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"...Lush Life remains a vivid study of contemporary urban landscape. Price's knowledge of his Lower East Side locale is positively synoptic, from his take on its tenements, haunted by the ghosts of the Jewish dead and now crammed with poor Asian laborers, to the posh clubs and restaurants, where those inclined can drink 'a bottle of $250 Johnnie Walker Blue Label' or catch 'a midnight puppet porno show.'" Stephen Amidon, The Washington Post Book World (read the entire Washington Post Book World review)
"Lush Life is a good, worthwhile, and in many ways satisfying novel. No matter how routinely and highly praised it may be, Price's ear for dialogue, his ability to capture and reproduce the rhythm, tone, and evanescent vocabulary of urban life, cannot be overpraised: with all due respect to Elmore Leonard, Price is our best, one of the best writers of dialogue in the history of American literature." Michael Chabon, The New York Review of Books (read the entire New York Review of Books review)
Synopses & Reviews
Publisher Comments:
"So, what do you do?"
Whenever people asked him, Eric Cash used to have a dozen answers. Artist, actor, screenwriter... But now he's thirty-five years old and he's still living on the Lower East Side, still in the restaurant business, still serving the people he wanted to be. What does Eric do? He manages. Not like Ike Marcus. Ike was young, good-looking, people liked him. Ask him what he did, he wouldn't say tending bar. He was going places — until two street kids stepped up to him and Eric one night and pulled a gun. At least, that's Eric's version.
In Lush Life, Richard Price tears the shiny veneer off the "new" New York to show us the hidden cracks, the underground networks of control and violence beneath the glamour. Lush Life is an X-ray of the street in the age of no broken windows and "quality of life" squads, from a writer whose "tough, gritty brand of social realism...reads like a movie in prose" (Michiko Kakutani, The New York Times).
Review:
"Master of the Bronx and Jersey projects, Price (Clockers) turns his unrelenting eye on Manhattan's Lower East Side in this manic crescendo of a novel that explores the repercussions of a seemingly random shooting. When bartender Ike Marcus is shot to death after barhopping with friends, NYPD Det. Matty Clark and his team first focus on restaurant manager and struggling writer Eric Cash, who claims the group was accosted by would-be muggers, despite eyewitnesses saying otherwise. As Matty grills Eric on the still-hazy details of the shooting, Price steps back and follows the lives of the alleged shooters — teenagers Tristan Acevedo and Little Dap Williams, who live in a nearby housing project — as well as Ike's grieving father, Billy, who hounds the police even as leads dwindle. As the intersecting narratives hurtle toward a climax that's both expected and shocking, Price peels back the layers of his characters and the neighborhood until all is laid bare. With its perfect dialogue and attention to the smallest detail, Price's latest reminds readers why he's one of the masters of American urban crime fiction. Author tour. (Mar.)" Publishers Weekly (Starred Review) (Copyright Reed Business Information, Inc.)
Review:
"Richard Price's new novel is set in 2002 in the Lower East Side of Manhattan, a neighborhood that is not so much a melting pot as a cauldron of volatile elements that can be set off with the slightest spark. Among its uneasy mix of gentrifying yuppies, Chinese immigrants and beleaguered Latino and African-American residents, the peace is kept by the NYPD, whose Quality of Life Task Force implements... Washington Post Book Review (read the entire Washington Post review) the city's zero tolerance ethos under the motto 'Everyone's got something to lose.' In the electrifying opening chapters of 'Lush Life,' one person turns out to have everything to lose: Ike Marcus, a young white bartender at a swank local restaurant. After a long night of drinking, Ike, a would-be writer, is gunned down when he answers a mugger's demand for his wallet by saying, 'Not tonight, my man.' (A detective wryly refers to this sort of bravado as 'Suicide by mouth.') Accompanying Ike were two other East Village scenesters, an aspiring actor named Steven Boulware, who survives the attack apparently because he was falling-down drunk, and Eric Cash, the manager at Ike's restaurant. Eric, whose frustrated literary ambitions have left him saddled with an 'unsatisfied yearning for validation,' provides the police with the initial account of the crime, claiming to have escaped Ike's fate because he turned over his wallet. His testimony is sufficiently sketchy to raise the suspicion of Matty Clark and Yolonda Bello, two veteran detectives who catch the case. Eyewitnesses also challenge Eric's account. In a gripping interrogation sequence, Yolonda and Matty slowly wear down the stunned witness, ultimately