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The Miraculous Journey of Edward Tulane


The Miraculous Journey of Edward Tulane Cover

ISBN13: 9780763625894
ISBN10: 0763625892
Condition: Standard
Dustjacket: Standard
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Once, in a house on Egypt Street, there lived a rabbit who was made almost entirely of china. He had china arms and china legs, china paws and a china head, a china torso and a china nose. His arms and legs were jointed and joined by wire so that his china elbows and china knees could be bent, giving him much freedom of movement.

His ears were made of real rabbit fur, and beneath the fur, there were strong, bendable wires, which allowed the ears to be arranged into poses that reflected the rabbit?s mood - jaunty, tired, full of ennui. His tail, too, was made of real rabbit fur and was fluffy and soft and well shaped.

The rabbit?s name was Edward Tulane, and he was tall. He measured almost three feet from the tip of his ears to the tip of his feet; his eyes were painted a penetrating and intelligent blue.

In all, Edward Tulane felt himself to be an exceptional specimen. Only his whiskers gave him pause. They were long and elegant (as they should be), but they were of uncertain origin. Edward felt quite strongly that they were not the whiskers of a rabbit. Whom the whiskers had belonged to initially - what unsavory animal - was a question that Edward could not bear to consider for too long. And so he did not. He preferred, as a rule, not to think unpleasant thoughts.

Edward?s mistress was a ten-year-old, dark-haired girl named Abilene Tulane, who thought almost as highly of Edward as Edward thought of himself. Each morning after she dressed herself for school, Abilene dressed Edward.

The china rabbit was in possession of an extraordinary wardrobe composed of handmade silk suits. . . . Each pair of well-cut pants had a small pocket for Edward?s gold pocket watch. Abilene wound this watch for him each morning.

"Now, Edward," she said to him after she was done winding the watch, "when the big hand is on the twelve and the little hand is on the three, I will come home to you."

She placed Edward on a chair in the dining room and positioned the chair so that Edward was looking out the window and could see the path that led up to the Tulane front door. Abilene balanced the watch on his left leg. She kissed the tips of his ears, and then she left and Edward spent the day staring out at Egypt Street, listening to the tick of his watch and waiting.

Of all the seasons of the year, the rabbit most preferred winter, for the sun set early then and the dining-room windows became dark and Edward could see his own reflection in the glass. And what a reflection it was! What an elegant figure he cut! Edward never ceased to be amazed at his own fineness.

In the evening, Edward sat at the dining-room table with the other members of the Tulane family: Abilene; her mother and father; and Abilene?s grandmother, who was called Pellegrina. True, Edward?s ears barely cleared the tabletop, and true also, he spent the duration of the meal staring straight ahead at nothing but the bright and blinding white of the tablecloth. But he was there, a rabbit at the table.

Abilene?s parents found it charming that Abilene considered Edward real, and that she sometimes requested that a phrase or story be repeated because Edward had not heard it.

"Papa," Abilene would say, "I?m afraid that Edward didn?t catch that last bit."

Abilene?s father would then turn in the direction of Edward?s ears and speak slowly, repeating what he had just said for the benefit of the china rabbit. Edward pretended, out of courtesy to Abilene, to listen. But, in truth, he was not very interested in what people had to say. And also, he did not care for Abilene?s parents and their condescending manner toward him. All adults, in fact, condescended to him.

Only Abilene?s grandmother spoke to him as Abilene did, as one equal to another. Pellegrina was very old. She had a large, sharp nose and bright, black eyes that shone like dark stars. It was Pellegrina who was responsible for Edward?s existence. It was she who had commissioned his making, she who had ordered his silk suits and his pocket watch, his jaunty hats and his bendable ears, his fine leather shoes and his jointed arms and legs, all from a master craftsman in her native France. It was Pellegrina who had given him as a gift to Abilene on her seventh birthday.

And it was Pellegrina who came each night to tuck Abilene into her bed and Edward into his.

