This is Real Life Sale

Special Offers see all

Enter to WIN a $100 Credit

Subscribe to
for a chance to win.
Privacy Policy

Visit our stores

    Recently Viewed clear list

    The Powell's Playlist | March 13, 2015

    Kent Russell: IMG Kent Russell's Playlist for I Am Sorry to Think I Have Raised a Timid Son

    I don't listen to music while I write. Frankly, I don't see how anyone can. Since all style is rhythm, and since I cannot write anything that's as... Continue »
    1. $17.47 Sale Hardcover add to wish list

Qualifying orders ship free.
Used Hardcover
Ships in 1 to 3 days
Add to Wishlist
Qty Store Section
1 Hawthorne AMERC- WEST

More copies of this ISBN

Blood and Thunder: An Epic of the American West


Blood and Thunder: An Epic of the American West Cover

ISBN13: 9780385507776
ISBN10: 0385507771
Condition: Standard
Dustjacket: Standard
All Product Details

Only 1 left in stock at $11.50!



Author Q & A

In conversation with Hampton Sides, author of BLOOD AND THUNDER

How did you come to this story?

I never in a million years thought I’d write a Western! But five years ago, I went to the national cemetery here in Santa Fe where I live. It’s a mini-Arlington, with those immaculate white gravestones of veterans who fought in Vietnam, Korea, World War II, and on back. In the oldest and least visited part of the cemetery, you find men who died fighting “the savages.” Just rows upon rows of soldiers who perished in the Indian Wars. And I thought, these men probably had the same good qualities we celebrate in other soldiers from other wars. They were brave. They did their duty. But they fought in a war we now consider immoral. I stood there wondering, who were they? And how should we honor their sacrifice? I decided to write about the early Indian wars of the western frontier, in what I call the “pre-West.” It was an interesting time when the Western clichés had not yet solidified. There were no stage coaches or Stetson hats, no Colt six-shooters or cattle drives. America was just beginning to make its imprint.

How did you get from there to your central character, Kit Carson?

That was easy–all narrative roads led to this one man, the ultimate “pre-Westerner.” Out here in the West, Carson is like a jack-in-the box. Towns, rivers, and forests are named after him–not to mention dry cleaners, RV parks, and don’t-tell motels. The capital of Nevada, Carson City, bears his name. I had thought of him as a fictional character, a fabled gunslinger, or a stage character in a Wild West show. Little did I realize, the real Carson was far more interesting and far more important. This guy got around! He did everything there was to do in the West, and knew everybody. He was a fur trapper, buffalo hunter, scout, explorer, tracker, transcontinental courier, rancher, soldier, Indian agent–and finally a general. He did it all.

Why should we care about Kit Carson now?

Carson is one of those pivotal folk figures who invite reexamination. He was the “field agent” of Manifest Destiny, the guy who more than any other individual personified the American expansion into the West. Throughout most of the 1900s, historians who wrote about Carson and his times were emotionally invested in the idea that the western conquest was a glorious adventure led by a generation of mythically self-reliant pioneers. Then, by the 1960s, the pendulum had swung in the other direction. Dee Brown’s Bury My Heart At Wounded Knee and other histories painted the western expansion as a thoroughly shameful episode. All white pioneers were murderous land thieves; all Indians were noble environmentalists shrouded in golden mist. Now the pendulum has swung back to the middle, I think, and it’s possible for us to see the life of a controversial figure like Carson with the clarity of some dispassion.

Carson is the main character of Blood and Thunder, but is he the villain or the hero?

Both. By most classical definitions, Carson was heroic. He trekked unimaginable distances into dangerous wildernesses. He was modest about his exploits. Time and time again, he rescued people without expecting pay or recognition. He had physical grace and a sense of chivalry. He pulled stuff off you wouldn’t believe. Like some medieval knight, he was repeatedly called upon to slay dragons for the kingdom. The problem was, those “dragons” were often Native Americans. Carson played a key role in some of the more unfortunate collisions between the United States and the American Indian. Many Native Americans think of Carson as a genocidal maniac, right up there with Custer and Sheridan. A Navajo friend of mine told me, “We think of Kit Carson the way Jews think of Hitler.”