accusing him of killing the younger man in a burst of booze-fueled envy. Eric is so unnerved by their going-over that he can only respond by doing 'something that genuinely shocked Matty. With his mouth locked in a rictus grin, he rose to his feet and extended his wrists.' It would seem to be an open-and-shut case, but this is Richard Price, who in novels such as 'Clockers' and 'Freedomland' has shown himself to be more interested in exploring the complex social and psychological ramifications of crime than in simply cuffing the perps. Soon after Eric's arrest, Boulware wakes from his blackout to tell a tale of his own, while the eyewitnesses who implicated Eric in the crime turn out to be less than reliable. After keeping the reader in the dark for the first third of the book, Price reveals the truth of the matter, transforming his narrative from a whodunit into a police procedural where the mystery is not what happened, but what will happen next. It is a move that keeps 'Lush Life' from achieving the gut-churning power promised in those fine opening chapters. Perhaps if Price had not dangled the prospect of a mystery before us, his decision to abandon it so early would not have produced the sense of deflation that ultimately pervades the book. That said, 'Lush Life' remains a vivid study of contemporary urban landscape. Price's knowledge of his Lower East Side locale is positively synoptic, from his take on its tenements, haunted by the ghosts of the Jewish dead and now crammed with poor Asian laborers, to the posh clubs and restaurants, where those inclined can drink 'a bottle of $250 Johnnie Walker Blue Label' or catch 'a midnight puppet porno show.' In this 'Candyland of a neighborhood,' where kids from all over the nation come to 'walk around starring in the movie of their lives,' it is hardly surprising that an ambitious suburban boy believes he can front up to armed muggers and live to write a treatment about it. Price's ear for dialogue is equally sharp. When a young student who witnessed the murder expresses shock that the detective interviewing her can quote T.S. Eliot, the beleaguered cop deadpans that 'the apes that raised me were surprisingly intelligent.' Officer Lugo, a member of the Quality of Life Task Force, explains to a just-arrested drug addict that he will cut him some slack only if the suspect gives up another criminal. 'We keep wanting to help you out, man. ... But it's a two-way river.' When another suspect complains to Lugo that his sidekick is 'like half-retarded,' the cop immediately wonders: 'How about the other half?' In the end, 'Lush Life' is most effective as a study of sudden crime and its lingering aftermath. Price depicts the corrosive effect of Ike's murder upon his family, particularly his father Billy Marcus, who lurches between anger and depression as he searches for some sort of redemption, never understanding that 'there would be no relief for him from that grinding sense of anticipation he'd carried in his gut for the last few days, that no matter what came down the line, what measures of justice were ultimately portioned out, what memorials or scholarship funds established, whatever new children would come into his life, he would always carry in himself that grueling sensation of waiting: for a tranquil heart, for his son to stop messing around and reappear, for his own death.' Near the book's end, Billy forms a surprising emotional connection with the unsentimental Matty, who uses Billy's grief as inspiration to reach out to his own estranged sons. In this most diverse of neighborhoods, Price suggests that violence and the sorrow it creates are the only sure ways to bring people together. Stephen Amidon's most recent novel is 'Human Capital.'" Reviewed by Stephen Amidon, Washington Post Book World (Copyright 2006 Washington Post Book World Service/Washington Post Writers Group) (hide most of this review)
Review:
"The method employed by Dostoevsky in Crime and Punishment serves Price's purpose — and then some — in his wrenching eighth novel....There oughta be a law requiring Richard Price to publish more frequently. Because nobody does it better. Really. No time, no way." Kirkus Reviews (Starred Review)
Review:
"Price's investigation is no mere police procedural, scouring away layers of self-defense in all of his vividly drawn characters. Such is his talent that we care about them all equally....[M]aking the streets safe for the cafe crowd has its hidden cost — and no one shows that better than Price." Booklist (Starred Review)
Review:
"No one writes better dialogue than Richard Price....[H]is most powerful and galvanic work yet, a novel that showcases his sympathy and his street cred and all his skills as a novelist and screenwriter..." Michiko Kakutani, The New York Times
Review:
"[O]utstanding....[T]his big, powerful novel belongs to all of [the characters], and, like The Wire, its real protagonist is the complicated, tragic, and endlessly fascinating American city street. (Grade: A)" Entertainment Weekly
