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Saving Fish from Drowning


Saving Fish from Drowning Cover

ISBN13: 9780399153013
ISBN10: 0399153012
Condition: Standard
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A Brief History of My Shortened Life

It was not my fault. If only the group had followed my original itinerary without changing it hither, thither, and yon, this debacle would never have happened. But such was not the case, and there you have it, I regret to say.

“Following the Buddh‛s Footstep” is what I named the expedition. It was to have begun in the southwestern corner of China, in Yunnan Province, with vistas of the Himalayas and perpetual spring flowers, and then to have continued south on the famed Burma Road. This would allow us to trace the marvelous influence of various religious cultures on Buddhist art over a thousand years and a thousand miles¬—a fabulous journey into the past. As if that were not enough appeal, I would be both tour leader and personal docent, making the expedition a truly value-added opportunity. But in the wee hours of December 2nd, and just fourteen days before we were to leave on our expedition, a hideous thing happened...I died. There. ‛ve finally said it, as unbelievable as it sounds. I can still see the tragic headline:“Socialite Butchered in Cult Slaying”

The article was quite long: two columns on the left-hand side of the front page, with a color photo of me covered with an antique textile, an exquisite one utterly ruined for future sale.

The report was a terrible thing to read:“The body of Bibi Chen, 63, retail maven, socialite, and board member of the Asian Art Museum, was found yesterday in the display window of her Union Square store, The Immortals, famed for its chinoiserie...” That odious word¬—“chinoiseri”¬—so belittling in a precious way. The article continued with a rather nebulous description of the weapon: a small, rakelike object that had severed my throat, and a rope tightened around my neck, suggesting that someone had tried to strangle me after stabbing had failed. The door had been forced open, and bloody footprints of size-twelve me‛s shoes led from the platform where I had died, then out the door, and down the street. Next to my body lay jewelry and broken figurines. According to one source, there was a paper with writing from a Satanic cult bragging that it had struck again.

Two days later, there was another story, only shorter and with no photo:“New Clues in Arts Patro‛s Death” A police spokesman explained that they had never called it a cult slaying. The detective had noted“a paper” meaning a newspaper tabloid, and when asked by reporters what the paper said, he gave the tabloi‛s headline:“Satanic Cult Vows to Kill Again” The spokesman went on to say that more evidence had been found and an arrest had been made. A police dog tracked the trail left by my blood. What is invisible to the human eye, the spokesman said, still contains“scent molecules that highly trained dogs can detect for as long as a week or so after the event” (My death was an event?) The trail took them to an alleyway, where they found bloodstained slacks stuffed in a shopping cart filled with trash. A short distance from there, they found a tent fashioned out of blue tarp and cardboard. They arrested the occupant, a homeless man, who was wearing the shoes that had left the telltale imprints. The suspect had no criminal record but a history of psychiatric problems. Case solved.

Or maybe not. Right after my friends were lost in Burma, the newspaper changed its mind again:“Shopkeepe‛s Death Ruled Freak Accident”

No reason, no purpose, no one to blame, just“freak” this ugly word next to my name forever. And why was I demoted to“shopkeepe”? The story further noted that DNA analysis of the ma‛s skin particles and those on both the blood-spattered trousers and the shoes confirmed that the man was no longer a suspect. So who had entered my gallery and left the prints? Was‛t it an obvious case of crime? Who, exactly, caused this freak accident? Yet there was no mention of a further investigation, shame on them. In the same article, the reporter noted“an odd coincidence” namely that“Bibi Chen had organized the Burma Road trip, in which eleven people went on a journey to view Buddhist art and disappeared” You see how they pointed the shaking finger of blame? They certainly implied it, through slippery association with what could not be adequately explained, as if I had created a trip that was doomed from the start. Pure nonsense.

The worst part about all of this is that I do‛t remember how I died. In those last moments, what was I doing? Whom did I see wielding the instrument of death? Was it painful? Perhaps it was so awful that I blocked it from my memory. I‛s human nature to do that. And am I not still human, even if ‛m dead?

The autopsy concluded that I was not strangled but had drowned in my own blood. It was ghastly to hear. So far none of this information has been of any use whatsoever. A little rake in my throat, a rope around my neck¬—this was an accident? Yo‛d have to be brainless to think so, as more than a few evidently were.

At the postmortem, photos were taken, especially of the awful part of my neck. My body was tucked into a metal drawer for future study. There I lay for several days, and then samples of me were removed¬—a swab of this, a sliver of that, hair follicles, blood, and gastric juices. Then two more days went by, because the chief medical examiner went on vacation in Maui, and since I was an illustrious person, of particular renown in the art world¬—and no, not just the retail community, as the San Francisco Chronicle suggested¬—he wanted to see me personally, as did esteemed people in the professions of crime and forensic medicine. They dropped by on their lunch hour to make ghoulish guesses as to what had happened to cause my premature demise. For days, they slid me in, they slid me out, and said brutish things about the contents of my stomach, the integrity of the vessels in my brain, my personal habits, and past records of my health, some being rather indelicate matters one would rather not hear discussed so openly among strangers eating their sack lunches.

