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1 Hawthorne Literature- A to Z

The Master Signed 1st Edition

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The Master Signed 1st Edition Cover

 

 

Reading Group Guide

Reading Group Guide for The Master by Colm Toibin

1. In this book Colm Toibin makes the novelist Henry James a protagonist. Do you think the novel is more powerful because it's based on a significant historical figure? Would it be equally powerful and resonant if the central figure were invented?

2. The novel reveals Henry James as a dedicated and inspired writer who relishes the solitary confinement that a writer's life often demands. The reader discovers early on that Henry "wished for solitude and for the comfort of knowing that his life depended not on the multitude but on remaining himself"(page 23). Does Henry achieve his wish of staying true to himself? How might have Henry betrayed his true feelings/ longings?

3. After the terrible reception of Henry's play, "Guy Domville," the narrator states that "he now had to face the melancholy fact that nothing he did would ever be popular or generally appreciated"(page 32). Henry is prolific, nonetheless, producing volumes of work during his writing life. Would you consider Henry's life successful? Do you think he considered his life's work a success?

4. Henry never marries and seems to have little interest in women beyond friendship, but there are several curious interactions between him and Paul Joukovsky, the war veteran Holmes, the manservant Hammond, and the sculptor Andersen. Discuss Henry's ambivalence toward his sexuality. Why do you suppose he never fully acts on his sexual impulses? How might the Oscar Wilde scandal have affected him?

5. Alice James, Henry's sister, clings to her sickness like an occupation. Do you think Alice manipulates her sickness to evoke pity? Henry's sister-in-law, Alice, asserts that Alice and her caretaker, Miss Loring, shared a "sort of happiness together that is not mentioned in the Bible"(p.528) What do you make of her relationship with Miss Loring?

6. Both Henry's sister, Alice, and his cousin Minny Temple shared a witty intellect and a sharp tongue that was never silenced in the company of men. Henry's father has strong feelings about the role of women claiming that "It is a woman's job to be submissive"(p.152). What commentary does the novel make about women's roles during the late nineteenth century? Overall, how are women portrayed?

7. Many of Henry's stories and novels are inspired directly from people and events in his life such that reality often blurs into fiction.

8. Henry shared an interesting relationship with his mother, silently conspiring with her about his so-called illness. Why does Henry so easily fall into his prescribed role? Why do you think Henry's mother becomes so doting and over-protective of him?

9. Bob and Wilkie, Henry's brothers, go off to war while Henry and William are sent to school. Henry experiences guilt even though he knows "he was not cut out to be a soldier"(p.267). Discuss Henry's conflicted feelings about the war, his lack of participation, and his obvious admiration for the soldiers, especially his brothers, who fought.

10. William disliked England, claiming its people had "no spiritual life." Henry, on the other hand, felt that New England had "no flavour, no life to dramatise." So Henry traveled and lived abroad, using the European landscape and its people as muse for many of his novels and stories. Discuss the differences of attitude and society between America and its mother country, England, during this time.

11. After being so inspired by Hawthorne's work, Henry seeks to know more about the author and his life. His brother, Bob, assumes Hawthorne is a minister because he "thought only women wrote stories." Consequently, Henry publishes his first story anonymously. What do you make of the stigma attached to male writers of fiction?

12. Henry's relationship with Constance Fenimore Woolson was one of his most intimate. Yet when she attempts to get too close, Henry becomes reclusive. Her sadness compounds and she eventually commits suicide. Do you think Henry's absence and withdrawal lead to her death? Discuss his guilt associated with Constance's suicide.

13. After Henry allows the sister of his servant, Mrs. Smith, to coalesce in his home, the boundaries between servant and master become less stringent. Henry begins to doubt his authority, feeling that Mrs. Smith "had won some invisible battle with him which allowed her to make herself at home in other subtle ways in the household" (page 334). Describe Henry's relationship with his servants, and his strange inability to confront the situation.

14. Henry's American privilege allows him to travel Europe and socialize in elite European circles. What statements does the novel make about class? Compare the English ideas surrounding class with those of the Americans during the late 1800's.

15. William, Henry's eldest brother sees himself as a "practical man, a family man, a man who did not write fictions but gave lectures, an American man plain in his habits and arguments, representing gruff masculinity against his brother's effete style"(page 513). Discuss the sibling rivalry of sorts that exists between Henry and his eldest brother, William. What is William's opinion of Henry's lifestyle and career choice?

