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Christine Falls: A Novel

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Christine Falls: A Novel Cover

ISBN13: 9780805081527
ISBN10: 0805081526
Condition: Standard
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Excerpt

Chapter One
 
It was not the dead that seemed to quirke uncanny but the living. When he walked into the morgue long after midnight and saw Malachy Griffin there he felt a shiver along his spine that was to prove prophetic, a tremor of troubles to come. Mal was in Quirkes office, sitting at the desk. Quirke stopped in the unlit body room, among the shrouded forms on their trolleys, and watched him through the open doorway. He was seated with his back to the door, leaning forward intently in his steel-framed spectacles, the desk lamp lighting the left side of his face and making an angry pink glow through the shell of his ear. He had a file open on the desk before him and was writing in it with peculiar awkwardness. This would have struck Quirke as stranger than it did if he had not been drunk. The scene sparked a memory in him from their school days together, startlingly clear, of Mal, intent like this, sitting at a desk among fifty other earnest students in a big hushed hall, as he laboriously composed an examination essay, with a beam of sunlight falling slantways on him from a window somewhere high above. A quarter of a century later he still had that smooth seals head of oiled black hair, scrupulously combed and parted.
 
Sensing a presence behind him, Mal turned his face and peered into the shadowy dark of the body room. Quirke waited a moment and then stepped forward, with some unsteadiness, into the light in the doorway.
 
“Quirke,” Mal said, recognizing him with relief and giving an exasperated sigh. “For Gods sake.”
 
Mal was in evening clothes but uncharacteristically unbuttoned, his bow tie undone and the collar of his white dress shirt open. Quirke, groping in his pockets for his cigarettes, contemplated him, noting the way he put his forearm quickly over the file to hide it, and was reminded again of school.
 
“Working late?” Quirke said, and grinned crookedly, the alcohol allowing him to think it a telling piece of wit.
 
“What are you doing here?” Mal said, too loudly, ignoring the question. He pushed the spectacles up the damp bridge of his nose with a tap of a fingertip. He was nervous.
 
Quirke pointed to the ceiling. “Party,” he said. “Upstairs.”
 
Mal assumed his consultants face, frowning imperiously. “Party? What party?”
 
“Brenda Ruttledge,” Quirke said. “One of the nurses. Her going-away.”
 
Mals frown deepened. “Ruttledge?”
 
Quirke was suddenly bored. He asked if Mal had a cigarette, for he seemed to have none of his own, but Mal ignored this question too. He stood up, deftly sweeping the file with him, still trying to hide it under his arm. Quirke, though he had to squint, saw the name scrawled in large handwritten letters on the cover of it: Christine Falls. Mals fountain pen was on the desk, a Parker, fat and black and shiny, with a gold nib, no doubt, twenty-two karat, or more if it was possible; Mal had a taste for rich things, it was one of his few weaknesses.
 
“How is Sarah?” Quirke asked. He let himself droop sideways heavily until his shoulder found the support of the doorjamb. He felt dizzy, and everything was keeping up a flickering, leftward lurch. He was at the rueful stage of having drunk too much and knowing that there was nothing to be done but wait until the effects wore off. Mal had his back to him, putting the file into a drawer of the tall gray filing cabinet.
 
“Shes well,” Mal said. “We were at a Knights dinner. I sent her home in a taxi.”
 
“Knights?” Quirke said, widening his eyes blearily.
 
Mal turned to him a blank, expressionless look, the lenses of his glasses flashing. “Of St. Patrick. As if you didnt know.”
 
“Oh,” Quirke said. “Right.” He looked as if he were trying not to laugh. “Anyway,” he said, “never mind about me, what are you doing, down here among the dead men?”
 
Mal had a way of bulging out his eyes and drawing upward sinuously his already long, thin form, as if to the music of a snake charmers flute. Quirke had to marvel, not for the first time, at the polished luster of that hair, the smoothness of the brow beneath, the untarnished steely blue of his eyes behind the pebble glass of his specs.
 