In that refrigerated land, I thought I had fallen into the underworld, truly I did. The most dejected people were there¬—an angry woman who had dashed across Van Ness Avenue to scare her boyfriend, a young man who jumped off the Golden Gate Bridge and changed his mind halfway down, an alcoholic war vet who had passed out on a nude beach. Tragedies, mortal embarrassments, unhappy endings, all of them. But why was I there?

I was stuck in these thoughts, unable to leave my breathless body, until I realized that my breath was not gone but surrounding me, buoying me upward. It was quite amazing, really¬— every single breath, the sustenance I took and expelled out of both habit and effort over sixty- three years had accumulated like a savings account. And everyone els‛s as well, it seemed, inhalations of hopes, exhalations of disappointment. Anger, love, pleasure, hate¬—they were all there, the bursts, puffs, sighs, and screams. The air I had breathed, I now knew, was composed not of gases but of the density and perfume of emotions. The body had been merely a filter, a censor. I knew this at once, without question, and I found myself released, free to feel and do whatever I pleased. That was the advantage of being dead: no fear of future consequences. Or so I thought.

WHEN THE FUNERAL finally happened on December 11th, it was nearly ten days after I died, and without preservation I would have been compost. Nonetheless, many came to see and mourn me. A modest guess would be, oh, eight hundred, though I am not strictly counting. To begin, there was my Yorkshire terrier, Poochini, in the front row, prostrate, head over paws, sighing through the numerous eulogies. Beside him was my good friend Harry Bailley, giving him the occasional piece of desiccated liver. Harry had offered to adopt Poochini, and my executor readily agreed, since Harry is, as everyone knows, that famous British dog trainer on television. Perhaps yo‛ve seen his show¬—The Fido Files? Number-one ratings, and many, many Emmy Awards. Lucky little Poochini.

And the mayor came¬—did I mention?¬—and stayed at least ten minutes, which may not sound long, but he goes to many places in a day and spends far less time at most. The board members and staff of the Asian Art Museum also came to pay respects, nearly all of them, as did the docents I trained, year‛ and year‛ worth, plus the people who had signed up for the Burma Road trip. There were also my three tenants¬—the troublesome one, as well¬—and my darling repeat customers and the daily browsers, plus Roger, my FedEx man; Thieu, my Vietnamese manicurist; Luc, my gay haircolorist; Bobo, my gay Brazilian housekeeper; and most surprising to say, Najib, the Lebanese grocer from my corner market on Russian Hill, who called me“deari” for twenty-seven years but never gave me a discount, not even when the fruit had gone overripe. By the way, I am not mentioning people in any order of importance. This is simply how it is coming to me.

Now that I think of it, I would estimate that more than eight hundred people were there. The auditorium at the de Young Museum was crowded beyond belief, and hundreds spilled into the halls, where closed-circuit television monitors beamed the unhappy proceedings. It was a Monday morning, when the museum was usually closed, but a number of out-of-towners on Tea Garden Drive saw the funeral as a fine opportunity to sneak into the current exhibit, Silk Road Treasures from the Aurel Stein Expeditions, a testimony, in my opinion, to British Imperial plundering at the height of cupidity. When guards turned the interlopers away from the exhibits, they wandered over to my funeral f√™te, morbidly lured by copies of various obituaries that lay next to the guest book. Most of the papers gave the same hodgepodge of facts:“Born in Shanghai...Fled China with her family as a young girl in 1949...An alumna of Mills College and guest lecturer there, in art history...Proprietor of The Immortals...Board member of many organizations..” Then came a long list of worthy causes for which I was described as a devoted and generous donor: this league and that society, for Asian seniors and Chinese orphans, for the poor, the ill, and the disabled, for the abused, the illiterate, the hungry, and the mentally ill. There was an account of my delight in the arts and the substantial amounts I had given to fund artist colonies, the Youth Orchestra with the San Francisco Symphony, and the Asian Art Museum¬— the major recipient of my lagniappes and largesse, before and after death¬—which enthusiastically offered the unusual venue for my funeral, the de Young, in which the Asian was housed.