Was he really as bad as that?

I understand why the Navajos hate the man who conquered their nation. But for his day, Carson was quite enlightened on the subject of Indian policy. Back then, even sophisticated thinkers like Mark Twain were calling for their extermination. Carson had lived among Indians his whole life. He spoke seven Indian languages. His first wife was Arapaho. He knew first-hand that exposure to the white man was wiping the Indians off the map. And so he came to believe that the only alternative to their demise was to create reservations where formerly nomadic tribes could learn to live self-sufficiently without contamination from whites. Although it was tragically mishandled and horribly patronizing in its premise, that’s what Carson’s final campaign was about: To move the Navajos to a place where they could be “civilized” as an alternative to their own extinction.

If Carson isn’t the villain of Blood and Thunder, who is?

Brigadier General James Henry Carleton, Carson’s superior. He was the real architect of the Navajo campaign and just an absolutely insufferable prig. A stout New England Calvinist, he believed the Navajos had to become Christian farmers overnight. Carleton insisted that a Navajo reservation would not work anywhere on Navajo land–the entire tribe had to be rounded up and force-marched 400 miles to a place he had personally selected on the windswept plains near Texas. The Navajos called the resulting forced relocation “The Long Walk” and still talk about it as though it happened yesterday. Their migration was on a scale second only to the Trail of Tears of the Cherokee Indians. More than one-third of the Navajo people died in exile at this horrible place. If anyone was responsible for this tragedy, it was General Carleton.

Do you see resonances between Carson’s times and today?

In grade school we were taught the USA “never invaded a foreign country for land.” That’s just nonsense. The Mexican War, our first war of foreign intervention, resulted in an unbelievable expansion of our national domain. In 1846, an American army, guided by Kit Carson, marched across the continent and took most of the American West–just plain stole it! Suddenly we found ourselves nation-building in a mountainous desert, trying to make sense of this complicated patchwork of cultures and religions. We justified the conquest by saying we were spreading democracy to a benighted place. We believed our new subjects would welcome us as deliverers. It was all going to so easy! But we soon realized that we had no understanding of how intricate the cultures were. It was a cauldron of conflict, and yet we had pledged ourselves to the dangerous and expensive task of bringing it all under control. We were intensely naïve and intensely brutal. All of this seems very familiar to me.

Another fascinating resonance, for me, has to do with the current controversy over illegal immigration from Mexico. I think it’s interesting that the frontline states in this debate–California, Arizona, New Mexico, and Texas–are the very states we stole from Mexico. The people who get so bent out of shape about the Hispanicization of America conveniently forget that we crossed their borders long before they crossed ours. We forfeited our right to get worked up over this issue. Conquerors can’t be outraged!

Why did you choose to focus on the Navajos?

The Navajos are the largest tribe in the United States, living on the largest reservation. Yet most Americans know next to nothing about their relationship with the U.S. government. The popular conception of the Indian wars tends to focus on the Plains Tribes, particularly the Sioux. I thought this story begged for greater attention. Not only that, but Carson’s war against the Navajos–and their linguistic cousins, the Apaches–was couched in ways very similar to today’s war on terrorism. The Navajos and Apaches were often described as “terrorizing’ the countryside. They were successful raiders who stole women and children and livestock. And yet they were hard to catch. They lived in the shadows, in remote desert country riddled with canyons and caves. They were everywhere and nowhere–and they drove the military crazy.

What’s the image on the cover?

It’s a photogravure plate taken a hundred years ago by the famous photographer, Edward S. Curtis. Entitled “Before the Storm,” it’s a sepia-tone of Apaches on horseback in the mountains of the Southwest. Curtis was an extraordinary man who went around the West making pictures of Native Americans–the “vanishing race,” he called them. He was wrong about that of course–Indians have endured–but the traditions and lifeways he captured on film have changed dramatically.