“I had a thing to do,” Mal said. “A thing to check.”
 
“What thing?”
 
Mal did not answer. He studied Quirke and saw how drunk he was, and a cold glint of relief came into his eye.
 
“You should go home,” he said.
 
Quirke thought to dispute this—the morgue was his territory—but again suddenly he lost all interest. He shrugged, and with Mal still watching him he turned and weaved away among the body-bearing trolleys. Halfway across the room he stumbled and reached out quickly to the edge of a trolley to steady himself but managed only to grab the sheet, which came away in his hand in a hissing white flash. He was struck by the clammy coldness of the nylon; it had a human feel, like a loose, chill cowl of bloodless skin. The corpse was that of a young woman, slim and yellow-haired; she had been pretty, but death had robbed her of her features and now she might be a carving in soapstone, primitive and bland. Something, his pathologists instinct perhaps, told him what the name would be before he looked at the label tied to her toe. “Christine Falls,” he murmured. “You were well named.” Looking more closely he noticed the dark roots of her hair at forehead and temples: dead, and not even a real blonde.
 
He woke hours later, curled on his side, with a vague but pressing sense of imminent disaster. He had no memory of lying down here, among the corpses. He was chilled to the bone, and his tie was askew and choking him. He sat up, clearing his throat; how much had he drunk, first in McGonagles and then at the party upstairs? The door to his office stood open—surely it was a dream that Mal had been there? He swung his legs to the floor and gingerly stood upright. He was light-headed, as if the top of his skull had been lifted clear off. Raising an arm, he gravely saluted the trolleys, Roman-style, and walked stiffly at a tilt out of the room.
 
The walls of the corridor were matte green and the woodwork and the radiators were thick with many coats of a bilious yellow stuff, glossy and glutinous, less like paint than crusted gruel. He paused at the foot of the incongruously grand, sweeping staircase—the building had been originally a club for Regency rakes—and was surprised to hear faint sounds of revelry still filtering down from the fifth floor. He put a foot on the stair, a hand on the banister rail, but paused again. Junior doctors, medical students, nurses beef to the heel: no, thanks, enough of that, and besides, the younger men had not wanted him there in the first place. He moved on along the corridor. He had a premonition of the hangover that was waiting for him, mallet and tongs at the ready. In the night porters room beside the tall double doors of the main entrance a wireless set was quietly playing to itself. The Ink Spots. Quirke hummed the tune to himself. Its a sin to tell a lie. Well, that was certainly true.
 
When he came out onto the steps the porter was there in his brown dust coat, smoking a cigarette and contemplating a surly dawn breaking behind the dome of the Four Courts. The porter was a dapper little fellow with glasses and dusty hair and a pointed nose that twitched at the tip. In the still-dark street a motorcar oozed past.
 
“Morning, Porter,” Quirke said.
 
The porter laughed. “You know the names not Porter, Mr. Quirke,” he said. The way that tuft of dry brown hair was brushed back fiercely from his forehead gave him a look of permanent, vexed surmise. A querulous mouse of a man.
 
“Thats right,” Quirke said, “youre the porter, but youre not Porter.” Behind the Four Courts now a dark-blue cloud with an aspect of grim intent had begun edging its way up the sky, eclipsing the light of an as yet unseen sun. Quirke turned up the collar of his jacket, wondering vaguely what had become of the raincoat he seemed to remember wearing when he had started drinking, many hours ago. And what had become of his cigarette case? “Have you a cigarette itself to lend me?” he said.
 
The porter produced a packet. “Theyre only Woodbines, Mr. Quirke.”
 
Quirke took the cigarette and bent over the cupped flame of his lighter, savoring the brief, flabby reek of burning petrol. He lifted his face to the sky and breathed deep the acrid smoke. How delicious it was, the days first searing lungful. The lid of the lighter chinked as he flipped it shut. Then he had to cough, making a tearing sound in his throat.
 