Reading the roster of my achievements, I should have been bursting with pride. Instead, it struck me as nonsensical. I heard a roar of voices coming from every bit of chatter from every dinner, luncheon, and gala I had ever attended. I saw a blur of names in thick, glossy programs, my own displayed in“Archangels” below those in the fewer-numbered and more favored“Inner Sanctum” to which that Yang boy, the Stanford dropout, always seemed to belong. Nothing filled me with the satisfaction I believed I would have at the end of my life. I could not say to myself:“That is where I was most special, where I was most important, and that is enough for a lifetime” I felt like a rich vagabond who had passed through the world, paving my way with gold fairy dust, then realizing too late that the path disintegrated as soon as I passed over it.

As to whom I had left behind, the obituary said,“There are no survivors” which is what is said of airplane crashes. And it was sadly true, all my family was gone¬—my father, of a heart attack; one brother, of alcoholic cirrhosis, although I was not supposed to mention that; the other brother a victim of a road-rage accident; and my mother, who passed from life before I could know her. I do‛t count my stepmother, Sweet Ma, who is still alive, but the less said about her the better.

The choice of an open-casket ceremony was my fault, the result of an unfortunate aside I had made to a group of friends at a tea-tasting party I had hosted at my gallery. You see, I had recently received a shi‛s container of fantastic items that I had found in the countryside of Hubei Province. Among them was a two-hundred-year-old lacquered coffin of paulownia wood made by a eunuch singer who had performed in palace theatricals. In death, most eunuchs, except those in the upper echelons of service, were given only the most perfunctory of burials, without ceremony, since their mutilated bodies were not fit to appear before spirit tablets in the temples. In yesteryears, people rich and poor prepared for the netherworld by making their coffins long before they ceased to hear the cock crowing the new day, and the fact that this eunuch was allowed to make such a grand coffin suggested that he was someon‛s pet¬—the prettier boys often were. Alas, this adored eunuch drowned while fishing along the Yangtze, and his body went sailing without a boat, swept away to oblivion. The eunuc‛s parents, in Longgang Township, to whom his possessions had been sent, faithfully kept the coffin in a shed, in hopes that their so‛s wayward corpse would one day return. The subsequent generations of this family grew impoverished by a combination of drought, extortion, and too many gifts to opera singers, all of which led to their losing face and their property. Years went by, and the new landowners would not go near the shed with the coffin, which was reputed to be haunted by a vampire eunuch. Derelict with neglect, the shed was covered with the dirt of winds, the mud of floods, and the dust of time.

Then, when a newly rich farmer started construction of a miniature golf course to adjoin his famil‛s two-story Swiss-style villa, the shed was unearthed. Amazingly, the coffin had only superficial rot and not much cracking from shrinkage; such is the quality of paulownia, which, though lightweight, is more durable than many harder woods. The exterior had more than fifty coats of black lacquer, as did its short four-legged stand. Beneath the grime, one could see that the lacquer bore whimsically painted carvings of sprites and gods and mythical beasts, as well as other magical motifs, and these were continued on the interior lid of the coffin as well. My favorite detail was a playful Tibetan spaniel on the portion of the lid that would have been opposite the corps‛s face. Having been protected from sunlight, the interior art on the lid was still exquisitely colored against the black lacquer. Neat bundles of paper lined the bottom, and I determined them to be a short history of the intended tenant of the coffin and the same ma‛s unpublished poems, tributes to nature, beauty, and¬—most intriguing¬—romantic love for a lady from her youth through premature death. Well, I presume it was a lady, though one never knows with some Chinese names, does one? The coffin contained two other objects: a smaller lacquer urn with the name of the eunuc‛s dog, the Tibetan spaniel, and a small ivory-rimmed box in which three calcified peas rattled about, said to be the eunuc‛s manhood and its two accompaniments.

I could immediately see the coffin was both a millstone and a treasure. I had a few clients¬— people in the film industry¬—who might have liked this sort of odd decorative piece, particularly if it still held the petrified peas. But the proportions were awkward. The top extended beyond the length of the coffin like the duck-billed prow of a ship. And it was monstrously heavy.

I asked the farmer to name his price, and he spit out a number that was a tenth of what I was mentally willing to pay.“Ridiculous” I said, and started to leave.“Hey, hey, hey” he shouted, and I turned back and uttered a sum that was one-third his initial offer. He doubled that, and I retorted that if he was so enamored of a dead ma‛s house, he should keep it. I then split the difference and said I wanted the infernal box only to store some surplus items I had bought, after which I would chop up the coffin for firewood.“It has lots of room for storage” the farmer boasted, and upped the ante a wee bit. I heaved the biggest sigh I could muster, then countered that he should make arrangements for his men to deliver it to Wuhan harbor for shipment with the rest of my brilliant bargains. Done! Voil

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Nahuatl, January 30, 2013 (view all comments by Nahuatl)
Super interesting, I could not put it down because of the intrigue, I love when stories are based on partly real facts while at the same time there is aspects you find hard to believe, like that the narrator is already dead but speaking from beyond.

