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In the Company of the Courtesan: A Novel

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In the Company of the Courtesan: A Novel Cover

ISBN13: 9781400063819
ISBN10: 1400063817
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Excerpt

chapter one

Rome, 1527

My lady, Fiammetta Bianchini, was plucking her eyebrows and biting color into her lips when the unthinkable happened and the Holy Roman emperor’s army blew a hole in the wall of God’s eternal city, letting in a flood of half-starved, half-crazed troops bent on pillage and punishment.

Italy was a living chessboard for the ambitions of half of Europe in those days. The threat of war was as regular as the harvest, alliances made in winter were broken by spring, and there were places where women bore another child by a different invading father every other year. In the great and glorious city of Rome, we had grown soft living under God’s protection, but such was the instability of the times that even the holiest of fathers made unholy alliances, and a pope with Medici blood in his veins was always more prone to politics than to prayer.

In the last few days before the horror struck, Rome still couldn’t bring herself to believe that her destruction was nigh. Rumors crept like bad smells through the streets. The stonemasons shoring up the city walls told of a mighty army of Spaniards, their savagery honed on the barbarians of the New World, swelled with cohorts of German Lutherans fueled on the juices of the nuns they had raped on their journey south. Yet when the Roman defense led by the nobleman Renzo de Ceri marched through the town touting for volunteers for the barricades, these same bloodthirsty giants became half-dead men marching on their knees, their assholes close to the ground to dispel all the rotting food and bad wine they had guzzled on the way. In this version, the enemy was so pathetic that,\ even were the soldiers to find the strength to lift their guns, they had no artillery to help them, and with enough stalwart Romans on the battlements, we could drown them in our piss and mockery as they tried to scale their way upward. The joys of war always talk better than they play; still, the prospect of a battle won by urine and bravura was enticing enough to attract a few adventurers with nothing to lose, including our stable boy, who left the next afternoon.

Two days later, the army arrived at the gates and my lady sent me to get him back.

On the evening streets, our louche, loud city had closed up like a clam. Those with enough money had already bought their own private armies, leaving the rest to make do with locked doors and badly boarded windows. While my gait is small and bandied, I have always had a homing pigeon’s sense of direction, and for all its twists and turns, Rome had long been mapped inside my head. My lady entertained a client once, a merchant captain who mistook my deformity for a sign of God’s special grace and who promised me a fortune if I could find him a way to the Indies across the open sea. But I was born with a recurring nightmare of a great bird picking me up in its claws and dropping me into an empty ocean, and for that, and other reasons, I have always been afraid of water.

As the walls came into sight, I could see neither lookouts nor sentries. Until now we had never had need of such things, our rambling fortifications being more for the delight of antiquarians than for generals. I clambered up by way of one of the side towers, my thighs thrumming from the deep tread of the steps, and stood for a moment catching my breath. Along the stone corridor of the battlement, two figures were slouched down against the wall. Above me, above them, I could make out a low wave of moaning, like the murmur of a congregation at litany in church. In that moment my need to know became greater than my terror of finding out, and I hauled myself up over uneven and broken stones as best I could until I had a glimpse above the top.

Below me, as far as the eye could see, a great plain of darkness stretched out, spiked by hundreds of flickering candles. The moaning rolled like a slow wind through the night, the sound of an army joined in prayer or talking to itself in its sleep. Until then I think even I had colluded in the myth of our invincibility. Now I knew how the Trojans must have felt as they looked down from their walls and saw the Greeks camped before them, the promise of revenge glinting off their polished shields in the moonlight. Fear spiked my gut as I scrambled back down onto the battlement, and in a fury I went to kick the sleeping sentries awake. Close to, their hoods became cowls, and I made out two young monks, barely old enough to tie their own tassels, their faces pasty and drawn. I drew myself to my full height and squared up to the first, pushing my face into his. He opened his eyes and yelled, thinking that the enemy had sent a fatheaded, smiling devil out of Hell for him early. His panic roused his companion. I put my fingers to my lips and grinned again. This time they both squealed. I’ve had my fair share of pleasure from scaring clerics, but at that moment I wished that they had more courage to resist me. A hungry Lutheran would have had them split on his bayonet before they might say Dominus vobiscum. They crossed themselves frantically and, when I questioned them, waved me on toward the gate at San Spirito, where, they said, the defense was stronger. The only strategy I have perfected in life is one to keep my belly full, but even I knew that San Spirito was where the city was at its most vulnerable, with Cardinal Armellini’s vineyards reaching to the battlements and a farmhouse built up and into the very stones of the wall itself.