“Christ, Porter,” he said, his voice wobbling, “how can you smoke these things? Any day now Ill have you on the slab in there. When I open you up your lights will look like kippers.”
 
The porter laughed again, a forced, breathy titter. Quirke brusquely walked away from him. As he descended the steps he felt in the nerves of his back the fellows suddenly laughless eye following him with ill intent. What he did not feel was another, melancholy gaze angled down upon him from a lighted window five stories above, where vague, festive forms were weaving and dipping still.
 
Drifts of soundless summer rain were graying the trees in Merrion Square. Quirke hurried along, keeping close to the railings as if they might shelter him, the lapels of his jacket clutched tight to his throat. It was too early yet for the office workers, and the broad street was deserted, with not a car in sight, and if not for the rain he would have been able to see unhindered all the way to the Peppercanister Church, which always looked to him, viewed from a distance like this down the broad, shabby sweep of Upper Mount Street, to be set at a slightly skewed angle. Among the clustered chimneys a few were dribbling smoke; the summer was almost over, a new chill was in the air. But who had lit those fires, so early? Could there still be scullery maids to haul the coal bucket up from the basement before first light? He eyed the tall windows, thinking of all those shadowed rooms with people in them, waking, yawning, getting up to make their breakfasts, or turning over to enjoy another half hour in the damp, warm stew of their beds. Once, on another summer dawn, going along here like this, he had heard faintly from one of those windows a womans cries of ecstasy fluttering down into the street. What a piercing stab of pity he had felt for himself then, walking all alone here, before everyone elses day had begun; piercing, and pained, but pleasurable, too, for in secret Quirke prized his loneliness as a mark of some distinction.
 
In the hallway of the house there was the usual smell he could never identify, brownish, exhausted, a breath out of childhood, if childhood was the word for that first decade of misery he had suffered through. He plodded up the stairs with the tread of a man mounting the gallows, his sodden shoes squelching. He had reached the first-floor return when he heard a door down in the hall opening; he stopped, sighed.
 
“Terrible racket again last night,” Mr. Poole called up accusingly. “Not a wink.”
 
Quirke turned. Poole stood sideways in the barely open doorway of his flat, neither in nor out, his accustomed stance, with an expression at once truculent and timid. He was an early riser, if indeed he ever slept. He wore a sleeveless pullover and a dicky-bow, twill trousers sharply creased, gray carpet slippers. He looked, Quirke always thought, like the father of a fighter pilot in one of those Battle of Britain films or, better still, the father of the fighter pilots girlfriend.
 
“Good morning, Mr. Poole,” Quirke said, politely distant; the fellow was often a source of light relief, but Quirkes mood this early morning was not light.
 
Pooles pale gulls eye glittered vengefully. He had a way of grinding his lower jaw from side to side.
 
“All night, no letup,” he said, aggrieved. The other flats in the house were vacant, save for Quirkes on the third floor, yet Poole regularly complained of noises in the night. “Frightful carry-on, bang bang bang.”
 
Quirke nodded. “Terrible. I was out, myself.”
 
Poole glanced back into the room behind him, looked up at Quirke again. “Its the missus that minds,” he said, lowering his voice to a whisper, “not me.” This was a new twist. Mrs. Poole, rarely glimpsed, was a diminutive person with a furtive, frightened stare; she was, Quirke knew for a fact, profoundly deaf. “Ive lodged a strong complaint. I shall expect action, I told them.”
 
“Good for you.”
 
Poole narrowed his eyes, suspecting irony. “Well see,” he said menacingly. “Well see.”
 
Quirke walked on up the stairs. He was at his own door before he heard Poole closing his.
 