Blood and Thunder also concerns the Civil War. How did you manage that in a Western?

It’s a little-known fact, but there were two extremely fierce Civil War battles out west, both of them fought in New Mexico. Kit Carson was there as usual, right in the middle of the action. He fought valiantly on the side of the Union. A rebel army of more than 3,000 soldiers had come up the Rio Grande from Texas, with an eye on seizing the goldfields of Colorado and eventually re-conquering most of the West for the Confederacy. It seemed like a quixotic mission, but the Texans actually succeeded in taking Santa Fe and hoisting the Rebel flag over the capital before they were finally repulsed. It was an important campaign. History would have played out very differently if the Texans had succeeded.

Are there similarities between Blood and Thunder and your last history, Ghost Soldiers?

When I finished Ghost Soldiers, people kept suggesting other World War II stories for me to write. But I was done with that war. I wanted to try another history that was radically different in place and time. Oddly enough, though, as I started this book, I found there was a compelling similarity in the story arc. As with Ghost Soldiers, the story of the Navajo conquest takes the form of a brutal siege, a surrender, a forced march, and a long captivity that ends in a bittersweet return home. As for stylistic similarities, much like Ghost Soldiers, I’ve tried to be inventive with the narrative structure, employing as much scene-painting and cross-cutting as possible, with different time-lines that inch closer together and finally intersect. And I’m afraid the “gross-out factor” is similarly high. The story of the “winning” of the West is every bit as brutal as Bataan–it’s violence on a Hobbesian scale. And so instead of samurai-style beheadings and tropical diseases, you have scalpings, corpse mutilations, Indian massacres, and extremely disgusting diets. People who liked the more gothic aspects of Ghost Soldiers will not be disappointed here.

How did you research this book?

It was an adventure keeping up with Kit Carson. I tried to go most everywhere he went, and that means pretty much the entire west. I drove the Santa Fe and Oregon Trails. I spent a lot of time on the Navajo Reservation, and in Taos, Carson’s home. I bounced around to a lot of old frontier forts– Bent’s Fort, Sutter’s Fort, Ft. Leavenworth. And of course, there was a lot of archival work to do–from Yale University to the Huntington Library. It kept me busy for five years.

Where does the title come from?

The first “Westerns” were cheaply produced pulp novels, almost like comic books, called “blood-and-thunders.” Starting in the late 1840s, Kit Carson appeared as the hero in many dozens of these blood-and-thunders. The publishers used his name and fictionalized his exploits without his permission and without paying him a cent. And ironically, because he was illiterate, Carson couldn’t even read these atrocious books that bore his name. He hated them, both for their wild inaccuracies and for the cheesy celebrity status they conferred on him without his consent. In his own lifetime, he became a kind of action figure hero. These hyperbolic books raised expectations that he spent the rest of his life trying to live down. I chose it as a title, because at its essence, this book examines the tension between the glorious myth and the brutal reality of Carson’s West.

What Our Readers Are Saying

Add a comment for a chance to win!
Average customer rating based on 3 comments:

Edward F., December 20, 2007 (view all comments by Edward F.)
As there has been so many comments about this book I will only say it is a fascinating account not only of Kit Carson's life including his faults but it is also a factual and detailed account of the Mormon's massacre (Mountain Meadows Massacre) of an entire wagon train of immigrants including women and children and then scattering their remains and belonging to make it appear as if it was caused by renegade Indians.

This massacre was denied by Mormon authorities for years until one of their own (an historian of Mormon faith) revealed it for the first time and was almost excommunicated for her efforts. This massacre, as Sides relates, was the brutal and cold blooded killing of hundreds and then denied for decades by the leaders of the Mormon faith.