"Will you tell us a story, Pellegrina?" Abilene asked her grandmother each night.

"Not tonight, lady," said Pellegrina.

"When?" asked Abilene. "What night?"

"Soon," said Pellegrina. "Soon there will be a story."

And then she turned off the light, and Edward and Abilene lay in the dark of the bedroom.

"I love you, Edward," Abilene said each night after Pellegrina had left. She said those words and then she waited, almost as if she expected Edward to say something in return.

Edward said nothing. He said nothing because, of course, he could not speak. He lay in his small bed next to Abilene?s large one. He stared up at the ceiling and listened to the sound of her breath entering and leaving her body, knowing that soon she would be asleep. Because Edward?s eyes were painted on and he could not close them, he was always awake.

Sometimes, if Abilene put him into his bed on his side instead of on his back, he could see through the cracks in the curtains and out into the dark night. On clear nights, the stars shone, and their pinprick light comforted Edward in a way that he could not quite understand. Often, he stared at the stars all night until the dark finally gave way to dawn.

Copyright © 2006 by Kate DiCamillo

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Average customer rating based on 9 comments:

Snowwing1993, January 4, 2011 (view all comments by Snowwing1993)
This is my favorite book of all time. I read it once when I was little, and I'm only 14 now, but I've spent all of my Middle school time searching, and asking around, for the name of this book, when all I could remember was the end. Now that I've found it, I'm going to read it a thousand times. Finally finding this book again made me cry.
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(2 of 3 readers found this comment helpful)
bin05004, September 23, 2007 (view all comments by bin05004)
This is my favorite of Kate Dicamillo's wonderful stories. I was mesmerized by Edward's desire to return home. I read the story in one sitting and immediately made my entire family read it. It is one of our all-time favorites.
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minirabbit, September 17, 2007 (view all comments by minirabbit)
is there a spot where u can see the answers to the questions?
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(11 of 24 readers found this comment helpful)
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Product Details

Dicamillo, Kate
Candlewick Press (MA)
Ibatoulline, Bagram
Ibatoulline, Bagram
Peck, Richard
Cuevas, Michelle
DiCamillo, Kate
Morstad, Julie
Adventure and adventurers
Children's 9-12 - Literature - Classics / Contemporary
Toys, Dolls, & Puppets
Children's 4-8 - Literature / Classics
Social Issues - Emotions & Feelings
Action & Adventure - General
Fairy Tales & Folklore - Single Title
Children s-Adventure Stories
Animals - Mice Hamsters Guinea Pigs etc.
Animals - Birds
Science Fiction, Fantasy, & Magic
Edition Description:
Publication Date:
February 14, 2006
Grade Level:
from 2
8.25 x 5.5 in 1 lb
Age Level:

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Related Subjects

Children's » Action and Adventure » Adventure Stories
Children's » Animals » Rabbits
Children's » General
Children's » Middle Readers » General
Young Adult » Fiction » Social Issues » Emotions and Feelings