Chill air stood unwelcoming in the living room, where the rain murmured against the two high windows, relics of a richer age, which no matter how dull the day were always somehow filled with a muted radiance Quirke found mysteriously dispiriting. He opened the lid of a silver cigarette box on the mantelpiece, but it was empty. He knelt on one knee and with difficulty lit the gas fire from the small flame of his cigarette lighter. With disgust he noted his dry raincoat, thrown over the back of an armchair, where it had been all the time. He rose to his feet too quickly and for a moment saw stars. When his vision cleared he was facing a photograph in a tortoiseshell frame on the mantelpiece: Mal Griffin, Sarah, himself at the age of twenty, and his future wife, Delia, laughingly pointing her racquet at the camera, all of them in tennis whites, walking forward arm in arm into a glare of sunlight. He realized with a faint shock that he could not remember where the picture had been taken; Boston, he supposed, it must have been Boston—but had they played tennis in Boston?
 
He took off his damp suit, put on a dressing gown, and sat down barefoot before the gas fire. He looked about the big, high-ceilinged room and grinned joylessly: his books, his prints, his Turkey carpet—his life. In the foothills of his forties, he was a decade younger than the century. The 1950s had promised a new age of prosperity and happiness for all; they were not living up to their promise. His eye settled on an artists articulated wooden model, a foot high, standing on the low telephone table beside the window, its jointed limbs arranged in a prancing pose. He looked away, frowning, but then with a sigh of annoyance rose and went and twisted the figure into a stance of desolate abasement that would better suit his morning gloom and burgeoning hangover. He returned to the chair and sat down again. The rain ceased and there was silence but for the sibilant hiss of the gas flame. His eyes scalded, they felt as if they had been boiled; he closed them, and shivered as the lids touched, imparting to each other along their inflamed edges a tiny, horrible kiss. Clearly in his mind he saw again that moment in the photograph: the grass, the sunlight, the great hot trees, and the four of them striding forward, young and svelte and smiling. Where was it? Where? And who had been behind the camera?
 
Copyright © 2006 by Benjamin Black. All rights reserved.

What Our Readers Are Saying

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Average customer rating based on 2 comments:

Marjorie Madonne, April 8, 2008 (view all comments by Marjorie Madonne)
I've always admired John Banville & was pleased to discover he has a mystery series under the name Benjamin Black. He's a remarkable writer and Christine Falls is a remarkable book. Great noir atmosphere (it's mostly set in one of my favorite cities, Dublin) and vivid characters. I'm looking forward to the next one in the series.
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Betsy McKenny, April 16, 2007 (view all comments by Betsy McKenny)
How often do you read a novel that not only works as a mystery, but is so well written that you frequently find yourself stopping to re-read a sentence just because it's so beautiful you want the pleasure of reading it again? Not often, but that's what John Banville (writing as "Benjamin Black") has done in Christine Falls. I have a few quibbles about some plot developments that I thought were implausible, but those implausibilities didn't mar my enjoyment of the book -- in fact, they occurred to me only after I had finished reading it, because while I was reading it I was so swept up in the story that nothing else mattered. I look forward to the sequel.
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Product Details

ISBN:
9780805081527
Subtitle:
A Novel
Author:
Black, Benjamin
Author:
Black, Benjamin Eli.
Author:
Banville, John
Author:
Dalton, Timothy
Publisher:
Picador
Subject:
Mystery & Detective - General
Subject:
Medical
Subject:
Catholics
Subject:
Upper class
Subject:
Literary
Subject:
Mystery & Detective - Historical
Subject:
noir
Copyright:
Edition Description:
Trade paper
Series:
Quirke
Series Volume:
No. 1
Publication Date:
March 2007
Binding:
Electronic book text in proprietary or open standard format
Grade Level:
General/trade
Language:
English
Illustrations:
8 CDs, 9.5 hours
Pages:
384
Dimensions:
5.8 x 5.1 x 0.9 in

