Mega Dose
 
 

Recently Viewed clear list


Original Essays | September 30, 2014

Benjamin Parzybok: IMG A Brief History of Video Games Played by Mayors, Presidents, and Emperors



Brandon Bartlett, the fictional mayor of Portland in my novel Sherwood Nation, is addicted to playing video games. In a city he's all but lost... Continue »

spacer
Qualifying orders ship free.
$5.50
Used Hardcover
Ships in 1 to 3 days
Add to Wishlist
Qty Store Section
1 Local Warehouse Literature- A to Z

Lush Life: A Novel

by

Lush Life: A Novel Cover

 

 

Excerpt

Prologue

The Quality of Life Task Force: four sweatshirts in a bogus taxi set up on the corner of Clinton Street alongside the Williamsburg Bridge off-ramp to profile the incoming salmon run; their mantra: Dope, guns, overtime; their motto: Everyones got something to lose.

“Is dead tonight.”

The four car-stops so far this evening have been washouts: three municipals—a postal inspector, a transit clerk, and a garbageman, all city employees off-limits—and one guy who did have a six-inch blade under his seat, but no spring-release.

A station wagon coming off the bridge pulls abreast of them at the Delancey Street light, the driver a tall, gray, long-nosed man sporting a tweed jacket and Cuffney cap.

“The Quiet Man,” Geohagan murmurs.

“Thatll do, pig,” Scharf adds.

Lugo, Daley, Geohagan, Scharf; Bayside, New Dorp, Freeport, Pelham Bay, all in their thirties, which, at this late hour, made them some of the oldest white men on the Lower East Side.

Forty minutes without a nibble . . .

Restless, they finally pull out to honeycomb the narrow streets for an hour of endless tight right turns: falafel joint, jazz joint, gyro joint, corner. Schoolyard, crêperie, realtor, corner. Tenement, tenement,

tenement museum, corner. Pink Pony, Blind Tiger, muffin boutique, corner. Sex shop, tea shop, synagogue, corner. Boulangerie, bar, hat boutique, corner. Iglesia, gelateria, matzo shop, corner. Bollywood, Buddha, botanica, corner. Leather outlet, leather outlet, leather outlet, corner. Bar, school, bar, school, Peoples Park, corner. Tyson mural, Celia Cruz mural, Lady Di mural, corner. Bling shop, barbershop, car service, corner. And then finally, on a sooty stretch of Eldridge, something with potential: a weary-faced Fujianese in a thin Members Only windbreaker, cigarette hanging, plastic bags dangling from crooked fingers like full waterbuckets, trudging up the dark, narrow street followed by a limping black kid half a block behind.

“What do you think?” Lugo taking a poll via the rearview. “Hunting for his Chinaman?”

“Thats who Id do,” Scharf says.

“Guy looks beat. Probably just finished up his week.”

“Thatd be a nice score too. Payday Friday, pulled your eighty-four hours, walking home with what, four? Four fifty?”

“Could be his whole roll on him if he doesnt use banks.”

“Cmon, kid”—the taxi lagging behind its prey, all three parties in a half-block stagger—“it doesnt get better than this.”

“Actually, Benny Yee in Community Outreach? He says the Fooks finally know not to do that anymore, keep it all on them.”

“Yeah, OK, they dont do that anymore.”

“Should we tell the kid? He probably hasnt even heard of Benny Yee.”

“I dont want to come between a young man and his dreams,” Lugo says.

“There he goes, there he goes . . .”

“Forget it, he just made us,” Daley says as the kid abruptly loses his limp and turns east, back towards the projects, or the subways, or, like them, to simply take five, then get back in the game.

Right turn after right turn after right, so many that when they finally pull someone over, and they will, itll take a minute to get their legs under them, to stop leaning into their steps; so many right turns that at three in the morning, six beers deep at Grouchies, everybody silently, angrily watching the one lucky bastard getting a lap ride in a banquette by the bathrooms, theyll be canting to the right at the bar, then, later in bed, twitching to the right in their dreams.

At the corner of Houston and Chrystie, a cherry-red Denali pulls up alongside them, three overdressed women in the backseat, the driver alone up front and wearing sunglasses.