Our army, such as it was when I found it, was huddled in clumps around the building. A couple of makeshift sentries tried to stop me, but I told them I was there to join the fight, and they laughed so hard they let me through, one of them aiding me along with a kick that missed my rear by a mile. In the camp, half the men were stupid with terror, the other half stupid with drink. I never did find the stable boy, but what I saw instead convinced me that a single breach here and Rome would open up as easily as a wife’s legs to her handsome neighbor.

Back home, I found my mistress awake in her bedroom, and I told her all I had seen. She listened carefully, as she always did. We talked for a while, and then, as the night folded around us, we fell silent, our minds slipping away from our present life, filled with the warmth of wealth and security, toward the horrors of a future that we could barely imagine.

By the time the attack came, at first light, we were already at work. I had roused the servants before dawn, and my lady had instructed them to lay the great table in the gold room, giving orders to the cook to slaughter the fattest of the pigs and start preparing a banquet the likes of which were usually reserved for cardinals or bankers. While there were mutterings of dissent, such was her authority—or possibly their desperation—that any plan seemed comforting at the moment, even one that appeared to make no sense.

The house had already been stripped of its more ostentatious wealth: the great agate vases, the silver plates, the majolica dishes, the gilded crystal Murano drinking glasses, and the best linens had all been stowed away three or four days before, wrapped first inside the embroidered silk hangings, then the heavy Flemish tapestries, and packed into two chests. The smaller one was so ornate with gilt and wood marquetry that it had to be covered again with burlap to save it from the damp. It had taken the cook, the stable boy, and both of the twins to drag the chests into the yard, where a great hole had been dug under the flagstones close to the servants’ latrines. When they were buried and covered with a blanket of fresh feces (fear is an excellent loosener of the bowels), we let out the five pigs, bought at a greatly inflated price a few days earlier, and they rolled and kicked their way around, grunting their delight as only pigs can do in shit.

With all trace of the valuables gone, my lady had taken her great necklace—the one she had worn to the party at the Strozzi house, where the rooms had been lit by skeletons with candles in their ribs and the wine, many swore afterward, had been as rich and thick as blood—and to every servant she had given two fat pearls. The remaining ones she told them were theirs for the dividing if the chests were found unopened when the worst was over. Loyalty is a commodity that grows more expensive when times get bloody, and as an employer Fiammetta Bianchini was as much loved as she was feared, and in this way she cleverly pitted each man as much against himself as against her. As to where she had hidden the rest of her jewelry, well, that she did not reveal.

What remained after this was done was a modest house of modest wealth with a smattering of ornaments, two lutes, a pious Madonna in the bedroom, and a wood panel of fleshy nymphs in the salon, decoration sufficient to the fact of her dubious profession but without the stench of excess many of our neighbors’ palazzi emitted. Indeed, a few hours later, as a great cry went up and the church bells began to chime, each one coming fast on the other, telling us that our defenses had been penetrated, the only aroma from our house was that of slow-roasting pig, growing succulent in its own juices.

Those who lived to tell the tale spoke with a kind of awe of that first breach of the walls; of how, as the fighting got fiercer with the day, a fog had crept up from the marshes behind the enemy lines, thick and gloomy as broth, enveloping the massing attackers below so that our defense force couldn’t fire down on them accurately until, like an army of ghosts roaring out of the mist, they were already upon us. After that, whatever courage we might have found was no match for the numbers they could launch. To lessen our shame, we did take one prize off them, when a shot from an arquebus blew a hole the size of the Eucharist in the chest of their leader, the great Charles de Bourbon. Later, the goldsmith Benvenuto Cellini boasted to anyone who would listen of his miraculous aim. But then, Cellini boasted of everything. To hear him speak—as he never stopped doing, from the houses of nobles to the taverns in the slums—you would have thought the defense of the city was down to him alone. In which case it is him we should blame, for with no leader, the enemy now had nothing to stop their madness. From that first opening, they flowed up and over into the city like a great wave of cockroaches. Had the bridges across the Tiber been destroyed, as the head of the defense force, de Ceri, had advised, we might have trapped them in the Trastevere and held them off for long enough to regroup into some kind of fighting force. But Rome had chosen comfort over common sense, and with the Ponte Sisto taken early, there was nothing to stop them.

