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Original Essays | September 17, 2014

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Rereading Women: Thirty Years of Exploring Our Literary Traditions

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Rereading Women: Thirty Years of Exploring Our Literary Traditions Cover

 

Synopses & Reviews

Publisher Comments:

"We think back through our mothers if we are women," wrote Virginia Woolf. In this groundbreaking series of essays, Sandra M. Gilbert explores how our literary mothers have influenced us in our writing and in life. She considers the effects of these literary mothers by examining her own history and the work of such luminaries as Charlotte Bront

Review:

"The Madwoman in the Attic, a reading of 19th-century women writers, which Gilbert co-wrote with Susan Gubar in 1979, was a landmark of second-wave feminism. It serves as a jumping-off point for this collection of essays spanning three decades and reflecting Gilbert's continuing insights. Most of the initial entries in this volume flow from Gilbert's personal experiences in the forefront of the feminist movement. In 'A Fine, White Flying Myth' she discusses the work of Sylvia Plath in light of her own tenure as a guest editor of Mademoiselle four years after Plath had been in that same position in the 1950s. Gilbert speaks of Emily Dickinson's self-mythologizing in order to transform 19th-century notions of womanhood and Jane Eyre as an 'an unprecedentedly passionate heroine' who decides to cast off her Christian piety and accept a 'hedonistic theology of love.' Gilbert's close reading of the writers she calls 'our literary mothers' — George Eliot, Charlotte Brontë, Elizabeth Barrett Browning, Edith Wharton, Plath, Frances Hodgson Burnett, and others — is persuasive though somewhat pedantic. While it may not appeal to the general reader, this collection contains enough authoritatively reasoned and provocative arguments to make it a candidate for the very women's studies courses Gilbert herself pioneered. (May)" Publishers Weekly (Copyright PWyxz LLC)

Synopsis:

A collection of essays that reexamine literature through a feminist gaze from "one of our most versatile and gifted writers" (Joyce Carol Oates).

About the Author

Sandra M. Gilbert has published numerous volumes of criticism, including, most recently, Death's Door: Modern Dying and the Ways We Grieve, as well as eight collections of poetry and a memoir. She is coeditor (with Susan Gubar) of The Norton Anthology of Literature by Women and a recipient of the National Book Critics Circle's Ivan Sandrof Lifetime Achievement Award. A Distinguished Professor of English emerita at the University of California, Davis, she lives in Berkeley, California.

Product Details

ISBN:
9780393067644
Author:
Gilbert, Sandra M
Publisher:
W. W. Norton & Company
Author:
Gilbert, Sandra M.
Subject:
Women Authors
Subject:
Literary Criticism : General
Publication Date:
20110531
Binding:
HARDCOVER
Language:
English
Pages:
380
Dimensions:
9.25000 x 6.12500 in

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Related Subjects

Business » General
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History and Social Science » Gender Studies » Womens Studies
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History and Social Science » World History » General
Humanities » Literary Criticism » General

Rereading Women: Thirty Years of Exploring Our Literary Traditions Used Hardcover
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Product details 380 pages W. W. Norton & Company - English 9780393067644 Reviews:
"Publishers Weekly Review" by , "The Madwoman in the Attic, a reading of 19th-century women writers, which Gilbert co-wrote with Susan Gubar in 1979, was a landmark of second-wave feminism. It serves as a jumping-off point for this collection of essays spanning three decades and reflecting Gilbert's continuing insights. Most of the initial entries in this volume flow from Gilbert's personal experiences in the forefront of the feminist movement. In 'A Fine, White Flying Myth' she discusses the work of Sylvia Plath in light of her own tenure as a guest editor of Mademoiselle four years after Plath had been in that same position in the 1950s. Gilbert speaks of Emily Dickinson's self-mythologizing in order to transform 19th-century notions of womanhood and Jane Eyre as an 'an unprecedentedly passionate heroine' who decides to cast off her Christian piety and accept a 'hedonistic theology of love.' Gilbert's close reading of the writers she calls 'our literary mothers' — George Eliot, Charlotte Brontë, Elizabeth Barrett Browning, Edith Wharton, Plath, Frances Hodgson Burnett, and others — is persuasive though somewhat pedantic. While it may not appeal to the general reader, this collection contains enough authoritatively reasoned and provocative arguments to make it a candidate for the very women's studies courses Gilbert herself pioneered. (May)" Publishers Weekly (Copyright PWyxz LLC)
"Synopsis" by , A collection of essays that reexamine literature through a feminist gaze from "one of our most versatile and gifted writers" (Joyce Carol Oates).
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