16. Henry prefers to maintain a polite distance between himself and his acquaintances. He was a keen listener and observer but was "not prepared to reveal the mind at work, the imagination, or depth of feeling"(page 366). Discuss the narrator's revelations about the mind and imagination of Henry James.

17. As Henry ages, the narrator makes it clear that, "He did not wish to be regarded as a fossil, but he also wanted to keep the past to himself, a prized and private possession"(page 451). How important are nostalgia and memory to the telling of Henry's story? Why do you think Henry was so guarded with himself and his past?

18. A good portion of the novel is told in flashback; the reader is almost always reliving a memory along with Henry. Do you find this style of narrative effective?

Product Details

ISBN:
9780743250405
Author:
Tóibín, Colm
Publisher:
Scribner Book Company
Author:
Toibin, Colm
Location:
New York
Subject:
Literary
Subject:
Fiction
Subject:
Authors
Subject:
England
Subject:
Americans
Subject:
Biographical fiction
Subject:
General Fiction
Subject:
Literature-A to Z
Copyright:
Edition Number:
1st Scribner ed.
Series Volume:
0969
Publication Date:
May 1, 2004
Binding:
HARDCOVER
Grade Level:
General/trade
Language:
English
Pages:
352
Dimensions:
9 x 6.12 in 19.67 oz

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Related Subjects

Fiction and Poetry » Literature » A to Z

The Master Signed 1st Edition Used Hardcover
0 stars - 0 reviews
$14.95 In Stock
Product details 352 pages Scribner Book Company - English 9780743250405 Reviews:
"Staff Pick" by ,

Reading The Master was an unexpected pleasure. I was not particularly attached to Henry James (though this novel has provoked a renewed interest), nor am I often fond of historical or biographical fiction. The Master surpasses such stereotypes. Toibin's depiction of James is a nuanced, emotional portrait of an almost unknowable figure — the artist in a life more imagined than lived. Toibin's pacing and prose are exquisite; his novel is a graceful, thoughtful meditation on writing and philosophy, as well as an astute exercise in psychology. Its resonance has continued all year long.

"Staff Pick" by ,

At the start of the 1900s, Henry James produced three masterpieces in as many years: first The Wings of the Dove, then The Ambassadors, and next The Golden Bowl. The Master introduces James six years prior, in January 1895, on the eve of his great public failure, as "Guy Domville" premieres on the London stage and wholly, horribly, flops.

"Nothing had prepared him for this," Tóibín writes. "For his friends, this night would be entered into the annals of the unmentionable, pages in which he had so studiously avoided having his name appear."

Nothing could be worse than that, to be exposed.

The Master is provocative, nuanced portraiture; Tóibín is a master himself at masking and unmasking, at revealing exactly what he must and nothing more. Luxuriously rendered, his fiction shares with that of James a wealth of piercing, precise observation; loaded, subtle gestures; and "exhilarating duplicities."

"Staff Pick" by ,

Toibin's novel imagines the inner life of great American writer, Henry James. The result is a profound and moving examination of the price and pleasures of the artistic impulse. I agree with National Book Award finalist Shirley Hazzard when she says Toibin "is himself a master of his art."

"Staff Pick" by ,

Reading The Master was an unexpected pleasure. I was not particularly attached to Henry James (though this novel has provoked a renewed interest), nor am I often fond of historical or biographical fiction. The Master surpasses such stereotypes. Toibin's depiction of James is a nuanced, emotional portrait of an almost unknowable figure — the artist in a life more imagined than lived. Toibin's pacing and prose are exquisite; his novel is a graceful, thoughtful meditation on writing and philosophy, as well as an astute exercise in psychology. Its resonance has continued all year long.

"Staff Pick" by ,

At the start of the 1900s, Henry James produced three masterpieces in as many years: first The Wings of the Dove, then The Ambassadors, and next The Golden Bowl. The Master introduces James six years prior, in January 1895, on the eve of his great public failure, as "Guy Domville" premieres on the London stage and wholly, horribly, flops.

"Nothing had prepared him for this," Tóibín writes. "For his friends, this night would be entered into the annals of the unmentionable, pages in which he had so studiously avoided having his name appear."

Nothing could be worse than that, to be exposed.

The Master is provocative, nuanced portraiture; Tóibín is a master himself at masking and unmasking, at revealing exactly what he must and nothing more. Luxuriously rendered, his fiction shares with that of James a wealth of piercing, precise observation; loaded, subtle gestures; and "exhilarating duplicities."