Review:
"Reading Lush Life...is a lot like watching a great movie, with the author as director and cameraman....Price's people talk with the flair and rhythms of real speech...giving his books a soundtrack you hear as much as read." Hartford Courant
Review:
"A compelling urban drama....The book, which doesn't lag for even a sentence, is a dialogue-driven, thoroughly riveting examination of how an investigation unfolds and the emotional toll it takes on everyone involved." The Miami Herald
Review:
"Lush Life is vivid, authentic, beautiful and rugged....If you don't know Price yet, this book is a great entry. You'll leave the space most authors occupy and move into the realm of masterpiece." Paste Magazine
Review:
"Richard Price is the greatest writer of dialogue, living or dead, this country has ever produced. Wry, profane, hilarious, and tragic, sometimes in a single line, Lush Life is his masterwork. I doubt anyone will write a novel this good for a long, long time." Dennis Lehane, author of Mystic River
Review:
"With Lush Life Richard Price has become our post-modern American Balzac. Except that he's a whole lot funnier than Balzac and writes the language we hear and speak better than any novelist around, living or dead, American or French. He's a writer I hope my great-grandchildren will read, so they'll know what it was like to be truly alive in the early 21st century." Russell Banks, author of The Sweet Hereafter
Review:
"This is it, folks. The novel about gentrified New York, circa right now, that we've been waiting for. Richard Price understands what's happened to our beloved city, he writes dialogue like a genius, and he absolutely, genuinely cares. Unforgettable." Gary Shteyngart, author of Absurdistan
Review:
"Price has been around for what seems like forever, but there's a reason we still read him. Because every sentence is a pleasure. Because he never puts a foot wrong, and never lingers. He takes just enough time to make you care." Esquire
Review:
"[A]n acidly funny and hugely successful attempt to get everything that's happening in the city today between two covers....Lush Life covers familiar ground without romancing any of it; it's so vivid and real, it's like Rent as rewritten by Balzac." Commentary Magazine
Review:
"It's a big story, but Price isn't much for symphonic flourishes or noisy statements of theme....Like the Jacob Riis photographs Price consistently references, the urban portrait of Lush Life is disarming, but it compels you to look closer." Minneapolis Star Tribune
Review:
"[A] story that ripples with tension, marked by jump cuts, parallel narratives and razor-sharp dialogue. Of all the developments in Price's fiction, this may be the most striking: the clarity of the construction, the precision with which his characters interact." Los Angeles Times
Review:
"[A] dark and edgy anatomy of a murder and its unraveling....The ultimate literary realist, Price tells a story that, as neatly as a black-and-white photo, shows all the shades of gray in our urban landscapes." USA Today
Synopsis:
In Lush Life, Price tears the shiny veneer off the "new" New York to show the underground networks of control and violence beneath the glamour.
Synopsis:
From a great American realist--the author of Clockers and co-writer of The Wire--a riveting story of two urban worlds in collision
Synopsis:
So, what do you do?" Whenever people asked him, Eric Cash used to have a dozen answers. Artist, actor, screenwriter . . . But now he's thirty-five years old and he's still living on the Lower East Side, still in the restaurant business, still serving the people he wanted to be. What does Eric do? He manages. Not like Ike Marcus. Ike was young, good-looking, people liked him. Ask him what he did, he wouldn't say tending bar. He was going places--until two street kids stepped up to him and Eric one night and pulled a gun. At least, that's Eric's version.
In Lush Life, Richard Price tears the shiny veneer off the "new" New York to show us the hidden cracks, the underground networks of control and violence beneath the glamour. Lush Life is an Xray of the street in the age of no broken windows and "quality of life" squads, from a writer whose "tough, gritty brand of social realism . . . reads like a movie in prose" (Michiko Kakutani, The New York Times).
Synopsis:
"So, what do you do?" Whenever people asked him, Eric Cash used to have a dozen answers. Artist, actor, screenwriter...But now he's thirty-five years old and he's still living on the Lower East Side, still in the restaurant business, still serving the people he always wanted to be. What does Eric do? He manages. Not like Ike Marcus. Ike was young, good-looking, people liked him. Ask him what he did, he wouldn't say tending bar. He was going places--until two street kids stepped up to him and Eric on Eldridge Street one night and pulled a gun. At least, that's Eric's version.