The author did an outstanding job of presenting dry detailed facts about Indians; their leaders and their superstitions, Carson, individual military leaders and the Mormon faith and many other facets in a “can’t put it down book.” Good job!
Was this comment helpful? | Yes | No
(6 of 15 readers found this comment helpful)
Dee Churchill, February 25, 2007 (view all comments by Dee Churchill)
This is what history textbooks should be like in school. Not only does Sides scrupulously present the facts in an even-handed way that shows real people in all their complexity, he has the talent to make those facts fascinating to read. Learning should always be so painless and enjoyable. He has managed to present an overview of an important part of our national history that shows how events braided together in ways we perhaps did not previously recognize. At the same time, he has fleshed out the pattern with realistic portraits of the people who made the events happen. Most importantly, Sides has illustrated how difficult it is to truly understand the differences in cultures and how tragically we impact each other when we fail. Not only worth a read, it's worth a re-read.
Was this comment helpful? | Yes | No
(8 of 16 readers found this comment helpful)
Bill Pullmen, October 20, 2006 (view all comments by Bill Pullmen)
This is a beautifully written book that takes epic form in retelling the settling of the American southwest from 1820 through the 1860s. From the Mexican war to the removal of the Navajo from Canyon de Chelly, Hampton Sides writes an engaging account of the results of manifest destiny, showing both sides, warts and all. The white man, while seeming noble in purpose, is shown to have been lacking in honor, and while the Indians were certainly shafted time and again they had many of their own faults. Central to this story is the famous mountain man Kit Carson, a man of many contradictions: though extremely intelligent he was also illiterate; he could speak many of the native languages, understood the Indian ways, and even had Indian wives but he also participated in the slaughter and removal from their lands of these same Indians. The book also includes engaging portraits of many of the important figures of this time period: Stephen Watts Kearny, John Fremont, the Navajo warrior Narbona, and Senator Thomas Benton. Sides is even handed and honest in how he portrays all those involved. At times I felt I was reading fiction but this story is real! For a story about the modern west I have to recommend ?Across the High Lonesome.? I picked it up after seeing a recommendation from Larry McMurty and he was right!
Was this comment helpful? | Yes | No
(12 of 22 readers found this comment helpful)
View all 3 comments

Product Details

The Epic Life and Immortal Photographs of Edward Curtis
Sides, Hampton
Egan, Timothy
Houghton Mifflin Harcourt
United States - General
United States - 19th Century/Old West
Indians of north america
Frontier and pioneer life
Frontier and pioneer life -- West (U.S.)
West (U.S.) History 19th century.
US History-19th Century
Edition Description:
Publication Date:
October 3, 2006
Grade Level:
20 bandw throughout
9 x 6 in 9.99 lb

Other books you might like

  1. A Newer World: Kit Carson, John C.... Used Hardcover $10.95
  2. Rivers in the Desert: The Rise &... Used Hardcover $7.95
  3. Pacific Slope a History of California Used Trade Paper $4.95
  4. The New Country: A Social History of... Used Trade Paper $4.50
  5. A Walk in the Woods: Rediscovering... Used Trade Paper $5.95
  6. Alaska Used Trade Paper $6.50

Related Subjects

Featured Titles » History and Social Science
History and Social Science » Americana » Western States
History and Social Science » Native American » General Native American Studies
History and Social Science » Politics » General
History and Social Science » US History » 19th Century