The passenger-side window glides down. “Officers, where the Howard Johnson hotel at around here . . .”

“Straight ahead three blocks on the far corner,” Lugo offers.

“Thank you.”

“Whats with the midnight shades?” Daley asks from the shotgun seat, leaning forward past Lugo to make eye contact.

“I got photosensitivity,” the guy answers, tapping his frames.

The window glides back up and he shoots east on Houston.

“Did he call us officers?”

“Its that stupid flattop of yours.”

“Its that fuckin tractor hat of yours.”

“I gots photosensitivity . . .”

A moment later theyre rolling past the Howard Johnsons themselves, watching as the guy from the Denali makes like a coachman, holding the door for all the ladies filing out from the backseat.

“Huggy Bear,” Lugo mumbles.

“Who the fuck puts a Howard Johnsons down here?” Scharf gestures to the seedy-looking chain hotel, its neighbors an ancient knishery and a Seventh-Day Adventist church whose aluminum cross is superimposed over a stone-carved Star of David. “What was the thinking behind that.”

“Twenty-eight flavors,” Lugo says. “My dad used to take me every Sunday after my game.”

“Youre talking the ice cream parlor,” Scharf says, “thats different.”

“I never had a dad,” says Geohagan.

“You want one of mine?” Daley turns in his seat. “I had three.”

“I can only dream of a dad whod take me to a Howard Johnsons after my game.”

“Hey, Sonny.” Lugo catches Geohagans eye in the rearview. “Later tonight, you want to have a catch with me?”

“Sure, mister.”

“Pokey as fuck out here, huh?” says Daley.

“Thats because its your turn to collar,” Lugo says, waving off some drunk who thinks hes just flagged down a taxi.

“Somebody up there hates me.”

“Hang on . . .” Scharf abruptly perks up, his head on a swivel. “That there looks good. High beams going west, four bodies.”

“Going west?” Lugo floors it in heavy traffic. “Think thin, girls,” as he takes the driver-side wheels up onto the concrete divider to get past a real cab waiting for the light, then whips into a U-turn to get abreast of the target car, peering in. “Females, two mommies, two kids,” passing them, hungrier now, all of them, then Scharf ahoying once again: “Green Honda, going east.”

“Now east, he says.” Lugo does another 180 and pulls behind the Honda.

“What do we got . . .”

“Two males in the front.”

“What do we got . . .”

“Neon trim on the plate.”

“Tinted windows.”

“Right rear taillight.”

“Front passenger just stuffed something under the seat.”

“Thank you.” Lugo hits the misery lights, climbs up the Hondas back, the driver taking half a block to pull over.

Daley and Lugo slowly walk up on either side of the car, cross-beam the front seats.

The driver, a young green-eyed Latino, rolls down his window. “Officer, what I do?”

Lugo rests his crossed arms on the open window as if its a backyard fence. “License and registration, please?”

“For real, what I do?”

“You always drive like that?” His voice almost gentle.

“Like what?”

“Signaling lane changes, all road-courteous and shit.”

“Excuse me?”

“Cmon, nobody does that unless theyre nervous about something.”

“Well I was.”

“Nervous?”

“You was following me.”

“A cab was following you?”

“Yeah, OK, a cab.” Passing over his papers. “All serious, Officer, and no disrespect intended, maybe I can learn something here, but what did I do?”

“Primary, you have neon trim on your plates.”

“Hey, I didnt put it there. This my sisters whip.”

“Secondary, your windows are too dark.”

“I told her about that.”

“Tertiary, you crossed a solid yellow.”

“To get around a double-parked car.”

“Quadrary, youre sitting by a hydrant.”

“Thats cause you just pulled me over.”

Lugo takes a moment to assess the level of mouth hes getting.

As a rule he is soft-spoken, leaning in to the drivers window to conversate, to explain, his expression baggy with patience, going eye to eye as if to make sure what hes explicating here is being digested, seemingly deaf to the obligatory sputtering, the misdemeanors of verbal abuse, but . . . if the driver says that one thing, goes one word over some invisible line, then without any change of expression, without any warning signs except maybe a slow straightening up, a sad/disgusted looking off, he steps back, reaches for the door handle, and the world as they knew it, is no more.