The Miraculous Journey of Edward Tulane Used Hardcover
0 stars - 0 reviews
$4.95 In Stock
Product details 224 pages Candlewick Press (MA) - English 9780763625894 Reviews:
"Publishers Weekly Review" by , "Although Edward Tulane resents being referred to as a toy, much less a doll, most of us would regard him as such. He is, in fact, a rabbit made mostly of china, jointed with wire at the elbows and knees, so that he has quite a range of motion. His ears are bendable wire, covered with rabbit fur, so that they can be arranged to suit his mood — 'jaunty, tired, full of ennui.' He has a lovely, fluffy rabbit fur tail, as well. He prefers not to think about his whiskers, as he darkly suspects their origin in some inferior animal. Edward, thanks to his owner's grandmother, has more clothes, and certainly more elegant clothes, than most children. He even has a little gold pocket watch that really tells time. But the most important thing that Edward has in his pampered life is the love of a 10-year-old girl named Abilene Tulane. Surely, Edward Tulane is a rabbit who has everything — everything that is, but what he most needs. There will be inevitable comparisons of Edward Tulane to The Velveteen Rabbit, and Margery Williams's classic story can still charm after 83 years. But as delightful as it is, it can't match the exquisite language, inventive plot twists and memorable characters of DiCamillo's tale. Edward, unlike Rabbit, has never thought of himself as less than real, he just hasn't caught on to what it means to love anything or anyone beyond his own reflected image. Until, that is, he is rudely set off on the miraculous journey of the title — a journey that begins when Abilene's grandmother tells her and Edward a strange fairy tale of a princess who does not know how to love, and whispers in Edward's ear, 'You disappoint me.' And the journey ends, as any true fairy tale should, with a happily ever after. But it is the journey from pride through humiliation, heartbreak and near destruction that brings Edward to that joyful ending. Even in the galley stage, this is a beautiful book. Ibatoulline's illustrations are simply wonderful, and the high quality of the design incorporates luxurious paper and spaciously arranged blocks of text. But a story for today about a toy rabbit? Okay, I thought, Kate DiCamillo can make me cry for a motherless child and a mongrel stray. She can wring my heart following the trials of two lonely children and a caged tiger, and bring tears to my eyes for a brave little lovesick mouse, but why should I care what happens to an arrogant, over-dressed china rabbit? But I did care, desperately, and I think I can safely predict you will, too." Publishers Weekly (Copyright Reed Business Information, Inc.)
"Review" by , "[T]he story soars because of DiCamillo's lyrical use of language and her understanding of universal yearnings. This will be a pleasure to read aloud."
"Review" by , "This achingly beautiful story shows a true master of writing at her very best....This superb book is beautifully written in spare yet stirring language....An ever-so-marvelous tale."
"Review" by , "DiCamillo spins the tale of Edward, transformed by the lives he touches. The reader will be transformed too. Sumptuous gouache illustrations complement the old-fashioned, dramatic narrative. Keep the tissues handy for this one."
"Review" by , "The prose is spare and considered, and the characters are fully drawn and complete. A further treat is Bagram Ibatoulline's artwork throughout the text. Lush and elegant, it lends Edward the dignity he so richly deserves."
"Synopsis" by , The Miraculous Journey of Edward Tulane is a timeless story told by Newbery-Award winning author Kate DiCamillo. Stunning full-color plates by fine artist Bagram Ibatoulline complement this powerful story about the enduring power of love.
"Synopsis" by ,
The whimsical "autobiography" of an imaginary friend who doesn't know he's imaginary—perfect for fans of The Miraculous Journey of Edward Tulane and Toy Story

Jacques Papier has the sneaking suspicion that everyone except his sister Fleur hates him. Teachers ignore him when his hand is raised in class, he is never chosen for sports teams, and his parents often need to be reminded to set a place for him at the dinner table. But he is shocked when he finally learns the truth: He is Fleur's imaginary friend! When he convinces Fleur to set him free, he begins a surprising, touching, and always funny quest to find himself—to figure out who Jacques Papier truly is, and where he belongs.

Readers will fall in love with Jacques's sweet, quirky voice as he gives them a look at life from an incredible new perspective.

"Synopsis" by ,
In the tradition of E. B. White and Kate DiCamillo comes the magical and moving story of a bird-like boy who longs to fly

Ten-year-old Nashville doesnt feel like he belongs with his family, in his town, or even in this world. He was hatched from an egg his father found on the sidewalk and has grown into something not quite boy and not quite bird. Despite the support of his loving parents and his adoring sister, Junebug, Nashville wishes more than anything that he could join his fellow birds up in the sky. After all, what's the point of being part bird if you can't even touch the clouds?

With an ear for language and a gift for storytelling, Michelle Cuevas will remind fans of Stuart Little and Where the Mountain Meets the Moon that anything is possible. Even flying.

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