Blood and Thunder: An Epic of the American West Used Hardcover
0 stars - 0 reviews
$11.50 In Stock
Product details 384 pages Doubleday Books - English 9780385507776 Reviews:
"Review A Day" by , "In the end, once all the land has been cleared, the Indians and Mexicans tamed, the United States united, there is Carson, a grizzled old man whose only want is to go home to his wife and kids. Whether you bemoan his actions or not, it's a truly American story about a soldier who got the job done." (read the entire Esquire review)
"Review" by , "[A]n engaging and exciting book. Sides engages readers with his fast-tempo, almost staccato-like chapters....[T]his great book is the finest telling of Manifest Destiny that has lasting impact on all of us in the American West."
"Review" by , "Like a Cinemascope western, Blood and Thunder abounds in colorful characters, bristles with incident and ravishes the eye with long, lingering pan shots of the great Southwest."
"Review" by , "Two related but not interdependent epic themes run through this book: the wresting of the Southwest and California away from Mexico to make them a part of the United States and efforts by the Navajo to protect their territory from inroads by Mexico and the United States."
"Review" by , "This work will be an excellent addition to collections on western history."
"Review" by , "[Sides'] fascinating work delivers...pulpy pleasures as it recounts America's expansionist war against Mexico in the 19th century. (Grade: A-)"
"Review" by , "The story of the American West has seldom been told with such intimacy and immediacy. Legendary figures like Kit Carson leap to life and history moves at a pulse-pounding pace—sweeping the reader along with it. Hampton Sides is a terrific storyteller."
"Review" by , "Sides brings life to this history through his excellent use of stories passed down by the Navajos and of original documents, including soldiers' journals, personal letters and battle reports."
"Review" by , "[E]ngrossing....Sides' keen observations are fresh and fairly impartial, weighing in with the flaws and failures of all sides involved in this pivotal period of America's expansion."
"Review" by , "Blood and Thunder is a full-blown history, and Sides does every part of it justice....By telling this story, Sides fills a conspicuous void in the history of the American West."
"Review" by , "Sides offers a beautifully written, mesmerizing account of...the quarter-century-long quest to explore the Western lands and build an American empire that would span sea to shining sea."
"Review" by , "Sides works material well-known to historians...into an unchallenging but informative narrative."
"Synopsis" by , Howand#160;a loneand#160;manand#8217;s epic obsession led to one of Americaand#8217;s greatest cultural treasures: Prize-winning writer Timothy Egan tells the riveting, cinematic story behind the most famous photographs in Native American history — and the driven, brilliant man who made them.
"Synopsis" by ,
How a lone manand#8217;s epic obsession led to one of Americaand#8217;s greatest cultural treasures: Prizewinning writer Timothy Egan tells the riveting, cinematic story behind the most famous photographs in Native American history and#8212; and the driven, brilliant man who made them.

Edward Curtis was charismatic, handsome, a passionate mountaineer, and a famous photographer, the Annie Leibovitz of his time. He moved in rarefied circles, a friend to presidents, vaudeville stars, leading thinkers. And he was thirty-two years old in 1900 when he gave it all up to pursue his Great Idea: to capture on film the continentand#8217;s original inhabitants before the old ways disappeared.

An Indiana Jones with a camera, Curtis spent the next three decades traveling from the Havasupai at the bottom of the Grand Canyon to the Acoma on a high mesa in New Mexico to the Salish in the rugged Northwest rain forest, documenting the stories and rituals of more than eighty tribes. It took tremendous perseverance and#8212; ten years alone to persuade the Hopi to allow him into their Snake Dance ceremony. And the undertaking changed him profoundly, from detached observer to outraged advocate. Eventually Curtis took more than 40,000 photographs, preserved 10,000 audio recordings, and is credited with making the first narrative documentary film. In the process, the charming rogue with the grade school education created the most definitive archive of the American Indian.

His most powerful backer was Theodore Roosevelt, and his patron was J. P. Morgan. Despite the friends in high places, he was always broke and often disparaged as an upstart in pursuit of an impossible dream. He completed his masterwork in 1930, when he published the last of the twenty volumes. A nation in the grips of the Depression ignored it. But today rare Curtis photogravures bring high prices at auction, and he is hailed as a visionary. In the end he fulfilled his promise: He made the Indians live forever.

"Synopsis" by , Praise for Blood and Thunder

“Kit Carson’s role in the conquest of the Navajo during and after the Civil War remains one of the most dramatic and significant episodes in the history of the American West. Hampton Sides portrays Carson in the larger context of the conquest of the entire West, including his frequent and often lethal encounters with hostile Native Americans. Unusually, Sides gives full voice to Indian leaders themselves about their trials and tribulations in their dealings with the whites. Here is a national hero on the level of Daniel Boone, presented with all of his flaws and virtues, in the context of American people’s belief that it was their Manifest Destiny to occupy the entire West.”