And thus, on the sixth day of the month of May in the year of our Lord 1527, did the second sack of Rome begin.

What couldn’t be ransomed or carried was slaughtered or destroyed. It is commonly said now that it was the Lutheran lansquenets troops who did the worst. While the Holy Roman Emperor, Charles V, might be God’s sworn defender, he wasn’t above using the swords of heretics to swell his army and terrify his enemies. For them Rome was sweet pickings, the very home of the Antichrist, and as mercenaries whom the emperor had conveniently forgotten to pay, they were as much in a frenzy to line their pockets as they were to shine their souls. Every church was a cesspool of corruption, every nunnery the repository for whores of Christ, every orphan skewered on a bayonet (their bodies too small to waste their shot on) a soul saved from heresy. But while all that may be true, I should say that I also heard as many Spanish as German oaths mixed in with the screaming, and I wager that when the carts and the mules finally rode out of Rome, laden with gold plate and tapestries, as much of it was heading for Spain as for Germany.

Had they moved faster and stolen less in that first attack, they might have captured the greatest prize of all: the Holy Father himself. But by the time they reached the Vatican palace, Pope Clement VII had lifted up his skirts (to find, no doubt, a brace of cardinals squeezed beneath his fat stomach) and, along with a dozen sacks hastily stuffed with jewels and holy relics, run as if he had the Devil on his heels to the Castel Sant’Angelo, the drawbridge rising up after him with the invaders in sight and a dozen priests and courtiers still hanging from its chains, until they had to shake them off and watch them drown in the moat below.

With death so close, those still living fell into a panic over the state of their souls. Some clerics, seeing the hour of their own judgment before them, gave confessions and indulgences for free, but there were others who made small fortunes selling forgiveness at exorbitant rates. Perhaps God was watching as they worked: certainly when the Lutherans found them, huddled like rats in the darkest corners of the churches, their bulging robes clutched around them, the wrath visited upon them was all the more righteous, as they were disemboweled, first for their wealth and then for their guts.

Meanwhile, in our house, as the clamor of violence grew in the distance, we were busy polishing the forks and wiping clean the second-best glasses. In her bedroom, my lady, who had been scrupulous as ever in the business of her beauty, put the finishing touches to her toilette, and came downstairs. The view from her bedroom window now showed the occasional figure skidding and hurtling through the streets, his head twisting backward as he ran, as if fearful of the wave that was to overwhelm him. It would not be long before the screams got close enough for us to distinguish individual agonies. It was time to rally our own defense force.Copyright © 2006 by Sarah Dunant

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stevenlight, August 18, 2006 (view all comments by stevenlight)
Set in Venice and Rome, In the Company of the Courtesan is Dunant's second book about Renaissance Italy. In this book, a Roman courtesan, Fiametta, and her dwarf, Bucino, are victims of the sack of Rome in 1527. Barely escaping with their lives, they end up in Venice where they have to live off the gems they swallowed to ensure their fortune when arriving in Venice.
Hopeful about coming home, Fiametta is devastated to learn that her mother had recently passed away. From this point forward Fiametta, Bucino, Meragosa (their house servant) and La Draga (the healer) are wrapped in a series of events that eventually lead to one's disappearance and one's death.
In the Company of the Courtesan is a good book. The writing is captivating and the story is very interesting. I couldn't wait for my daily reading time to find out how things were going to progress. The story is told from Bucino's perspective, so we have a first-person account of the life of a dwarf and the pains--both physical and emotional--that he endures as a result of his deformity. Intrigue, sexual politics, and the mystery of Venice supply ample setting for a fulfilling read.
Also recommended: Conversation with Spinoza by Goce Smilevski, Girl with a Pearl Earring by Tracy Chevalier.
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(19 of 33 readers found this comment helpful)
stevenlight, August 18, 2006 (view all comments by stevenlight)
Set in Venice and Rome, In the Company of the Courtesan is Dunant's second book about Renaissance Italy. In this book, a Roman courtesan, Fiametta, and her dwarf, Bucino, are victims of the sack of Rome in 1527. Barely escaping with their lives, they end up in Venice where they have to live off the gems they swallowed to ensure their fortune when arriving in Venice.
Hopeful about coming home, Fiametta is devastated to learn that her mother had recently passed away. From this point forward Fiametta, Bucino, Meragosa (their house servant) and La Draga (the healer) are wrapped in a series of events that eventually lead to one's disappearance and one's death.
In the Company of the Courtesan is a good book. The writing is captivating and the story is very interesting. I couldn't wait for my daily reading time to find out how things were going to progress. The story is told from Bucino's perspective, so we have a first-person account of the life of a dwarf and the pains--both physical and emotional--that he endures as a result of his deformity. Intrigue, sexual politics, and the mystery of Venice supply ample setting for a fulfilling read.
The only complaint I have about the book is that the characters are not as rich and inviting as they could have been. It isn't until the end that I really feel sympathy or notice a complexity to the characters. Having enjoyed the characters so much in Birth of Venice, I was a bit disappointed in this aspect of the book; however, it is not so distracting that I wouldn't highly recommend it to readers interested in historical fiction.
Also recommended: Conversation with Spinoza by Goce Smilevski, Girl with a Pearl Earring by Tracy Chevalier.
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(9 of 17 readers found this comment helpful)
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Product Details