But this kid isnt too bad.

“This is for your own benefit. Get out of the car, please?”

As Lugo escorts the driver to the rear bumpers, Daley leans into the shotgun-seat window and tilts his chin at the passenger, this second kid sitting there affecting comatosity, heavy-lidded under a too big baseball cap and staring straight ahead as if they were still driving somewhere.

“So whats your story?” Daley says, opening the passenger door,

offering this one some sidewalk too, as Geohagan, all tatted out in Celtic braids, knots, and crosses leans in to search the glove com-

partment, the cup caddy, the tape storage bin, Scharf taking the rear seats.

Back at the rear bumpers, the driver stands in a scarecrow T looking off soul-eyed as Lugo, squinting through his own cigarette smoke, fingerwalks his pockets, coming up with a fat roll of twenties.

“This a lot of cheddar, cuz,” counting it, then stuffing it in the kids shirt pocket before continuing the patdown.

“Yeah, well, thats my college tuition money.”

“What the fuck college takes cash?” Lugo laughs, then finished, gestures to the bumper. “Have a seat.”

“Burke Technical in the Bronx? Its new.”

“And they take cash?”

“Moneys money.”

“True dat.” Lugo shrugs, just waiting out the car search. “So whats your major?”

“Furniture management?”

“You ever been locked up before?”

“Cmon, man, my uncles like a detective in the Bronx.”

“Like a detective?”

“No. A detective. He just retired.”

“Oh yeah? What precinct?”

“I dont know per se. The Sixty-ninth?”

“The fighting Sixty-ninth,” Geohagan calls out, feeling under the passenger seat now.

“There is no Sixty-ninth,” Lugo says, flicking his butt into the gutter.

“Sixty-something. I said I wasnt sure.”

“Whats his name.”

“Rodriguez?”

“Rodriguez in the Bronx? That narrows it down. Whats his first name?”

“Narcisso?”

“Dont know him.”

“Had a big retirement party?”

“Sorry.”

“I been thinking of trying out for the Police Academy myself.”

“Oh yeah? Thats great.”

“Donnie.” Geohagan backs out of the passenger door, holds up a Zip-loc of weed.

“Because we need more fuckin smokehounds.”

The kid closes his eyes, tilts his chin to the stars, to the moon over Delancey.

“His or yours.” Lugo gestures to the other kid on the sidewalk, face still blank as a mask, his pockets strewn over the car hood. “Somebody needs to say or you both go.”

“Mine,” the driver finally mutters.

“Turn around, please?”

“Oh man, you gonna lock me up for that?”

“Hey, two seconds ago you stepped up like a man. Stay with that.”

Lugo cuffs him then turns him forward again, holding him at arms length as if to assess his outfit for the evening. “Anything else in there? Tell us now or well rip that shitbox to shreds.”

“Damn, man, I barely had that.”

“All right then, just relax,” guiding him back down to the bumper as the search continues nonetheless.

The kid looks off, shakes his head, mutters, “Sorry ass.”

“Excuse me?”

“Nah, Im just saying”—pursing his mouth in self-disgust—“not about you. ”

Geohagan comes back with the baggie, hands it over.

“OK, look.” Lugo lights another cigarette, takes a long first drag. “This? We could give a fuck. Were out here on a higher calling.” He nods at a passing patrol car, something the driver said making him laugh. “You know what Im saying?”

“More serious shit?”

“There you go.”

“Thats all I got.”

“Im not taking about what you got. Im talking about what you know.”

“What I know?”

“You know what Im saying.”

They both turn and look off in the direction of the East River, two guys having a moment, one with his hands behind his back.

Finally, the kid exhales heavily. “Well, I can tell you where a weed spot is.”

“Youre kidding me, right?” Lugo rears back. “Ill tell you where a weed spot is. Ill tell you where fifty is. I can get you better shit than this for half what you paid seven days a week with blindfolds on.”

The kid sighs, tries not to look at the barely curious locals coming out of the Banco de Ponce ATM center and the Dunkin Donuts, the college kids hopping in and out of taxis.

