitive soul. She had been a tough ten-year-old when she had come to live with Joe and Eve Duncan, and they had accepted her and made sure that she knew how to handle herself in any situation. He was a detective with the Atlanta Police Department, and his teaching had been both thorough and intense. Karate, Choi Kwang Do, and, when she grew older, training in weaponry. Those lessons had forged a bond that had helped draw them closer, and it was her very good fortune that she hadnt been a prissy kid who would have forced Joe to treat her delicately. No, he would have laughed himself silly at anyone thinking she was overly sensitive.

“Youre smiling.” Celine was studying her face. “What are you thinking?”

“That you must be very persuasive to make them believe that bullshit.”

“Yes, I am extraordinary.” She took a step back and tilted her head as she gazed at the paintings beyond the velvet ropes. “The lighting is perfect. Thats essential, you know.”

Janes lips quirked. “Yes, it makes even my humble paintings look good.”

“Thats what I thought.” She glanced away from the paintings to Jane. “But perhaps theyre not completely humble. I didnt totally lie when I told those critics you were the next Rembrandt.”


“No, youre exceptional. Youre young, only a few years out of college. In another five years, youll rock the art world. If youll let me help you.” She shrugged and changed the subject. “Lighting may help your paintings, but no amount of lighting is going to help you if youre dressed in those jeans and shirt. Not here in Paris. Hurry. Go upstairs and change. The first guests should be here in forty-five minutes.”

“Ill be ready.” Jane headed for the elevator. Celine maintained an apartment above her gallery, and she had insisted that Jane stay with her before the exhibit. “I promise.”

“You cut it very close,” Celine called after her. “Where did you go?”

“Just for a walk, then to the café to have a glass of wine. I thought Id relax before the hullabaloo tonight.”

“It will be a very elegant hullabaloo. Did it work? Did it relax you?”

“Yes.” She had a sudden memory of that moment just before she had entered the gallery and that feeling of malevolence so intense that it had shaken her. Imagination. It had to be imagination. “For the most part.” She got into the elevator and firmly dismissed that chilling moment from her mind. “Yes, I guess it worked.”

10:45 P.M.

“A WONDERFUL SHOW.” Celine Denarve locked the door of the gallery after her assistant, Marie, had left. “A magnificent exhibit. Weve sold everything but the three paintings youve put a hold on.” She smiled over her shoulder at Jane. “How can I convince you to let me sell those, too? How am I to become a rich woman if you persist in being selfish with the best of the lot?”

“Theyre not the best of the lot. I just have a personal attachment to them,” Jane said. “The technique is much cleaner in some of the others.” Lord, she was tired. She hated these art shows. The critics who dissected her work, the reporters probing how she felt when she was painting a certain canvas, the people who bought art because it went with their furniture. But she supposed she should be grateful that shed met with such success so early in her career.

She was grateful. And she couldnt have asked for a gallery owner more enthusiastic and devoted than Celine. This was her second show at Celines gallery and their warm relationship made all the bullshit bearable.

“You look exhausted. You need a glass of champagne.” Celine moved toward the small bar against the wall. “Though you shouldnt need any stimulation at all. You should be walking on air. Like I am.”

“And so you should. To night is as much your triumph as it is mine.”

“That is true. I did well.” She turned and smiled at Jane. “And you did well, too. You did not look bored. You were actually charming to that art critic from the London Times. I think Im getting through to you.”

“Dont count on it. Im glad its over. Youre right, I am tired.” Its only that it has been a very exhausting month, Jane thought. She was ready to go home and close herself away and just paint.

“This will wake you up.” Celine poured them both a glass of champagne, and her gaze went back to the three paintings about which she had been previously talking. “You may not see it, but those paintings are very special.” Celine crossed the room and handed the glass to her. “Technique is important, but when theres so much passion, one can overlook a few mistakes.”

She frowned. “What mistakes?”

Celine chuckled. “See, you may criticize yourself, but I may not. You have an ego like all artists.”

“I never said I didnt.” Jane grinned. “Im no Rembrandt, but Im pretty good. In spite of what your French critics say. They dont agree that passion is more important. But I do get better all the time.”