You'll love it.
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Shoshana, December 30, 2009 (view all comments by Shoshana)
While not Tan's best, this was an enjoyable and relatively quick read. The narrator is the ghost of a woman who died shortly before she was to have lead a tour group to Burma. The group decides to go anyway but immediately begins changing her itinerary. The ghost follows them as their deviations put them in greater and greater danger. The narrative voice wavers at times, but Tan's use of this frame allows her to make observations and jokes that require a non-omniscient and sometimes politically incorrect voice. I found the novel sometimes poignant and often funny, in a ratio opposite of my usual reading of Tan.
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(2 of 3 readers found this comment helpful)
boannextra, November 22, 2009 (view all comments by boannextra)
At first I thought that the group of people who ended up disappearing must be the most clueless group of Americans who ever traveled abroad. Once I learned that the narrator, Bibi Chen, was also a fictional character, and the novel was a fantasy about what happens when a hapless group of Americans, through the best of intentions, but horribly unaware of others and other cultures, wind up lost in Burma/Myannmar - a country too often in the news for the brutality of its political suppression, I appreciated the novel much more. Tan effectively mixes a satirical sense of humor with very touching descriptions of how a repressed people are affected by the actions of a harsh regime.
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Product Details

Tan, Amy
Putnam Adult
Missing persons
Suspense fiction
Edition Number:
Edition Description:
Publication Date:
October 18, 2005
Grade Level:
from 12
9.28x6.34x1.52 in. 1.61 lbs.
Age Level:
from 18

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Fiction and Poetry » Literature » A to Z
Metaphysics » Fiction

Saving Fish from Drowning Used Hardcover
0 stars - 0 reviews
$9.95 In Stock
Product details 496 pages Putnam Publishing Group - English 9780399153013 Reviews:
"Staff Pick" by ,

Saving Fish from Drowning is a funny, almost magical look at group dynamics, altruism, and self-interest set against the beauty and repressive politics of Myanmar. Impressive and surprisingly moving.

"Publishers Weekly Review" by , "Tan (The Bonesetter's Daughter) delivers another highly entertaining novel, this one narrated from beyond the grave. San Francisco socialite and art-world doyenne Bibi Chen has planned the vacation of a lifetime along the notorious Burma Road for 12 of her dearest friends. Violently murdered days before takeoff, she's reduced to watching her friends bumble through their travels from the remove of the spirit world. Making the best of it, the 11 friends who aren't hung over depart their Myanmar resort on Christmas morning to boat across a misty lake — and vanish. The tourists find themselves trapped in jungle-covered mountains, held by a refugee tribe that believes Rupert, the group's surly teenager, is the reincarnation of their god Younger White Brother, come to save them from the unstable, militaristic Myanmar government. Tan's travelers, who range from a neurotic hypochondriac to the debonair, self-involved host of a show called The Fido Files, fight and flirt among themselves. While ensemble casting precludes the intimacy that characterizes Tan's mother-daughter stories, the book branches out with a broad plot and dynamic digressions. It's based on a true story, and Tan seems to be having fun with it, indulging in the wry, witty voice of Bibi while still exploring her signature questions of fate, connection, identity and family." Publishers Weekly (Starred Review) (Copyright Reed Business Information, Inc.)
"Review" by , "[Tan's] most politically astute and shrewdly satirical tale to date..."
"Review" by , "An extremely funny novel with serious undercurrents."
"Review" by , "The author's research ultimately smothers her story and characters. A pity, because this vividly imagined tale might very well have been her best yet."
"Review" by , "[A] strange and fascinating trip..."
"Review" by , "This is the perfect winter book....Rich with mystery and culture, this is a novel that will put you under its spell — under Tan's spell — and entertain you through a blizzard, a post-holiday escape, or just a long night of R and R."
"Review" by , "The novel...lacks the tender, intergenerational wisdom and delicate East-West insights of Tan's earlier work....Tan is a prodigious talent, but Saving Fish From Drowning needs its own search and rescue team."
"Review" by , "Tan's new book poses many of her familiar questions, but in unfamiliar ways."
"Review" by , "[A]ll Tan's trademark strengths — her lush language, her memorable characters, her wide-ranging curiosity about people and history — quickly come to the fore."
"Review" by , "Saving Fish from Drowning is a new sort of adventure for Tan, an assured step in a thrilling new direction....[A] grand comic and droll..."
"Review" by , "A hilarious yet politically charged tale....[A] rollicking, adventure-filled story."
"Synopsis" by , On an ill-fated art expedition into Burma, 11 Americans leave their Floating Island Resort for a Christmas-morning tour — and disappear. Through twists of fate, they encounter a tribe awaiting the return of a leader and the mythical book of wisdom that will protect them from the ravages of the Myanmar military regime.
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