“Cmon. Do right by me, Ill do right by you.” Lugo absently tosses the baggie from hand to hand, drops it, picks it up.

“Do right like how?”

“I want a gun.”

“A what? I dont know a gun.”

“You dont have to know a gun. But you know someone who knows someone, right?”

“Aw, man . . . ”

“For starters, you know who you bought this shit from, right?”

“I dont know any guns, man. You got forty dollars a weed there. I paid for it with my own money, cause it helps me relax, helps me party. Everybody I know is like, go to work, go to school, get high. Thats it.”

“Huh . . . so like, theres no one you could call, say, ‘Yo, I just got jacked in the PJs. I need me a onetime whistle, can I meet you at such and such? ”

“A whistle?”

Lugo makes a finger gun.

“You mean a hammer?”

“A hammer, a whistle . . . ” Lugo turns away and tightens his ponytail.

“Pfff . . .” The kid looks off, then, “I know a knife.”

Lugo laughs. “My mother has a knife.”

“This ones used.”

“Forget it.” Then, chin-tilting to the other kid: “What about your sidekick there.”

“My cousin? Hes like half-retarded.”

“How about the other half?”

“Aw, cmon.” The driver lolls his head like a cow.

Another patrol car rolls up, this one to pick up the prisoner.

“All right, just think about it, OK?” Lugo says. “Ill see you back in holding in a few hours.”

“What about my car?”

“Gilbert Grape there, hes got a license?”

“His brother does.”

“Well then tell him to call his brother and get his ass down here before you wind up towed.”

“Damn.” Then calling out: “Raymond! You hear that?”

The cousin nods but makes no move to retrieve his cell phone from the car hood.

“So you never answered my question,” Lugo says, skull-steering him into the rear of the cruiser. “You ever been locked up before?”

The kid turns his head away, murmurs something.

“Its OK, you can tell me.”

“I said, ‘Yes. ”

“For?”

The kid shrugs, embarrassed, says, “This.”

“Yeah? Around here?”

“Uh-huh.”

“How long back?”

“On Christmas Eve.”

“On Christmas Eve for this?” Lugo winces. “That is cold. Who the hell would . . . You remember who collared you?”

“Uh-huh,” the kid mutters, then looks Lugo in the face. “You.”

An hour later, with the kid on ice back at the Eighth, good for another hour or twos worth of gun-wrangling, which would probably go nowhere, and a few more hours worth of processing for Daley, the arresting officer, Daley good and taken care of, they were out again looking to get one for Scharf, a last-call drive-around before settling on one of the local parks for an if-all-else-fails post-midnight curfew rip.

Turning south off Houston onto Ludlow for the fiftieth time that night, Daley sensed something in the chain-link shadows below Katzs Deli, nothing he could put his finger on, but . . . “Donnie, go around.”

Lugo whipped the taxi in a four-block square: Ludlow to Stanton, to Essex, to Houston, creeping left onto Ludlow again, just past Katzs, only to come abreast of a parked car full of slouched-down plainclothes from Borough Narcotics, the driver eyeballing them out of there: This is our fishing hole.

 
 

Excerpted from Lush Life by Richard Price. Copyright © 2008 by Richard Price. Published in March 2008 by Farrar, Straus and Giroux, LLC. All rights reserved.

Product Details

ISBN:
9780374299255
Subtitle:
A Novel
Author:
Price, Richard
Author:
Cannavale, Bobby
Publisher:
Macmillan Audio
Subject:
Police
Subject:
Lower East Side (New York, N.Y.)
Subject:
General
Subject:
General Fiction
Subject:
Mystery fiction
Subject:
Literature-A to Z
Subject:
Literary
Copyright:
Edition Description:
Trade paper
Publication Date:
March 4, 2008
Binding:
Electronic book text in proprietary or open standard format
Grade Level:
A)</DIV><DIV>&#160;</DIV><DIV>"His prose has never
Language:
English
Illustrations:
13 hours, 11 CDs
Pages:
480
Dimensions:
9.00 x 6.00 in