“The proof is in the pocketbook,” Celine said. “And name me a great artist who didnt suffer for their art.” She strolled up to the two paintings at the end of the row. “Me, I prefer to sell your paintings and not suffer at all. My commission will buy me a fine house on the Riviera.” She tapped the frame of the painting of the castle that towered on a steep cliff that overlooked the sea. “Not like this one. Its much too forbidding. I dont like Scotland. Not enough sun.” She tilted her head. “But you must like it. That castle has substance and power. Its very … strong.”

“I dont know much about Scotland. Ive only visited MacDuffs Run a few times.”

“But it had great impact on you.”

“Yes.” She took a sip of her champagne. “You could call it impact.”

“Ive met John MacDuff. He was here for a charity ball several years ago. I was dazzled. Earl of Cranought, Lord of MacDuffs Run … Its hard to ignore all that intensity and Rob Roy mystique.”

“I assure you that hes no Rob Roy.” Though the people on his property looked upon him as something of a folk hero and kowtowed to the Laird. MacDuff had won a gold medal for archery several years ago at the Olympics, then joined the 45th Commando Unit of the Royal Marines and earned a chestful of medals for bravery. “And hes arrogant as hell.”

“But hes sexy enough to get away with it,” Celine said. “I tried to throw myself into his bed, but he would have none of me.”

“Then he was a fool.”

Celine nodded. “I think so, too. He doesnt know what he missed.” She glanced slyly at Jane. “Tell me, did you make it into his bed? Ill forgive you if you let me sell this painting.”

Jane shook her head. “Our relationship was a little more complicated.”

“Nothing is more complicated than sex,” Celine said. “Nor anything so beautifully simple.”

Jane chuckled. “Youre just trying to live up to your image as a Parisienne.”

“I dont need to live up to it. I live and breathe it.” She added teasingly, “Come now, tell me the truth. If you visited that cold castle more than once, he must have offered you a warm bed to lure you. Why else would you go there?”

Celine clearly wasnt going to give up. Just give her the bare bones and make her happy. “Actually, it had to do with a chest of gold coins, a lost ancient family treasure belonging to one of MacDuffs ancestors. Id become involved with tracing that chest from its origin in Herculaneum.”

“Ah, a lost treasure.” Celines eyes were wide and shining. “Tell me more.”

“Theres not much more to tell. You wouldnt be interested.”

“Which means youre closing up and dont want to share.” She was obviously disappointed. “I would be interested, you know. Im not just being inquisitive. I consider you my friend as well as my client. Its natural to want to know about people you care about.” She shrugged, but her expression was wistful. “But I will try to under-stand.”

Jane stared helplessly at her. Celine was an irresistible force who was all the more appealing because she was sincere. “Its no big deal.” Though those weeks at MacDuffs Run had shaken her entire life at the time. “It was years ago, when I was a student in college. I was an art major with a minor in archaeology. I became interested in stories of a young actress, Cira, who was the toast of ancient Herculaneum. She fascinated me. It was rumored that she had escaped the eruption of Vesuvius and fled to Scotland, carrying with her a chest of gold coins that would be worth a fortune today.”

“But you said it was a long-lost MacDuff treasure.”

“Cira changed her name and identity and she and her husband, Anthony, founded the MacDuff family in the highlands.”

“And you went to Scotland to find the chest and found MacDuff. Now thats a treasure I can appreciate. How romantic.”

“Not at all romantic. I wasnt the only one trying to trace that chest. Thomas Reilly, a criminal who would take first place on any scumbag chart, was after it, too. He was interested in some specific coins that were supposed to be included with the others. Before it was over it got very ugly. Good people were hurt.”

“But you and MacDuff found the chest and lived happily ever after … in bed?”

“No, in the end finding the treasure wasnt worth it to me.”

Celine shook her head reprovingly. “Treasure of any kind is always worthwhile. This story is very disappointing to me.”

Jane smiled. “Sorry, Ill try to concoct a more interesting tale for you next time.”

“Please do that. Im losing faith in you.” She glanced at the portrait next to the one of MacDuffs Run. “You said this was one of the young men who grew up on MacDuffs estate? Jock … ?

“Jock Gavin. Yes, his mother was house keeper at the estate, and he grew up running in and out of the castle. He was like a younger brother to MacDuff.”

“Hes quite beautiful, almost an Adonis with that fair hair and those silver-gray eyes. But hes too young for you.”