ISBN:
9781400063819
Author:
Dunant, Sarah
Publisher:
Random House
Subject:
General
Subject:
Literary
Subject:
History
Subject:
Historical - General
Subject:
Blind women
Copyright:
Publication Date:
February 14, 2006
Binding:
Hardcover
Language:
English
Pages:
371
Dimensions:
9.40x5.78x1.27 in. 1.27 lbs.

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In the Company of the Courtesan: A Novel Used Hardcover
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Product details 371 pages Random House - English 9781400063819 Reviews:
"Publishers Weekly Review" by , "Renaissance Italy enchants in Dunant's delicious second historical (after The Birth of Venus), as a wily dwarf Bucino Teodoldo recounts fantastic escapades with his mistress, celebrated courtesan Fiammetta Bianchini. Escaping the 1527 sacking of Rome with just the clothes on their backs (and a few swallowed jewels in their bellies), Fiammetta and Bucino seek refuge in Venice. Starved, stinking, her beauty destroyed, Fiammetta despairs — but through cunning, will, Bucino's indefatigable loyalty and the magic of a mysterious blind healer called La Draga, she eventually recovers. Aided by a former adversary, who now needs her as much as she needs him, Fiammetta finds a wealthy patron to establish her in her familiar glory. Through Bucino's sharp-eyed, sharp-tongued narration, Dunant crafts a vivid vision of Venetian life: the weave of politics and religion; the layers of class; the rituals, intrigue, superstitions and betrayals. Dunant's characters — the steely courtesan whose glimpse of true love nearly brings her to ruin; the shrewd and passionate dwarf who turns his abnormalities into triumph; and the healer whose mysterious powers and secrets leave an indelible mark on the duo — are irresistible throughout their shifting fortunes." Publishers Weekly (Starred Review) (Copyright Reed Business Information, Inc.)
"Review A Day" by , "Dunant explores and enjoys Venice. And it is Venice that captivates her most and on which she concentrates her powerful descriptive talent. While the story meanders like the canals, throwing up the odd dead end, Dunant uses research and observation to conjure up a sharp city: its dank stinking waterways, its cruel nobility and harsh laws, its fabric of stone mansions and sumpy ghettos, its glittering, gleaming, sparkling, sly and silky water." (read the entire Washington Post Book World review)
"Review" by , "Dunant offers another lush and intelligent piece of historical fiction....Dunant is the kind of writer a reader will follow anywhere, trusting completely in her ability both to bring a time and place to life and to tell an enthralling story."
"Review" by , "The novel's plot is not particularly tight, but there are some great set-pieces....Otherwise, this amiable, intelligent story ambles along pretty much of its own accord, toward a good surprise at the end."
"Review" by , "It is rare that fiction writing and research intertwine as seamlessly as they do here. The portrait that Dunant paints of Renaissance Venice sparkles...and the story herein is perfect in its portrayal of human imperfection..."
"Synopsis" by , Set in Renaissance Italy, this follow-up to Dunant's The Birth of Venus recounts the fantastic escapades of Bucino Teodoldo, a wily dwarf, and his mistress, celebrated courtesan Fiammetta Bianchini, who escape to Venice where intrigue awaits.
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