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Christine Falls: A Novel Used Hardcover
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Product details 384 pages Henry Holt & Company - English 9780805081527 Reviews:
"Publishers Weekly Review" by , "In this expertly paced debut thriller from Irish author Black (the pseudonym of Booker Prize-winner John Banville), pathologist Garret Quirke uncovers a web of corruption in 1950s Dublin surrounding the death in childbirth of a young maid, Christine Falls. Quirke is pulled into the case when he confronts his stepbrother, physician Malachy Griffin, who's altering Christine's file at the city morgue. Soon it appears the entire establishment is in denial over Christine's mysterious demise and in a conspiracy that recalls the classic film Chinatown. And the deeper Quirke delves into the mystery, the more it seems to implicate his own family and the Catholic church. At the start, the novel has the spare melancholy of early James Joyce, describing a Dublin of private clubs, Merrion Square townhouses and the occasional horse-drawn cart; as the plot heats up and the action shifts to Boston, Mass., it becomes more of a standard detective story. Though Black makes an occasional American cultural blooper, he keeps divulging surprises to the last page so that the reader is simultaneously shocked and satisfied. Author tour. (Mar.)" Publishers Weekly (Copyright Reed Business Information, Inc.)
"Review" by , "[An] enjoyable crime novel....A good story, and gorgeous writing."
"Review" by , "Christine Falls is deeply atmospheric....[C]rime-fiction fans who favor garden-variety mysteries may find this complex and deeply ruminative novel more than they bargained for."
"Review" by , "Christine Falls is a triumph, of classical crime fiction, finely, carefully made, not a single false move or wrong word — why oh why don't they write books like this anymore?"
"Review" by , "Leave it to an Irish novelist to nail down what's so scary about parentage, family and belonging."
"Review" by , "Readers who enjoy a meaty, textured tale from a skillful novelist will be well satisfied."
"Review" by , "Mr. Banville, a k a Mr. Black, makes his plot almost secondary to the haunted, richly developed characters who ricochet through this suspenseful but unhurried book, all of them full of secrets and all very much products of their time."
"Synopsis" by ,
In the debut crime novel from the Booker Prize-winning author, a Dublin pathologist follows the corpse of a mysterious woman into the heart of a conspiracy among the city's high Catholic society
"Synopsis" by ,
In the debut crime novel from the Booker-winning author, a Dublin pathologist follows the corpse of a mysterious woman into the heart of

a conspiracy among the city's high Catholic society

 
It's not the dead that seem strange to Quirke. It's the living. One night, after a few drinks at an office party, Quirke shuffles down into the morgue where he works and finds his brother-in-law, Malachy, altering a file he has no business even reading. Odd enough in itself to find Malachy there, but the next morning, when the haze has lifted, it looks an awful lot like his brother-in-law, the esteemed doctor, was in fact tampering with a corpse--and concealing the cause of death.

It turns out the body belonged to a young woman named Christine Falls. And as Quirke reluctantly presses on toward the true facts behind her death, he comes up against some insidious--and very well-guarded--secrets of Dublin's high Catholic society, among them members of his own family.

Set in Dublin and Boston in the 1950s, the first novel in the Quirke series brings all the vividness and psychological insight of Booker Prize winner John Banville's fiction to a thrilling, atmospheric crime story. Quirke is a fascinating and subtly drawn hero, Christine Falls is a classic tale of suspense, and Benjamin Black's debut marks him as a true master of the form.

"Synopsis" by ,
It's not the dead that seem strange to Quirke. It's the living. One night, after a few drinks at an office party, Quirke shuffles down into the morgue where he works and finds his brother-in-law, Malachy, altering a file he has no business even reading. Odd enough in itself to find Malachy there, but the next morning, when the haze has lifted, it looks an awful lot like his brother-in-law, the esteemed doctor, was in fact tampering with a corpse--and concealing the cause of death.

 

It turns out the body belonged to a young woman named Christine Falls. And as Quirke reluctantly presses on toward the true facts behind her death, he comes up against some insidious--and very well-guarded--secrets of Dublin's high Catholic society, among them members of his own family.

 

Set in Dublin and Boston in the 1950s, the first novel in the Quirke series brings all the vividness and psychological insight of Booker Prize winner John Banville's fiction to a thrilling, atmospheric crime story. Quirke is a fascinating and subtly drawn hero, Christine Falls is a classic tale of suspense, and Benjamin Black's debut marks him as a true master of the form.

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