“There wasnt anything like that between us. I painted that portrait years ago. He was nineteen when I did that first sketch. I was only a couple years older and we … bonded. Jock was going through a rough time, and I was able to help him through it.”

“Nineteen. He looks younger.” She frowned. “And older. I cant quite put my finger on it. Theres a kind of an explosive breakability. Intriguing. What kind of a rough time?”


Excerpted from Eight Days To Live by Iris Johansen.

Copyright © 2010 by Iris Johansen.

Published in 2010 by St. Martin's Griffin.

All rights reserved. This work is protected under copyright laws and reproduction is strictly prohibited. Permission to reproduce the material in any manner or medium must be secured from the Publisher.

Product Details

An Eve Duncan Forensics Thriller
St. Martin's Paperbacks
Johansen, Iris
Occult & Supernatural
Edition Description:
Mass market paperback
Eve Duncan Forensics Thrillers
Series Volume:
No. 10
Publication Date:
Electronic book text in proprietary or open standard format
Grade Level:
9.25 x 6.13 in

Related Subjects

Fiction and Poetry » Mystery » A to Z
Fiction and Poetry » Mystery » Sale Books
Fiction and Poetry » Popular Fiction » Contemporary Thrillers
Fiction and Poetry » Popular Fiction » Suspense

Eight Days to Live (Eve Duncan Forensics Thrillers)
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Product details 448 pages St. Martin's Press - English 9780312368159 Reviews:
"Publishers Weekly Review" by , "Having injected vampires into 2009's Blood Game, the previous Eve Duncan forensics thriller, bestseller Johansen introduces cryptotheology — the madeup religious stuff of Dan Brown — into this equally outlandish sequel. When Jane MacGuire, Eve's adopted daughter, exhibits her paintings at a Paris gallery, one of Jane's pieces, a creepy portrait titled Guilt, prompts a charge of blasphemy from a dangerous cult. Nailing the dead body of one of Jane's friends to a cross shows the cult members mean business. Last seen in 2006's Killer Dreams, John MacDuff and Jock Gavin show up at Jane's door to protect her. Later Seth Caleb, the mysterious is-he-or-isn't-he vampire from Blood Game, joins the team. An action-packed search to uncover Jane's link to the cult and find a priceless religious artifact takes Jane and company across Europe — a journey that allows little focus on Eve and even less on her trademark forensic sculpting. 500,000 first printing. (Apr.)" Publishers Weekly (Copyright Reed Business Information, Inc.)
"Synopsis" by , In #1 "New York Times"-bestselling author Johansen's latest thriller, Eve Duncan's adopted daughter Jane has been targeted by a mysterious cult, which has decided that she has only eight days to live.
"Synopsis" by ,
It all begins with a painting called Guilt. Eve Duncans daughter, Jane, has no idea why she painted the portrait of the chilling face that now hangs in a Paris gallery. But those who belong to a powerful cult—one that dates back to the time of Christ—know both the face and the significance behind it…

They believe that Jane must die—when the moment is right, and not an instant before she leads them to an ancient treasure whose value and power are beyond price. But for now, they target those close to Jane, killing without mercy or conscience.

From Paris to the Scottish isles to the Holy Land, Jane finds herself in a desperate race against time to unravel the mystery surrounding her painting…and save her own life. Even with Eves help, can she possibly succeed before her time is up?

"Synopsis" by ,
Number-one New York Times bestselling author Iris Johansen delivers a thriller that will chill you to the core: Eve Duncans adopted daughter Jane has been targeted by a mysterious cult who has decided that she has only eight days to live

Eve Duncan and her adopted daughter, Jane Macguire, are pitted against the members of a secretive cult who have targeted Jane and have decided that she will be their ultimate sacrifice. In eight days they will come for her. In eight days, what Jane fears the most will become a reality. In eight days, she will die. It all begins with a painting that Jane, an artist, displays in her Parisian gallery. The painting is called “Guilt” and Jane has no idea how or why she painted the portrait of the chilling face. But the members of a cult that dates back to the time of Christ believe that Janes blasphemy means she must die. But first, she will lead them to an ancient treasure whose value is beyond price. This elusive treasure, and Janes death, are all that they need for their power to come to ultimate fruition. With Eves help, can Jane escape before the clock stops ticking?

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