Other books you might like

  1. The Reserve: A Novel Used Hardcover $5.95
  2. In the Devil's Territory: Stories
    Used Trade Paper $11.95
  3. Tree of Smoke
    Used Trade Paper $3.50
  4. City of Thieves
    Used Trade Paper $7.95
  5. Beautiful Children: A Novel
    Used Hardcover $3.50
  6. Samaritan Used Hardcover $3.50

Related Subjects

Fiction and Poetry » Literature » A to Z
Fiction and Poetry » Mystery » A to Z

Lush Life: A Novel Used Hardcover
0 stars - 0 reviews
$5.50 In Stock
Product details 480 pages Farrar, Straus and Giroux - English 9780374299255 Reviews:
"Publishers Weekly Review" by , "Master of the Bronx and Jersey projects, Price (Clockers) turns his unrelenting eye on Manhattan's Lower East Side in this manic crescendo of a novel that explores the repercussions of a seemingly random shooting. When bartender Ike Marcus is shot to death after barhopping with friends, NYPD Det. Matty Clark and his team first focus on restaurant manager and struggling writer Eric Cash, who claims the group was accosted by would-be muggers, despite eyewitnesses saying otherwise. As Matty grills Eric on the still-hazy details of the shooting, Price steps back and follows the lives of the alleged shooters — teenagers Tristan Acevedo and Little Dap Williams, who live in a nearby housing project — as well as Ike's grieving father, Billy, who hounds the police even as leads dwindle. As the intersecting narratives hurtle toward a climax that's both expected and shocking, Price peels back the layers of his characters and the neighborhood until all is laid bare. With its perfect dialogue and attention to the smallest detail, Price's latest reminds readers why he's one of the masters of American urban crime fiction. Author tour. (Mar.)" Publishers Weekly (Starred Review) (Copyright Reed Business Information, Inc.)
"Review A Day" by , "...Lush Life remains a vivid study of contemporary urban landscape. Price's knowledge of his Lower East Side locale is positively synoptic, from his take on its tenements, haunted by the ghosts of the Jewish dead and now crammed with poor Asian laborers, to the posh clubs and restaurants, where those inclined can drink 'a bottle of $250 Johnnie Walker Blue Label' or catch 'a midnight puppet porno show.'" (read the entire Washington Post Book World review)
"Review A Day" by , "Lush Life is a good, worthwhile, and in many ways satisfying novel. No matter how routinely and highly praised it may be, Price's ear for dialogue, his ability to capture and reproduce the rhythm, tone, and evanescent vocabulary of urban life, cannot be overpraised: with all due respect to Elmore Leonard, Price is our best, one of the best writers of dialogue in the history of American literature." (read the entire New York Review of Books review)
"Review" by , "The method employed by Dostoevsky in Crime and Punishment serves Price's purpose — and then some — in his wrenching eighth novel....There oughta be a law requiring Richard Price to publish more frequently. Because nobody does it better. Really. No time, no way."
"Review" by , "Price's investigation is no mere police procedural, scouring away layers of self-defense in all of his vividly drawn characters. Such is his talent that we care about them all equally....[M]aking the streets safe for the cafe crowd has its hidden cost — and no one shows that better than Price."
"Review" by , "No one writes better dialogue than Richard Price....[H]is most powerful and galvanic work yet, a novel that showcases his sympathy and his street cred and all his skills as a novelist and screenwriter..."
"Review" by , "[O]utstanding....[T]his big, powerful novel belongs to all of [the characters], and, like The Wire, its real protagonist is the complicated, tragic, and endlessly fascinating American city street. (Grade: A)"
"Review" by , "Reading Lush Life...is a lot like watching a great movie, with the author as director and cameraman....Price's people talk with the flair and rhythms of real speech...giving his books a soundtrack you hear as much as read."
"Review" by , "A compelling urban drama....The book, which doesn't lag for even a sentence, is a dialogue-driven, thoroughly riveting examination of how an investigation unfolds and the emotional toll it takes on everyone involved."
"Review" by , "Lush Life is vivid, authentic, beautiful and rugged....If you don't know Price yet, this book is a great entry. You'll leave the space most authors occupy and move into the realm of masterpiece."
"Review" by , "Richard Price is the greatest writer of dialogue, living or dead, this country has ever produced. Wry, profane, hilarious, and tragic, sometimes in a single line, Lush Life is his masterwork. I doubt anyone will write a novel this good for a long, long time."
"Review" by , "With Lush Life Richard Price has become our post-modern American Balzac. Except that he's a whole lot funnier than Balzac and writes the language we hear and speak better than any novelist around, living or dead, American or French. He's a writer I hope my great-grandchildren will read, so they'll know what it was like to be truly alive in the early 21st century."
"Review" by , "This is it, folks. The novel about gentrified New York, circa right now, that we've been waiting for. Richard Price understands what's happened to our beloved city, he writes dialogue like a genius, and he absolutely, genuinely cares. Unforgettable."
"Review" by , "Price has been around for what seems like forever, but there's a reason we still read him. Because every sentence is a pleasure. Because he never puts a foot wrong, and never lingers. He takes just enough time to make you care."
"Review" by , "[A]n acidly funny and hugely successful attempt to get everything that's happening in the city today between two covers....Lush Life covers familiar ground without romancing any of it; it's so vivid and real, it's like Rent as rewritten by Balzac."
"Review" by , "It's a big story, but Price isn't much for symphonic flourishes or noisy statements of theme....Like the Jacob Riis photographs Price consistently references, the urban portrait of Lush Life is disarming, but it compels you to look closer."
"Review" by , "[A] story that ripples with tension, marked by jump cuts, parallel narratives and razor-sharp dialogue. Of all the developments in Price's fiction, this may be the most striking: the clarity of the construction, the precision with which his characters interact."
"Review" by , "[A] dark and edgy anatomy of a murder and its unraveling....The ultimate literary realist, Price tells a story that, as neatly as a black-and-white photo, shows all the shades of gray in our urban landscapes."
"Synopsis" by , In Lush Life, Price tears the shiny veneer off the "new" New York to show the underground networks of control and violence beneath the glamour.
"Synopsis" by ,
From a great American realist--the author of Clockers and co-writer of The Wire--a riveting story of two urban worlds in collision
"Synopsis" by ,
So, what do you do?" Whenever people asked him, Eric Cash used to have a dozen answers. Artist, actor, screenwriter . . . But now he's thirty-five years old and he's still living on the Lower East Side, still in the restaurant business, still serving the people he wanted to be. What does Eric do? He manages. Not like Ike Marcus. Ike was young, good-looking, people liked him. Ask him what he did, he wouldn't say tending bar. He was going places--until two street kids stepped up to him and Eric one night and pulled a gun. At least, that's Eric's version.