In Lush Life, Richard Price tears the shiny veneer off the "new" New York to show us the hidden cracks, the underground networks of control and violence beneath the glamour. Lush Life is an X-ray of the street in the age of no broken windows and "quality of life" squads, from a writer whose "tough, gritty brand of social realism...reads like a movie in prose" (Michiko Kakutani, The New York Times).
Richard Price is the author of seven novels, including Clockers, Freedomland, and Samaritan. He won a 2007 Edgar Award for his writing on the HBO series The Wire.
"Publishers Weekly Review"
by Publishers Weekly,
"Master of the Bronx and Jersey projects, Price (Clockers) turns his unrelenting eye on Manhattan's Lower East Side in this manic crescendo of a novel that explores the repercussions of a seemingly random shooting. When bartender Ike Marcus is shot to death after barhopping with friends, NYPD Det. Matty Clark and his team first focus on restaurant manager and struggling writer Eric Cash, who claims the group was accosted by would-be muggers, despite eyewitnesses saying otherwise. As Matty grills Eric on the still-hazy details of the shooting, Price steps back and follows the lives of the alleged shooters — teenagers Tristan Acevedo and Little Dap Williams, who live in a nearby housing project — as well as Ike's grieving father, Billy, who hounds the police even as leads dwindle. As the intersecting narratives hurtle toward a climax that's both expected and shocking, Price peels back the layers of his characters and the neighborhood until all is laid bare. With its perfect dialogue and attention to the smallest detail, Price's latest reminds readers why he's one of the masters of American urban crime fiction. Author tour. (Mar.)" Publishers Weekly (Starred Review) (Copyright Reed Business Information, Inc.)
"Review A Day"
by Stephen Amidon, The Washington Post Book World,
"...Lush Life remains a vivid study of contemporary urban landscape. Price's knowledge of his Lower East Side locale is positively synoptic, from his take on its tenements, haunted by the ghosts of the Jewish dead and now crammed with poor Asian laborers, to the posh clubs and restaurants, where those inclined can drink 'a bottle of $250 Johnnie Walker Blue Label' or catch 'a midnight puppet porno show.'" (read the entire Washington Post Book World review)
"Review A Day"
by Michael Chabon, The New York Review of Books,
"Lush Life is a good, worthwhile, and in many ways satisfying novel. No matter how routinely and highly praised it may be, Price's ear for dialogue, his ability to capture and reproduce the rhythm, tone, and evanescent vocabulary of urban life, cannot be overpraised: with all due respect to Elmore Leonard, Price is our best, one of the best writers of dialogue in the history of American literature." (read the entire New York Review of Books review)
"Review"
by Kirkus Reviews (Starred Review),
"The method employed by Dostoevsky in Crime and Punishment serves Price's purpose — and then some — in his wrenching eighth novel....There oughta be a law requiring Richard Price to publish more frequently. Because nobody does it better. Really. No time, no way."
"Review"
by Booklist (Starred Review),
"Price's investigation is no mere police procedural, scouring away layers of self-defense in all of his vividly drawn characters. Such is his talent that we care about them all equally....[M]aking the streets safe for the cafe crowd has its hidden cost — and no one shows that better than Price."
"Review"
by Michiko Kakutani, The New York Times,
"No one writes better dialogue than Richard Price....[H]is most powerful and galvanic work yet, a novel that showcases his sympathy and his street cred and all his skills as a novelist and screenwriter..."
"Review"
by Entertainment Weekly,
"[O]utstanding....[T]his big, powerful novel belongs to all of [the characters], and, like The Wire, its real protagonist is the complicated, tragic, and endlessly fascinating American city street. (Grade: A)"
"Review"
by Hartford Courant,
"Reading Lush Life...is a lot like watching a great movie, with the author as director and cameraman....Price's people talk with the flair and rhythms of real speech...giving his books a soundtrack you hear as much as read."
"Review"
by The Miami Herald,
"A compelling urban drama....The book, which doesn't lag for even a sentence, is a dialogue-driven, thoroughly riveting examination of how an investigation unfolds and the emotional toll it takes on everyone involved."