—Howard Lamar, Sterling Professor Emeritus of History, Yale University and editor of The New Encyclopedia of the American West

“The story of the American West has seldom been told with such intimacy and immediacy. Legendary figures like Kit Carson leap to life and history moves at a pulse-pounding pace—sweeping the reader along with it. Hampton Sides is a terrific storyteller.”

—Candice Millard, author of The River of Doubt

“Hampton Sides doesn't just write a book, he transports the reader to another time and place. With his keen sense of drama and his crackling writing style, this master storyteller has bequeathed us a majestic history of the Old West.”

—James Bradley, author of Flags of Our Fathers and Flyboys

Blood and Thunder is a big-hearted book whose subject is as expansive as they come. Hampton Sides tackles it with naked pleasure and narrative cunning: In his telling, the vast saga of America’s westward push has a logical center. The dusty town of Santa Fe becomes the nexus around which swirl the fortunes and strategies of a mixed set of serious overachievers, from Kit Carson, the original mountain man, to James K. Polk, the enigmatic president whose achievements, in the dreaded name of Manifest Destiny, were almost biblical in scope. Sides is alive to the exuberance and alert to the tragedy of the taking of the West.”

—Russell Shorto, author of Island at the Center of the World

“For a huge percentage of us immigrant Americans (those whose ancestors arrived after 1492), Hampton Sides fills a gaping hole in our knowledge of American history—a vivid account of how ‘The New Men’ swept away the thriving civilizations of the Native Americans in their conquest of the West.”

—Tony Hillerman

"BLOOD AND THUNDER is a balanced, thoughtful summary of the American conquistadors in the 19th century Southwest. Hampton Sides has re-created violent events and such inflammatory figures as Kit Carson without bias. Carefully researched, thoroughly enjoyable."


A Magnificent History of How the West Was Really Won—a Sweeping Tale of Shame and Glory

In the fall of 1846 the venerable Navajo warrior Narbona, greatest of his people’s chieftains, looked down upon the small town of Santa Fe, the stronghold of the Mexican settlers he had been fighting his whole long life. He had come to see if the rumors were true—if an army of blue-suited soldiers had swept in from the East and utterly defeated his ancestral enemies. As Narbona gazed down on the battlements and cannons of a mighty fort the invaders had built, he realized his foes had been vanquished—but what did the arrival of these “New Men” portend for the Navajo?

Narbona could not have known that “The Army of the West,” in the midst of the longest march in American military history, was merely the vanguard of an inexorable tide fueled by a self-righteous ideology now known as “Manifest Destiny.” For twenty years the Navajo, elusive lords of a huge swath of mountainous desert and pasturelands, would ferociously resist the flood of soldiers and settlers who wished to change their ancient way of life or destroy them.

Hampton Sides’s extraordinary book brings the history of the American conquest of the West to ringing life. It is a tale with many heroes and villains, but as is found in the best history, the same person might be both. At the center of it all stands the remarkable figure of Kit Carson—the legendary trapper, scout, and soldier who embodies all the contradictions and ambiguities of the American experience in the West. Brave and clever, beloved by his contemporaries, Carson was an illiterate mountain man who twice married Indian women and understood and respected the tribes better than any other American alive. Yet he was also a cold-blooded killer who willingly followed orders tantamount to massacre. Carson’s almost unimaginable exploits made him a household name when they were written up in pulp novels known as “blood-and-thunders,” but now that name is a bitter curse for contemporary Navajo, who cannot forget his role in the travails of their ancestors.

  • back to top


Powell's City of Books is an independent bookstore in Portland, Oregon, that fills a whole city block with more than a million new, used, and out of print books. Shop those shelves — plus literally millions more books, DVDs, and gifts — here at