In Lush Life, Richard Price tears the shiny veneer off the "new" New York to show us the hidden cracks, the underground networks of control and violence beneath the glamour. Lush Life is an Xray of the street in the age of no broken windows and "quality of life" squads, from a writer whose "tough, gritty brand of social realism . . . reads like a movie in prose" (Michiko Kakutani, The New York Times).

"Synopsis" by ,
"So, what do you do?" Whenever people asked him, Eric Cash used to have a dozen answers. Artist, actor, screenwriter...But now he's thirty-five years old and he's still living on the Lower East Side, still in the restaurant business, still serving the people he always wanted to be. What does Eric do? He manages. Not like Ike Marcus. Ike was young, good-looking, people liked him. Ask him what he did, he wouldn't say tending bar. He was going places--until two street kids stepped up to him and Eric on Eldridge Street one night and pulled a gun. At least, that's Eric's version.

In Lush Life, Richard Price tears the shiny veneer off the "new" New York to show us the hidden cracks, the underground networks of control and violence beneath the glamour. Lush Life is an X-ray of the street in the age of no broken windows and "quality of life" squads, from a writer whose "tough, gritty brand of social realism...reads like a movie in prose" (Michiko Kakutani, The New York Times).

spacer
spacer
  • back to top
Follow us on...




Powell's City of Books is an independent bookstore in Portland, Oregon, that fills a whole city block with more than a million new, used, and out of print books. Shop those shelves — plus literally millions more books, DVDs, and gifts — here at Powells.com.