"Review"
by Paste Magazine,
"Lush Life is vivid, authentic, beautiful and rugged....If you don't know Price yet, this book is a great entry. You'll leave the space most authors occupy and move into the realm of masterpiece."
"Review"
by Dennis Lehane, author of Mystic River,
"Richard Price is the greatest writer of dialogue, living or dead, this country has ever produced. Wry, profane, hilarious, and tragic, sometimes in a single line, Lush Life is his masterwork. I doubt anyone will write a novel this good for a long, long time."
"Review"
by Russell Banks, author of The Sweet Hereafter,
"With Lush Life Richard Price has become our post-modern American Balzac. Except that he's a whole lot funnier than Balzac and writes the language we hear and speak better than any novelist around, living or dead, American or French. He's a writer I hope my great-grandchildren will read, so they'll know what it was like to be truly alive in the early 21st century."
"Review"
by Gary Shteyngart, author of Absurdistan,
"This is it, folks. The novel about gentrified New York, circa right now, that we've been waiting for. Richard Price understands what's happened to our beloved city, he writes dialogue like a genius, and he absolutely, genuinely cares. Unforgettable."
"Review"
by Esquire,
"Price has been around for what seems like forever, but there's a reason we still read him. Because every sentence is a pleasure. Because he never puts a foot wrong, and never lingers. He takes just enough time to make you care."
"Review"
by Commentary Magazine,
"[A]n acidly funny and hugely successful attempt to get everything that's happening in the city today between two covers....Lush Life covers familiar ground without romancing any of it; it's so vivid and real, it's like Rent as rewritten by Balzac."
"Review"
by Minneapolis Star Tribune,
"It's a big story, but Price isn't much for symphonic flourishes or noisy statements of theme....Like the Jacob Riis photographs Price consistently references, the urban portrait of Lush Life is disarming, but it compels you to look closer."
"Review"
by Los Angeles Times,
"[A] story that ripples with tension, marked by jump cuts, parallel narratives and razor-sharp dialogue. Of all the developments in Price's fiction, this may be the most striking: the clarity of the construction, the precision with which his characters interact."
"Review"
by USA Today,
"[A] dark and edgy anatomy of a murder and its unraveling....The ultimate literary realist, Price tells a story that, as neatly as a black-and-white photo, shows all the shades of gray in our urban landscapes."
"Synopsis"
by Ingram,
In Lush Life, Price tears the shiny veneer off the "new" New York to show the underground networks of control and violence beneath the glamour.
"Synopsis"
by Netread,
From a great American realist--the author of Clockers and co-writer of The Wire--a riveting story of two urban worlds in collision
"Synopsis"
by Netread,
So, what do you do?" Whenever people asked him, Eric Cash used to have a dozen answers. Artist, actor, screenwriter . . . But now he's thirty-five years old and he's still living on the Lower East Side, still in the restaurant business, still serving the people he wanted to be. What does Eric do? He manages. Not like Ike Marcus. Ike was young, good-looking, people liked him. Ask him what he did, he wouldn't say tending bar. He was going places--until two street kids stepped up to him and Eric one night and pulled a gun. At least, that's Eric's version.
In Lush Life, Richard Price tears the shiny veneer off the "new" New York to show us the hidden cracks, the underground networks of control and violence beneath the glamour. Lush Life is an Xray of the street in the age of no broken windows and "quality of life" squads, from a writer whose "tough, gritty brand of social realism . . . reads like a movie in prose" (Michiko Kakutani, The New York Times).
"Synopsis"
by Netread,
"So, what do you do?" Whenever people asked him, Eric Cash used to have a dozen answers. Artist, actor, screenwriter...But now he's thirty-five years old and he's still living on the Lower East Side, still in the restaurant business, still serving the people he always wanted to be. What does Eric do? He manages. Not like Ike Marcus. Ike was young, good-looking, people liked him. Ask him what he did, he wouldn't say tending bar. He was going places--until two street kids stepped up to him and Eric on Eldridge Street one night and pulled a gun. At least, that's Eric's version.
In Lush Life, Richard Price tears the shiny veneer off the "new" New York to show us the hidden cracks, the underground networks of control and violence beneath the glamour. Lush Life is an X-ray of the street in the age of no broken windows and "quality of life" squads, from a writer whose "tough, gritty brand of social realism...reads like a movie in prose" (Michiko Kakutani, The New York Times).
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