"Staff Pick" by ,

Toibin's novel imagines the inner life of great American writer, Henry James. The result is a profound and moving examination of the price and pleasures of the artistic impulse. I agree with National Book Award finalist Shirley Hazzard when she says Toibin "is himself a master of his art."

"Review A Day" by , "[T]he Irish novelist Colm Tóibín has written several subtly imagined works of fiction, including The Blackwater Lightship, which was short-listed for the 1999 Booker Prize. And, against all odds, he succeeds here. The Master is a small tour de force of a novel....[A] lovely portrait of the artist, rich in fictional truth." (read the entire Times Literary Supplement review)
"Review A Day" by , "Tóibín's work displays the kind of depth and sensitivity that few authors can offer — or demand. After all, writing a novel that captures Henry James is like deriving an equation that calculates Albert Einstein. It's an audacious attempt that manages to beat the master at his own game, while avoiding the perils of parody or sycophancy. The result is a beautiful, haunting portrayal that measures the amplitude of silence and the trajectory of a glance in the life of one of the world's most astute social observers." (read the entire Christian Science Monitor review)
"Review A Day" by , "Few writers have been so well written about as Henry James. Tóibín is a wise and rapacious citizen of the Jamesian universe, an excellent reader of the biographies and of the literary criticism. In the end, though, he does all those works a disservice. For the James whom he creates on the page is a man who seems so utterly real, a creature of such vitality and pain, that he threatens to obscure or to overwhelm the actual man. I imagine that James would have been horrified by such a quantity of vitality; but when in the future I think of James, it will be Colm Tóibín's." (read the entire New Republic review)
"Review" by , "There's little in Colm Tóibín's previous work, to some of which this reviewer has been immune or even mildly allergic, to prepare for the startling excellence of his new novel. The Master is a portrait of Henry James that has the depth and finish of great sculpture."
"Review" by , "A formidably brilliant performance."
"Review" by , "Even the reader who knows little about Henry James or his work can enjoy this marvelously intelligent and engaging novel, which presents not on a silver platter but in tender, opened hands a beautifully nuanced psychological portrait."
"Review" by , "The subtlety and empathy with which Tóibín inhabits James's psyche and captures the fleeting emotional nuances of his world are beyond praise....Far more than a stunt, this is a riveting, if inevitably somewhat evasive, portrait of the creative life."
"Review" by , "This is an audacious, profound, and wonderfully intelligent book."
"Review" by , "In The Master, Colm Tóibín takes us almost shockingly close to the soul of Henry James and, by extension, to the mystery of art itself. It is a remarkable, utterly original book."
"Review" by , "A deep, lovely, and enthralling book that engages with the disquiet and drama of a famous writing life: splendidly conceived and composed by a writer who is himself a master of his art."
"Review" by , "Tóibín's enthralling novel displays — in a manner that is masterly — the wit and metaphorical flair, psychological subtlety and phrases of pouncing incisiveness with which a great novelist captured the nuances of consciousness and duplicities of society."
"Review" by , "If Leon Edel's five-volume life of Henry James is the literary equivalent of a vast but perfectly articulated symphony, this novel can best be described as a series of brilliant études based on themes derived from it."
"Review" by , "[S]crupulously researched and artfully rendered....Tóibín excels at showing us...the connections between James's life and his fictional oeuvre. Highly recommended."
"Review" by , "Henry James, the greatest observer we have, is now made to observe himself in this meditation that is, oddly, both Olympian and troubled. Colm Tóibín has a perfect understanding of the greatest of all American writers and accompanies him to Rome, Newport, Paris, Florence, the London of Oscar Wilde. Nothing about this book, however, feels piecemeal or improvised; it is a sustained performance worthy of the Master."
"Review" by , "Superbly controlled... this novel is a masterful, unshowy meditation on work, ambition, friendship, longing and mortality."
"Review" by , "The Master is unquestionably the work of a first-rate novelist."
"Synopsis" by , It is January 1895 and Henry James's play Guy Domville, from which he hoped to make a fortune, has failed on the London stage. The Master opens with this disaster and takes James through the next five years, as having found his dream retreat, he moves to Rye in Sussex. It is there he writes his short masterpiece, The Turn of the Screw, in which he used much of his own life as an exile in England and a member of one of the great eccentric American families. He is impelled by the need to work and haunted by sections of his own past, including his own failure to fight in the American Civil War, the golden summer of 1865, and the death of his sister Alice. He is watchful and witty, relishing the England in which he has come to live and regretting the New England he has left.
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